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Showing 2033–2048 of 9481 results
Rasa theory, part of Indian genre theory and Sanskritic poetics, describes an elaborate typology of nine essences or emotions, ranging from adbhuta (wonder) to raudra (fury) to karuna (sorrow) to santa (serentity). This first collection of poetry by Kuldip Gill is rich with these emotions.Gill, a Sikh woman who immigrated to Canada in 1939, creates poems that open different worlds as they inform and fascinate. This is a poetics that intertwines English and Punjabi, life in Canada and life in India, past and present, myth and imagination. The reader is invited to accompany Gill as she reads the love letters her father wrote to her mother; travels to British Columbia on the CPR Steamship Empress of Japan; visits the streets of New Dehli and Benares; and relives her family’s struggles and challenges as they try to make a home in a new land.Lush and lyrical, powerful and evocative, Gill’s words will sing to you long after you’ve finished her last poem.
Diagnostic Tool
Diana
Abdul and Solomon introduce newbie Bai to the intricacies and dignity of gravedigging for the town down the hill, until exposure to a deadly illness sweeping through the community means they are prohibited from entering town. The three must make the best of a bad situation as their isolated workload increases and support from the townsfolk diminishes.
Based on the West African Ebola epidemic and echoing the collective experiences of COVID-19, Donna-Michelle St. Bernard’s latest work from her acclaimed 54ology series offers a fascinating and inspired portrait of the unsung heroes who do our dirty work in the shadows. Blending workplace levity with profound reflections on duty, hope, and interdependence, Diggers is a tribute to essential workers everywhere.
Especially necessary in a historical moment in which many theatre companies have been forced to move their work online, Digital Performance in Canada illuminates the influence and ubiquity of digital technology on performance practices in Canada. This collection of essays explores how digital technology forces us to reimagine our relationships to performance. Looking at the three categories of space, bodies, and relationships, this collection includes contributors Bruce Barton, Beth Kates, Chris Eaket, Alan Filewod, Peter Kuling, Pirkko Markula, Kim McLeod, Jennifer Nikolai, Xavia Publius, and Andrea Roberts.
Digsite draws on Nicholson’s experience working in the Alberta oil sands and arboreal forest, taking an archaeological lens to its subject, and in this way, reimagines tens of thousands of years of human existence. These poems grow from a schism between the current place of living and the ones in which we are pulled back to, in particular, the places we no longer occupy.Nicholson’s language draws on his archaeological and fieldwork background as he burrows and grinds the places we have lost, consistently underpinned by the grief that must accompany such a fervent exploration. In these discoveries, Nicholson presents us with the material remains of our own abandonment, of loss and acceptance, and ultimately leaves us with more questions than when we began.
The Peak: a university student newspaper with a hard-hitting mix of inflammatory editorials, hastily thrown-together comics and reviews, and a news section run the only way self-taught journalists know how—sloppily.
Alex and Tracy are two of The Peak‘s editors, staring down graduation and struggling to keep the paper relevant to an increasingly indifferent student body. But trouble looms large when a big-money free daily comes to the west-coast campus, threatening to swallow what remains of their readership whole.
It’ll take the scoop of a lifetime to save their beloved campus rag. An exposé about the mysterious filmed-on-campus viral video? Some good old-fashioned libel? Or what about that fallen Hollywood star, the one who’s just announced he’s returning to Simon Fraser University to finish his degree?
With savage wit, intoxicating energy, and a fine-tuned ear for the absurd, Michael Hingston drags the campus novel, kicking and screaming, into the 21st century.
?In the chronicles of television’s history, Rod Serling’s Twilight Zone is considered by far the medium’s quintessential creation. The CBS series that debuted in 1959 and aired for 156 episodes offered black-and-white morality plays both terrifying and poignant. Each week the ominous voice and brilliant mind of writer Serling took audiences on a trip through his surrealist realm of fantasy and science fiction, beyond the boundaries of imagination.
Dimensions Behind the Twilight Zone is a visually stunning backstage glimpse through time and space, into the history and making of the Twilight Zone. Author Stewart T. Stanyard, creator of The Twilight Zone Archives online, invites readers to explore a portion of the archives collection: over 300 original behind-the-scenes production stills taken during the filming of the show. Accompanied by insightful captions, the book includes rare documents and interviews with 40 producers, directors, writers, and actors who worked on the series, such as Dennis Weaver, Bill Murray, Shelly Berman, Earl Holliman, and Earl Hamner, Jr. The book also features candid interviews with Serling’s wife Carol, brother and writer Robert, and Serling’s influential teacher Helen Foley. Aside from five informative and analytical chapters by the author, it features tribute essays by several Hollywood personalities, including Rush drummer Neil Peart, Simpsons producer Dana Gould, and Star Trek: Next Generation writer Robert Hewitt Wolfe.
“This culinary cosmic outing is as creative as it is informative.” — STARRED review, Publishers WeeklyFrom Impossible Burgers to lab-made sushi, two witty, plugged-in food scientists explore leading-edge AgTech for the answer to feeding a settlement on Mars — and 9 billion Earthlings tooFeeding a Martian is one of the greatest challenges in the history of agriculture. Will a Red Planet menu involve cheese and ice cream made from vats of fermented yeast? Will medicine cabinets overflow with pharmaceuticals created from engineered barley grown using geothermal energy? Will the protein of choice feature a chicken breast grown in a lab? Weird, wonderful, and sometimes disgusting, figuring out “what’s for dinner on Mars” is far from trivial. If we can figure out how to sustain ourselves on Mars, we will know how to do it on Earth too. In Dinner on Mars, authors Fraser and Newman show how setting the table off-planet will supercharge efforts to produce food sustainably here at home.For futurists, sci-fi geeks, tech nuts, business leaders, and anyone interested in the future of food, Dinner on Mars puts sustainability and adaptability on the menu in the face of our climate crisis.
Sharing a title with Henry Kissinger’s infamous book, Tim Carlson’s play Diplomacy is a graphic, conflict-fuelled drama with moments of heartbreak and dark humour—a reflection on the international themes that have come to define our contemporary world. Nominally about Canada and America’s active military involvement in the Middle East’s many theatres of war, it scrutinizes the part the media plays in manufacturing our private reactions to foreign policy—how the new phenomenon of “embedded journalism” has become complicit in making everything personal, political.
Roy deserted the US Army during the Vietnam War to become a historian specializing in Canadian diplomacy. His Vietnamese-born wife, Thu Van, has flashbacks to the “shock and awe” she experienced as a girl, while the new armed conflicts heat up in the Middle East where their daughter, An, serves as a Canadian diplomat in Damascus. Roy’s best friend Sinclair is an ambitious, possibly unprincipled, newsman. His interest and obvious involvement in Thu Van’s public self-immolation makes him decidedly suspect. “We don’t need a lot of martyrs but we need a few,” argues Thu Van in Sinclair’s videotape of her suicide statement.
Following the suicide protest of Thu Van, Roy’s principles are shaken: once believing his desertion was an honourable reaction to a dishonourable war, he now believes he was misguided. His grief, fury, fear and despair keep this play on its razor’s edge.
Like diplomacy itself, perhaps none of Carlson’s characters are new. But his dramatization of how our personal lives are increasingly shaped by what used to be called “public affairs” is compelling—the usefulness (or uselessness) of martyrdom certainly remains an overwhelmingly contemporary question.