Desert of the Heart

By (author): Jane Rule

When Jane Rule’s first novel, Desert of the Heart, was published in 1964, it was an auspicious beginning for a writer who would build a reputation on her unflinching views about sexuality, relationships and the painful constrictions of societal convention. Even more astonishing is the way in which the novel has retained its cool quiet beauty and power of expression decades later.

Evelyn Hall is a literature professor who travels to Reno, Nevada in the summer of 1958 in order to obtain a divorce and thus put an end to her disastrous sixteen-year marriage. She is divorcing her husband on the advice of his psychiatrist because, this being the ’50s, he believes that Evelyn’s success is causing her husband’s depression. During her six-week stay at a boarding house (a residency requirement) Evelyn meets Ann Childs.

At once, the narrative enters an aesthetic space that calls to mind the mythical preoccupations of Thomas Mann, the philosophical speculations of Frederich Nietzsche, the artistic theories of Camille Paglia, and the wry ironic humour of Iris Murdoch. They rapidly become aware of an increasing tension, arising in part from the generational gap between Evelyn and this young woman who bears a striking physical resemblance to her.

As for Ann, she is most alluring in her representation of freedom to Evelyn, from her innate artistic prowess to her unconventional liaisons amid the smoky nocturnal backdrop of casino life. And once these women have found the promise of a significant relationship, Rule’s rather open-ended question is whether or not it can survive the toxic atmosphere, not simply of an unruly gambling town, but of the past sorrows and hardships each of the characters is attempting to put behind them.

The title derives from W.H. Auden’s elegy for Yeats—“In the desert of the heart / Let the healing fountain start.”

AUTHOR

Jane Rule

Jane Rule was born in New Jersey in 1931 and came to Canada in 1956, where she later taught at the University of British ­Columbia. Her first novel, Desert of the Heart (1964), in which two women fall in love in 1950s Reno, Nevada, was successful as a 1985 feature film titled Desert Hearts. Rule emerged as one of the most respected writers in Canada with her many novels, essays, and collections of short stories, ­including Theme for Diverse Instruments (1975). She received the Canadian Authors Association best novel and best short story awards, the American Gay Academic Literature Award, the U.S. Fund for Human Dignity Award of Merit, the Canadian ­National Institute for the Blind’s Talking Book of the Year Award, and an honorary doctorate of letters from the University of British Columbia. In 1996, Jane Rule received the George Woodcock Lifetime Achievement Award for an Outstanding Literary Career in British Columbia. She passed away in 2007.

Reviews

“In the context of lesbian literary history, Desert of the Heart is among the first novels to end happily, or at least end with the idea that happiness might be achievable … The novel is a sweetly sentimental coming out story and the sentimentality works particularly well 40 years later because it takes on a retro charm.”
Xtra! Toronto


“Cool, clear-eyed, compassionate and unsentimental.”
Globe and Mail


“An intelligent and utterly believable novel.”
Joyce Carol Oates


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When Jane Rule’s first novel, Desert of the Heart, was published in 1964, it was an auspicious beginning for a writer who would build a reputation on her unflinching views about sexuality, relationships and the painful constrictions of societal convention. Even more astonishing is the way in which the novel has retained its cool quiet beauty and power of expression decades later.

Evelyn Hall is a literature professor who travels to Reno, Nevada in the summer of 1958 in order to obtain a divorce and thus put an end to her disastrous sixteen-year marriage. She is divorcing her husband on the advice of his psychiatrist because, this being the ’50s, he believes that Evelyn’s success is causing her husband’s depression. During her six-week stay at a boarding house (a residency requirement) Evelyn meets Ann Childs.

At once, the narrative enters an aesthetic space that calls to mind the mythical preoccupations of Thomas Mann, the philosophical speculations of Frederich Nietzsche, the artistic theories of Camille Paglia, and the wry ironic humour of Iris Murdoch. They rapidly become aware of an increasing tension, arising in part from the generational gap between Evelyn and this young woman who bears a striking physical resemblance to her.

As for Ann, she is most alluring in her representation of freedom to Evelyn, from her innate artistic prowess to her unconventional liaisons amid the smoky nocturnal backdrop of casino life. And once these women have found the promise of a significant relationship, Rule’s rather open-ended question is whether or not it can survive the toxic atmosphere, not simply of an unruly gambling town, but of the past sorrows and hardships each of the characters is attempting to put behind them.

The title derives from W.H. Auden’s elegy for Yeats—“In the desert of the heart / Let the healing fountain start.”

Reader Reviews

Details

Dimensions:

224 Pages
9in * 229mm * 6in * 152mm * 0.5625in14mm
312gr
11.125oz

Published:

January 01, 1991

City of Publication:

Vancouver

Country of Publication:

CA

Publisher:

Talonbooks

ISBN:

9780889223011

9780889227286 – EPUB

Book Subjects:

FICTION / LGBTQ+ / Lesbian

Featured In:

All Books

Language:

eng

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