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Throughout human history, great and free nations have been built on noble dreams. Recently, in some once promising nations, dreams of betterment and possibility, have been effectively compromised. The current political landscape, featuring cold partisan interest, calculated distraction, divisive fear mongering, negativity, and voter disillusionment, has enabled a perfect storm of toxic dysfunction. To make matters worse, personal integrity and accountability have become almost non-existent in political leaders. In such an environment, dreams of social, economic and ecological justice can easily be thwarted. Progress can become much more selective, favouring power and privilege. This handbook integrates critical thinking and media literacy to refocus democratic dreams on more constructive collective pursuits, to re-energize dreamers, and to help hold elected leaders more accountable for their actions and omissions. It is important to speak truth to power, and justice to privilege, in order to empower dreamers
Waterton is a town with dark secrets, and after a summer of murder and mayhem, American ex-pat, Rich Evans, knows exactly how far people will go to hide them. Jobless after the fiery destruction of the hotel he once managed, Rich is charged with arson. Only one person, local mechanic Louise “Lou” Newman, believes in his innocence. But even Lou’s love and support can’t dispel the darkness that’s spreading through the community. Dead animals appear on porches, strangers threaten the safety of the locals, and a fingerprint from the fire is linked to a decades-old murder.
The lonely border town has a new danger: a murderer willing to do anything to protect a web of secrets that links them to the arson.
An Independent Best Book to Look Out For in 2025
At an elite secondary school in the English countryside, students and teachers cope with a sudden loss.
In the aftermath of a shocking death, students and teachers at an elite English school grapple with their disorientation and grief. Yet the bell continues to ring, and amidst grief, normal life—lessons, arguments, flirtations—goes on. At the seeming center of the clock’s sweeping hands is Tin, feared and adored in equal measure, and newly betrayed by Robin, her best friend. As the heat of the late spring day intensifies, allegiances strain and rivalries escalate, and old secrets start to surface.
Set against a backdrop of strikes and economic unrest, and across the stratified milieus of a small town in the late 1980s, Dark Like Under is at the same time languorous with sun-soaked, rural beauty. Thrumming with the richly detailed inner lives of its varied cast of characters, this luminous debut captures the promise and risk of late adolescence and is a profound exploration of resilience and connection, frustration and grief, renewal and the legacies we leave.
A disgraced Toronto police detective tries to save a missing teenaged girl in a novel that “ramps up the suspense to fever pitch.” — Publishers Weekly
He may have been cleared of murder charges, but that doesn’t mean Steve Nastos’s troubles are over. Some of his former colleagues on the force still think he belongs in prison, and his wife wants him to finally free himself from the darkness that has been fueling his law enforcement career — and his life.
But he’s made a promise to a stranger: to find Lindsay Bannerman, a troubled teenager who has gone missing from her upper-class adoptive home. Teaming up with his similarly disgraced lawyer, he is about to unravel a tale of sadistic abuse and follow a trail littered with lies, deceptions, and lifeless bodies …
In The Dark Time of Angels, Pier Giorgio Di Cicco continues the exploration of spiritual themes that he began in the critically acclaimed The Honeymoon Wilderness, which Michael Redhill in The Globe and Mail called, ‘a startling and beautiful work.’ Personal yet universal, Di Cicco’s poetry is marked by a lyricism that is unflinching in the face of chaos and contradiction. In a world of suffering, he identifies faith in the oddest places and joy in the smallest things. The Dark Time of Angels is a powerful testament of hope, by one of our finest writers.
A NEW YORK TIMES BEST POETRY BOOK OF 2018
Snow, canoes, frozen ponds, lonely conifers . . . Dark Woods takes the motifs and landscape of a Canadian childhood and examines their place in a world of smartphones and overflowing inboxes. The result, Sanger’s first book in 16 years, is a striking new collection full of mysteries and reassessments, wordplay, slang, and sonnets, meditations on parenthood and the “cracks in the granite”: those urges that won’t go away, and the people who have.
Eight months after his own brush with death over Alberta’s Cardinal Divide, Cole Blackwater has learned that his good friend and former client Archie Ravenwing is presumed dead on the waters of British Columbia’s Broughton Archipelago. Days before his disappearance, Ravenwing was on the brink of unravelling a corporate conspiracy surrounding an outbreak of sea lice that could decimate wild salmon along the BC coastline. While Cole and newspaper reporter Nancy Webber search for answers, Cole is haunted by the dark secret surrounding his own father’s mysterious death. For Nancy Webber, whose long-forgotten feelings for Cole have risen to the surface again, getting to the bottom of Cole’s family history becomes both a professional and personal obsession. The Darkening Archipelago, the second book of the Cole Blackwater series, is a race to keep both human souls and wild ecosystems from falling into darkness.
A transparent first-hand account of a Black officer maneuvering through three terrifying yet rewarding decades of policing, all while seeking reform in law enforcementWhen 16-year-old Keith Merith finds himself pulled over, berated, and degraded by a white police officer, he’s outraged. He’s done nothing wrong. But the officer has the power, and he doesn’t. From that day on, he vows to join a police service and effect change from within.Twelve years and a multitude of infuriating applications later, Merith is finally hired by York Regional Police. Subjected to unfair treatment and constant microaggressions, he perseveres and gradually rises through the ranks, his goal of systemic change carrying him through. After a stellar career, Merith retires at the rank of superintendent, but his desire for sustained and equitable reform is stronger than ever.In A Darker Shade of Blue, Merith shares both his gut-wrenching and heart-warming experiences and advocates for immediate police reform in a balanced and level-headed manner. He praises the people in blue, but he also knows on a visceral level that there are deep issues that need to be rectified — starting with recruitment. He knows that law enforcement agencies should reflect the communities they serve and protect, and that all citizens should be treated equally. Entrusted with the duty to serve, Merith delivers an evocative perspective of policing by providing the opportunity to walk in his shoes, as a Black man, and as a police officer on the front lines.
In his fourth collection of poetry, Tim Bowling continues his exploration of loss, heartache, joy and wonder. Employing a supple lyricism that is at turns tender and fierce, he draws on his experiences as a father and son, on his memories of childhood, and on his journeys into landscape as ways to explore the deep mysteries at the heart of consciousness. Darkness and Silence moves from the lush riverscape of BC’s south coast to the eerie moonscape of the Alberta badlands, from elegiac considerations of the lives of other writers (such as Al Purdy in “Elegy for an Elegist” and Willa Cather in “I Went into the Gardens of the Empress Hotel”), to the imagistic meditations on the simple acts of washing dishes, going for a walk, or returning home after a day’s work.These highly crafted poems, rich with startling metaphors and vivid images, underline Robert Frost’s idea that poetry is, above all else, a performance. Bowling believes wholeheartedly in emotion and drama, and he puts his deep love and respect for the sounds and rhythms of English into every line he writes. Intellectual without being academic, and philosophical without being abstract, he is a poet fully engaged with the challenges, beauties and hard truths of day-to-day living.
A ghostly tale of family ties and madness.
A young man, Ray, returns to where he was born, Weyburn, SK, after several years traveling anonymously around the country. He’s recently been suffering from frightening nightmares and he feels they may have something to do with his past, especially within the walls of the abandoned former mental asylum where his father had worked and his mother had been a patient. Old loves, old wounds and old grievances are rekindled, made especially difficult by the fact that his brother is the town sheriff and is also married to Ray’s former girlfriend. The presence of an older, mute, indigenous woman adds to the mystery
These new, off-side stories continue M.A.C. Farrant’s exploration of the relation of fiction to the evolving corporate construction of reality in the media and information age. Objective reality (what’s out there) in our culture has become a performance of make-believe (fiction), and the disassociation and confusion this causes in our private lives often triggers uncontrollable tragi-comic effects in people—a deadening lethargy and/or a destructive violence acted out in a context of the most excruciatingly bright banalities.
Reading The Origin of the Species today, we realize that the prevailing view of the universe is always only that—the prevailing view—and that the job at hand is therefore to discover the constantly recurring human “will to meaning,” the ways in which we frame existence, sustaining ourselves in the face of what we continue to convince ourselves is the inevitable.
Darwin Alone in the Universe stands against the view that we live in a “post-historical” world in which whatever history we now possess is served up as the current spectacle in a tyranny of the perpetual “now.” It is a reaffirmation of history as a process that clears a path through the world, making sense of making sense, temporarily. In this, or any world, literature becomes an antidote to the stranglehold the corporate media has on the public’s imagination, and is the place where uncontaminated thought can still be found, “where individual voices surface relentlessly like life-rings in a wild sea.”
In a city known for wealth and prosperity, the divide between haves and have-nots is rarely clearer than on moving day, when those two worlds come together in intimate fashion. Violent ex-cons and drug addicts are invited into spacious homes, entrusted with the care and transport of the possessions of the upper classes — a unique bridging of two normally segregated worlds.
Darwin’s Moving is an intriguing and affecting exploration of class divides by a journalist and former mover. Taylor Lambert takes us behind the scenes of a familiar industry that is almost completely undocumented in Canadian literature to reveal the cycles of poverty and addiction that ensnare its workers. This is the Other Calgary, a world populated by transient men and women struggling to survive in a boomtown’s shadow.