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Edmond Rostand’s beloved classic, Cyrano de Bergerac, is an epic and heroic tale that has fascinated and enchanted generations. Not since 1938 has there been a more readable or stageable prose translation of this classic favourite. With a rich tapestry of gallant soldiers, starving poets, musketeers, marquises and bluestockings, Cyrano de Bergerac moves along with a fast-paced plot and a cast of delightful major and minor characters. At its heart is the chivalrous and intelligent Cyrano, masterful soldier, accomplished poet, ferocious orator, chivalrous lover … and the possessor of an extraordinary nasal appendage!
Cast of 5 women and 12 men, plus many minor characters.
Young Cyril the Seagull has an embarrassing problem: he gets seasick. But then there is a fierce storm off the west coast of BC and Cyril has a chance to prove himself.
The brutal battlefields of Europe during World War II were the testing ground for the young men of the 1st Battalion of the North Shore (New Brunswick) Regiment. On June 6, 1944, the soldiers landed on the coast of France as part of the first wave of the D-Day invasion. After securing the eastern flank of the Canadian landing along Juno Beach, the Regiment was in constant contact with the enemy over the next thirty days, suffering a steady stream of casualties. This led to a ferocious battle in the French village of Carpiquet. For five days, the Regiment endured a living hell and suffered nearly 300 casualties. By the end of it, the North Shore Regiment had effectively died.
For the first time, the comprehensive tale of this storied Regiment is finally told.
D-Day to Carpiquet is volume 9 in the New Brunswick Military Heritage Series.
Winner of the 2025 Trillium Book Award for Poetry
If you reloop trauma enough, does it make a danceable rhythm? If you get lost in physical sensation enough, does that make you free?
DADDY is a powerful look at patriarchy, intergenerational trauma, and queer desire that seeks an unravelling of systems of control to reclaim vulnerability. At once confessional, playful, and sonically meticulous, Byrne’s poems seek conversation with a voice in the mind that won’t quiet. Cruel father figures dissolve into leather-clad muscle daddies on popper-scented dancefloors; the pain of the past sows the seeds of a joyful exploration of queer desire.
A striking visual saga in linocuts of the life of John `Daddy’ Hall, a man of Mohawk and African-American descent who survived war, capture and slavery to become a pillar of the community in nineteenth-century Owen Sound, Ontario.
Cowboy erotica meets Kathy Acker in this smart, raunchy look at a queer sexual awakening
Steacy Easton grew up Mormon, queer, and Autistic in the West. This book traces the people and spaces that made them who they are: the Mormon church, an Anglican boys’ boarding school where they were sent to be ‘reformed’ and where they were abused by a teacher, and then, later on, rodeos and bathhouses and mall bathrooms. The world Easton describes is one in which desire is complicated, where men – ‘daddies’ – can be loving and they can be abusive, and there isn’t always a clear distinction.
Easton explores the essential texts of their sexuality, from Eve Kosofsky Sedgwick to Neil LaBute, Kip Moore to Lorelei James, and delves into their own encounters as they came of age. These daddy lessons are blunt about the pleasures of disobedience, slippery and difficult, revelling in the funk of memory and desire.
“In dangerous times, Daddy Lessons dares to complicate the question of what children desire, including things that they probably shouldn’t, and that adults must not exploit or manipulate. Except they do. Steacy Easton’s meditations follow how such desires and disasters secrete an aesthetic and a self, and how something vivacious can spring from that muck, something like this book itself, smutty and shining and garlanded in jonquils.” – Carl Wilson, author of Let’s Talk About Love: A Journey to the End of Taste
“Daddy Lessons is a cocky and tender reclamation of childhood and teenage wanting.” – Vivek Shraya, author of I’m Afraid of Men and People Change
“Steacy writes about the queer pleasure-seeking body in ways both fresh and eminently familiar.” – Jordan Tannahill, author of The Listeners
Bill and Julie live in thrifty middle-class wedded bliss with their 12-year-old son Sean. Julie brings home the bacon while Bill keeps house and frets over his never-ending PhD thesis: an anthropological study of the role of men in society. All is relatively well until Julie’s ex-fiancé, the dashing and successful Blake Morgan, returns to Winnipeg–with his wife and kids.While Bill takes solace in Blake’s premature grey and pot belly, next to Blake’s professional success Bill feels emasculated and questions what it means to be a man–especially a domesticated one. Suddenly he starts seeing himself and his neighbours–also stay-at-home dads with successful working wives, as research subjects for his thesis.Having reached a breakthrough in his PhD procrastination, Bill launches into a series of embarrassing, ridiculous, and goofy attempts to finish his “research,” prove himself a mature and capable husband and father, and above all, prove his manliness.Rather than look directly in the mirror, Bill creatively tries to save his neighbours Dave and Paul, from self-destructive home-renos and delusional dream careers.
We all know what happened to Icarus, but what if there was one who lived to tell the tale? Wanda Campbell?s fourth collection of poetry offers alternatives to flying too close to the sun and sinking into the sea. Beginning with ekphrastic poems responding to works by female artists such as Emily Carr and Frida Kahlo, Campbell considers the ways the love of art and the art of love help us to transcend the labyrinths of our lives.
In this illustrated children?s title, the T??t?n alphabet is featured along with the 47 sounds of the T??t?n language. The T??t?n Alphabet portrayed in Dah Dzahge Esigits: We Write Our Language is a resource for learners to match sounds to symbols. It is also for those who can already speak T??t?n but want to learn the alphabet to help them read and write in the language. The book also includes English translation.
Based on true events, Daisy is a political drama that presents the moment in TV history that ushered in the age of negative advertising and forever changed how we elect our leaders. It also tells the more cynical tale of how a nation got led into war, distracted by the “packaging” of a seemingly peaceful U.S. president. Daisy explores the art and science of political manipulation, the forces at play on public consciousness in our mediated world, and the impact that fear has had on our democracy.
Set during the 1964 U.S. presidential election, with brutal race riots erupting across America, the play takes place in the high-pressure advertising world of Madison Avenue: a group of “ad men” working for Lyndon Johnson unleash the most powerful political commercial ever conceived, the “Daisy” ad. War was the objective. Peace was the bait. Everyone got duped.
Thoroughly and painstakingly researched, Daisy’s characters are based on real-life figures that are icons in the advertising world, including Bill Bernbach, the creative pioneer who founded the Doyle Dane Bernbach agency, and Tony Schwartz, the eccentric “sound man” who forever revolutionized the science of communications. Mixing fact with fiction, the story’s protagonist is a conflicted idealist named Louise Brown, a brilliant copywriter who withholds a damning secret as she struggles against her ethics and her ambition.
Daisy is further example of Canadian playwright Sean Devine’s use of historic events to shine new light onto contemporary questions. The tools and impacts of “negative advertising” that were unleashed in 1964 have bored their way deeper and deeper into our television screens and our individual consciousness ever since. And as for the art of political deception and distraction, who knows how low we can go?
Based on true incidents, this complex novel remembers the staging of Tagore’s play ‘Dakghar’ in a Warsaw ophanage run by Dr Janusz Korczak, days before 200 orphange children, staff and Dr Korczak were sent by railcars to the Treblinka Death Camp.
Although Evan Marshall has done time, he is more of a freelance hack and fly-by-night adventurer than a criminal. His life takes yet another detour when he becomes involved with an over-the-top personality named Lawson–not only a playwright, actor, novelist, would-be priest and teacher, but a self-destructive alcoholic, drug addict and part-time mental patient. After surviving an attack by the husband of his pregnant Japanese girlfriend, Marshall mugs an acquaintance and hangs out with his new friend who brawls, tells stories, gets arrested, suspended, spends thousands on drugs and women, and checks in and out of the psychiatric ward. Who better then to devise a half-baked plan with to rob a crack house with a shotgun and cleaver?