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Congratulations to all of the nominees and winners of the Governor General’s Book Awards! Browse the LPG member finalists in the categories of fiction, non-fiction, poetry, drama, and translation, below.
Showing all 13 results
This YA debut is a searing ode to queer identity, growing up in an immigrant community, and carving a place for yourself in the world with the help of your friends.
Jay Wong is spending the last languid days of summer 2010 trying to land a kickflip and begging for something (anything!) to make her senior year different—to finally give her some stories worth telling. When she meets Ash Chan, it seems like she’s getting what she asked for. Ash is confident, intensely independent, and hell on a skateboard—nothing like anyone Jay knows and exactly how she wishes she could be.
Offering to film Ash’s submission to an upcoming skate contest introduces Jay to a side of Vancouver she’s never seen and gives her the chance to push back against the expectations placed on her. But Ash has a secret, and Jay is increasingly desperate to figure it out. As things between them ride the fine line between friendship and something more, Jay has to decide just how much Ash will impact all the choices she still has to make about where she’s going and who she wants to become.
In October 2013, Scott Jones was leaving a bar in New Glasgow, Nova Scotia, when he was attacked, stabbed in the back, and left paralyzed from the waist down. In the months following his attack, Scott Jones’s story garnered international attention, not only for its brutality, but also for his uncommonly early decision to forgive his attacker. Furiously researching restorative justice practices and success stories, Jones sits down to ask himself the hardest question he’s ever had to answer: Does he have it in him to not just forgive his attacker, but to accept his new life as a disabled man?
Based on the incredible true story, I Forgive You explores the complexities of forgiveness, privilege, recovery, and self-love in Scott’s own words backed by a live children’s choir performing the music of legendary Icelandic band Sigur Rós.
Born during the Great Depression, Jean-Claude Morel is an Everyman, an ordinary Montreal construction worker who has built the city with his own hands, digging its metro, creating islands, and weaving expressways through the downtown core. But the progress has come at a cost: neighbourhoods have been razed, streets wiped off the map, and the Morel family expropriated.
Teeming with life, Morel uncovers a story of Montreal that has been buried under years of glitzy urban renewal and modernization. This intricately constructed literary novel is a profoundly human portrait of one man and his time, a monument to a city, and a toast to days gone by.
Opening with an exit, the poems in Precedented Parroting accept no assumptions. With the determination and curiosity of a problem-solving crow, this expansive debut plumbs personal archives and traverses the natural world, endeavouring to shake the tight cage of stereotypes, Asian and avian. Praised as “lively and intelligent” and “lyrically delicious,” Barbara Tran’s poetry offers us both the keen eye and grace of a hawk, “red-tailed gliding / on time.”
Having followed the brilliant virologist Régnier from Montreal to Marseille many years ago, Sadie now works as a researcher in a lab, spending most of her time among microscopic creatures who teach her about life as a parasite. By day, she pushes the limits of her understanding alongside Régnier, who taught her that to study viruses, she must think infectiously, allow herself to be contaminated by dangerous ideas. By night, Sadie loses herself in bars, music, drugs, sensuality. Until she gets a call from the past that lures her back across the Atlantic.
When her estranged father tells her that a bizarre virus has been found in his hospital, Sadie returns to Montreal and her family, and all the unexpected changes time has wrought, to solve this new puzzle. Soon she realizes that the person she thought she was—someone who can leave everything behind—no longer exists. What is left for her instead is sinking into the unknown to find out what happens when ideas come to life.
This is a deeply inventive and singular novel about the power of metamorphosis and symbiosis. Combining the cerebral and the sensual, Sadie X explores humanity’s relationship to the rest of the world, and the role of rationale—and its limits in our multilayered, regenerative existences.
*Winner 2024 Raymond Souster Award* Longlisted 2024 Gerald Lampert Award* Winner 2023 Alcuin Award* Poems for and about the incarcerated.
Moving from riots to mall parkades to church, the poems in Bradley Peters’ debut Sonnets from a Cell mix inmate speech, prison psychology, skateboard slang and contemporary lyricism in a way that is tough and tender, that is accountable both to Peters’ own days “caught between the past and nothing” and to the structures that sentence so many “to lose.” Written behind doors our culture too often keeps closed, this is poetry reaching out for moments of longing, wild joy and grace.
Drawing on his own experiences as a teenager and young adult in and out of the Canadian prison system, Peters has written both a personal reckoning and a damning and eloquent account of our violence- and enforcement-obsessed capitalist and patriarchal cultures.
A poetic, heartbreaking story of intergenerational queer history in Lebanon, The Green Line weaves together civil war Beirut with a contemporary nightclub, following one family’s journey to discover their past.
In the present day, Rami, a twentysomething queer Lebanese Canadian, has returned to the Lebanese mountains to bury his father. To cope with the weight of his grief, Rami, carrying a necklace in the shape of a phoenix left to him by his father, finds himself in a queer Beirut nightclub, where he catches the attention of a powerful drag queen named Fifi, who just so happens to be dressed as a phoenix.
In 1978, in the midst of the Lebanese Civil War, Naseeb is attempting to get himself and his sister Mona out of Beirut and into the safety of the mountains. Mona, however, is secretly in love with her classmate, a woman named Yara, and refuses to leave the city. When Naseeb becomes swept up with the descending political culture of the war around him, he creates a rift between himself and Mona greater than the line that divides the country itself.
A Globe and Mail Most Anticipated Spring Title
Don Quixote meets Who Framed Roger Rabbit in this slapstick epic about destiny, family demons, and revenge.
1911. A hockey game in Quebec’s Gaspé Peninsula. With the score tied two-two in overtime, local tough guy Billy Joe Pictou fires the puck directly into Monti Bouge’s mouth. When Pictou’s momentum carries them both across the goal line in a spray of shattered teeth, Victor Bradley, erstwhile referee and local mailman, rules that the goal counts—and Monti’s ensuing revenge for this injustice sprawls across three generations, one hundred years, and dozens of dastardly deeds. Fuelled by a bottomless supply of Yukon, the high-proof hooch that may or may not cause the hallucinatory sightings of a technicolor beast that haunts not just Monti but his descendants, it’s up to Monti’s grandson François—and his floundering doctoral dissertation—to make sense of the vendetta that’s shaped the destiny of their town and everyone in it. Brilliantly translated into slapstick English by Lazer Lederhendler, The Hollow Beast introduces Christophe Bernard as a master of epic comedy.
The poems in The Work engage with the work of love and loss and the hope that we might somehow learn to carry our portion of grief. Simmers writes of churning in an accumulation of lossesthe sudden death of her father, the descent of her mother into dementia, her sister-in-law’s terminal illnessand of the work of slowly making wholeness out of brokenness. Her writing fosters a vulnerability and wit that sidestep easier tropes, a reminder that healing often comes through saying “Hello” and “Yes”; a realization that “all this noticing / was love.”