Mike Hoolboom (Essay) is a Canadian film/video artist. He is the author of three books: ‘Plague Years’ (1998), ‘Fringe Film in Canada’ (2000), and ‘Practical Dreamers’ (2008). He’s a founding member of the Pleasure Dome screening collective (Toronto) and the experimental film coordinator at Canadian Filmmakers Distribution Centre (Toronto). He’s won over 30 international prizes, two lifetime achievement awards, and has enjoyed nine international retrospectives of his work. Alex MacKenzie (Interview) is a Vancouver media artist working with light projection and expanded cinema. He was the founder and curator of the Edison Electric Gallery of Moving Images, the Blinding Light!! Cinema, and The Vancouver Underground Film Festival. His live media works are presented at festivals and underground screening spaces throughout Europe and North America. He is the co-editor of ‘DAMP: Contemporary Vancouver Media Art’ (Anvil Press, 2008). Brian Ganter (Editor) is a writer, educatorand filmmaker. He is the former Media Literacy Coordinator of the Pacific Cinematheque’s Education Department (Vancouver). In addition to a variety of short film and video works, Brian also wrote and directed the 2008 feature documentary ‘Metropole’ which has screened internationally in festivals and forums in the U.S., Canada, and Europe. Brian is finishing his Ph.D. in cultural studies in the English Department at the University of Washington and teaches media and literacy studies at CapilanoUniversity in North Vancouver.

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Steve Reinke has exhibited widely, including the Museum of Modern Art, the Centre Pompidou, the Tate, the National Gallery, International Film Festival Rotterdam and the New York Video Festival. He is the co-editor, with Tom Taylor, of Lux: A Decade of Artists’ Film and Video and, with Chris Gehman, the forthcoming The World is a Cartoon: Artists’ Animation at the End of Cinema. He lives in Toronto and wherever he happens to find employment (most recently Chicago and Los Angeles).

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Steve Reinke has exhibited widely, including the Museum of Modern Art, the Centre Pompidou, the Tate, the National Gallery, International Film Festival Rotterdam and the New York Video Festival. He is the co–editor, with Tom Taylor, of Lux: A Decade of Artists’ Film and Video and, with Chris Gehman, the forthcoming The World is a Cartoon: Artists’ Animation at the End of Cinema. He lives in Toronto and wherever he happens to find employment (most recently Chicago and Los Angeles).

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