Interview with the Poet
All Lit Up: Tell us about your collection.Kerry Gilbert: Little Red was an unexpected surprise for meâI didnât intend an entire collection with this theme, but the collection obviously intended me. It started with a headline that I read: about a three-year-old girl abducted from her home in the middle of the night and days later found dead in a field. Stories like this evoke so much fear, especially as a parent. It started me on this trajectory about fear and parenting and the stories we tell about bothâabout what we tell our children and ourselves when bad things happen. I thought a lot about lost children. I thought a lot about the archetypes of Little Red Riding Hoodâthe ones present and the ones missing from the story. I was wondering where the parents were and what happens when parents are absentâliterally and figuratively. It turns out I had a lot to say about these things. It turns out that Little Red is still relevant. ALU: What is your process for beginning a poem? Has it changed since you began writing?KG: Sometimes I begin a poem and sometimes a poem begins me. ALU: What sparked your initial love of poetry?KG: Thatâs hard to say, because I canât think of a time without poetry. Iâm sure I was drawn to the sounds of early rhymes and songs of childhoodâmaybe the beautiful sound of a skipping rope sweeping the tops of grass while we chanted rhymes about boys and jumped into the arc when it was our turnâbut I think my real interest/excitement in poetry came with the realization that I could tell story through poems. The real âahaâ moment came to me after I had already started experimenting with poetry but didnât have a lot of context to what I was doing. I took a class that studied Michael Ondaatjeâs The Collected Works of Billy the Kid. That same year, the school presented the verse novel as theatre in the round. It changed everything I ever thought I knew about poetry and was the real spark for me in terms of style and possibilities. ALU: Who are some of your fave women poets?KG: Three phenomenal women poets that have taught me the most about poetry are Sharon Thesen, Mona Fertig and Lorna Crozier (an ode to writers from the West). There are many, many more to name, but as soon as I think of one, it prompts another and another and another. I could start a lifelong list project to answer this question. ALU: What do you find most informs and inspires your writing?KG: Anecdotes. I am really drawn to storiesâmemory ones, invented ones, ones that I read at the checkout stand, in the news, hear by the water cooler, whispered between friends, in movie theatres, in novels, in other poems. Most of all, I am curious about humans and what motivates behaviour. Stories turn into poems, for me, as a way to unpack/filter them and attempt to figure out the human condition.ALU: If you had one superpower, what would it be? Could you describe it in a haiku?KG:i would like to stopsound. to be able to writethis poem without noise* * *A poem from Little Red
“this is what Scarlet would look like now”Ânotice how the artist has rendered crowâs feet
and smudged dark shades around her eyes that
are now sunk deep. how her mouth has curled
slightly in on itself. sheâs lost baby fat which crisps
cheekbones. but her eyes. her eyes are the same
curious, independent of this whole aging process
* * *