If it is true that works of art last for generations because of their ambiguities, The Transaction should last for centuries. I was left with the sensation of what happened? and that’s not a bad thing in literature. I sensed engagement with something beyond the narrator’s minutely detailed descriptions as if it might be a dream. I kept reading. Guglielmo D’Izzia is a skilled, disciplined artist refusing to give the reader clarity of meaning and motivation. He makes us interpret, and we readers of great literature value our own involvement in a piece. Something intriguing is going on here, and few of us will see it in the same way. I can just imagine the discussions around seminar tables. We learn more from what is not said, than from what is. And I say, bravo!
– Reader’s Favourite

As a novelist, Guglielmo D’Izzia is a master of a noir tinged narrative storytelling style for The Transaction that readers will find inherently fascinating and totally engaging … unreservedly recommended …
The parallels between The Transaction and our historic moment are stunning, … D’Izzia writes like a rolling video camera whose lens lingers lovingly on miscreants, degenerates and grotesqueries of all descriptions … you will almost certainly see this story on the screen, be it large or small. It has great potential as a sophisticated masterpiece of physical and psychological horror.
It cannot be easy to write humorous fiction, although it does seem to come naturally to some. In the television world, they have writing teams, but in the sequestered world of the writer, it’s all on them to produce a work that is not only funny but interesting as well, that tells a story. The Transaction is such a story and from all appearances, Mr. D’Izzia appears to have the delicate mix of humour and earnest literature in fine control in this, his debut novel from Guernica Editions.

The Transaction is a smart book. One that knows exactly what it is and what it’s trying to say … It’s a cerebral pleasure more than it is a visceral one … I liked it because it explored the idea of the disappearance of the self, which I’m really interested in, and it does it in a subtle way [that] doesn’t call too much attention to itself.

Despite De Angelis’ amorality, the fact that he compulsively keeps after his goal even after encountering impediment after impediment, makes him an evocative character… unreliable narrators make for a more intriguing read and this one had me paying equal attention to clues and red herrings, and in the end it was up to me to choose what to believe.

The novel reads like an instant classic, at first conjuring Hemingway’s simple, modern prose, but then revealing something sinister and surreal that would be more at home in Kafka’s wild imagination.