After a lifetime of traversing continents and cities, Mariam Pirbhai found herself in Waterloo, Ontario, and there she began to garden. As she looks to local nurseries, neighbourhood gardens and nature trails for inspiration, she discovers that plants are not so very different from people. They, too, can be uprooted, transplanted – even naturalized. They, too, can behave as a colonizing or invasive species. And they, too, must learn to adapt to a new land before calling it home. In Garden Inventories, Pirbhai brings her scholar’s eye, her love of story and an irrepressible sense of humour to bear on the questions of how we interact with the land around us, from what it means to create a garden through the haze of nostalgia, to the way tradition and nature are bound up in cultural ideals such as “cottage country,” or even the great Canadian wilderness. Roses, mulberries, tamarinds and Jack pines wend their way through these essays as Pirbhai pays close attention to the stories of the plants, as well as the people, that have accompanied her journey to find home. Throughout, she shows us the layers of history and culture that infuse our understandings of land, place and belonging, revealing how a garden carries within it the story of a life ­­– of family, home, culture and heritage – if not also the history of a world.

“Reading Isolated Incident is not unlike receiving a series of pinpricks that ultimately form a bruise in the reader’s heart, reminding them of their relationship to the deeply rooted Islamophobia in Canada.”

“Mariam Pirbhai’s debut novel, Isolated Incident, is anything but evasive in its dismantling of the great Canadian immigration myth. The novel’s intricately patterned characterization, drawn from the Greater Toronto Area (GTA), mirrors the ‘mosaic’ analogy that popularly describes the multicultural diversity of Canada. However, beyond this obvious parallel, the plot thickens to confront the fragility of Canada’s global image as a haven for the world’s underprivileged.”

“Unflinching and clear-eyed, [in Outside People and Other Stories] Pirbhai makes protagonists out of those who have often been relegated to background roles, to stunning effect.”