“Ethnic,” Multicultural, and Intercultural Theatre

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“Ethnic,” Multicultural, and Intercultural Theatre

Edited by: Ric Knowles

“Audiences for intercultural theatre in our experience have become increasingly diverse in recent years, at productions by genuinely intercultural companies… Productions no longer need appeal either to the traditional white middle-class audience of Canada’s so-called “main stages” (including those of the former “alternative” theatres) nor to communities narrowly defined by culture or interest—what used to be called “preaching to the converted…” —from the introduction

AUTHOR

Ric Knowles

Ingrid Mündel is a Ph.D. candidate in the School of English and Theatre Studies at the University of Guelph. She has articles published in Theatre Research in Canada, Canadian Literature, and Postcolonial Text, and she co-edited a special issue of The Review of Pedagogy, Education, and Cultural Studies.