World Without Walls

Edited by R. Cheran, Dalbir Singh, and Chelva Kanaganayakam

World Without Walls
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In the past few decades Tamil has become an important component of the South Asian diaspora. As one of the few classical languages of the world that is still a living one, Tamil continues to remain a vehicle of secularism while celebrating diverse religious and political traditions. ... Read more


Overview

In the past few decades Tamil has become an important component of the South Asian diaspora. As one of the few classical languages of the world that is still a living one, Tamil continues to remain a vehicle of secularism while celebrating diverse religious and political traditions. It has served Hinduism, Islam, Buddhism, Jainism, and Christianity, while articulating politics from the time of the ancient kings, through colonialism, to modern times. The essays in this volume offer a nuanced view of "Being Human; Being Tamil" in the context of South Asia and the diaspora. They explore the multiple ways of being Tamil, and the cultural, religious, and poetic linkages that have contributed to the emergence and articulation of Tamilness in a global context.

R. Cheran

Dr. R. Cheran is a Tamil Canadian academic, poet, playwright, and journalist. He is a professor of sociology at the University of Windsor in Canada. He has authored over fifteen books in Tamil, and his work has been translated into twenty languages. Several volumes of his work have been published in English translation, including The Second Sunrise (translated by Lakshmi Holmstrom, 2010), In a Time of Burning (translated by Lakshmi Holmstrom and Sascha Ebeling, 2013), and You Cannot Turn Away (translated by Chelva Kanaganayakam, 2011). His poems in English translation have also been published in numerous literary magazines, such as Bomb (New York), Modern Poetry in TranslationMany Mountains MovingExiled InkMantra Review, and Talisman.

Dalbir Singh

Dalbir Singh is a Ph.D. candidate in Performance Studies at the University of Toronto. He taught courses there as well as at the University of Waterloo and the University of Guelph. At Waterloo, he taught the first theatre course exclusively focused on racial identity and Canadian theatre. He has edited five collections of plays and critical essays on topics including Tamil culture and identity, post-​colonial theatre, South Asian Canadian drama, and queer Canadian theatre. As a result, he has published the work of such notable writers as Donna-​Michelle St. Bernard, Ravi Jain, Guillermo Verdecchia, Anusree Roy, and Yvette Nolan.

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