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Wanting in Arabic is a refusal of convenient silences, convenient stories. The author dwells on the contradictions of a transsexual poetics, in its attendant disfigurations of lyric, ghazal, l?ecriture feminine, and, in particular, her own sexed voice. Without a memory of her ... Read more
Wanting in Arabic is a refusal of convenient silences, convenient stories. The author dwells on the contradictions of a transsexual poetics, in its attendant disfigurations of lyric, ghazal, l?ecriture feminine, and, in particular, her own sexed voice. Without a memory of her father?s language, the questions her poems ask are those for a home known through photographs, for a language lost with childhood. Braiding theoretical concerns with the ambivalences of sexed and raced identity, with profound romanticism,Wanting in Arabic attempts to traverse the fantasies of foundational loss and aggressive nostalgia in order to further a poetics of a conscious partiality of being, of generous struggle and comic rather than tragic misrecognition.
Born in Halifax, Trish Salah is the author of Wanting in Arabic (TSAR 2002, 2013) and Lyric Sexology Vol. 1 (Roof 2014, Metonymy 2017) and co-editor of special issues of Canadian Review of American Studies 35.2 (2005) and TSQ: Transgender Studies Quarterly 1.4 (2014). The 2013 edition of Wanting in Arabic won the Lambda Literary Award for Transgender Fiction. At the University of Winnipeg she organized the conferences Writing Trans Genres: Emergent Literatures and Criticism and Decolonizing and Decriminalizing Trans Genres. Currently an assistant professor of Gender Studies at Queen's University, she is a member of the editorial boards of TSQ, Eoagh, and Topia.
Praise for the first edition:"[Wanting in Arabic] shares a cultural experience rarely made available to mainstream American audiences."?Buzzfeed"Employing a number of different poetic modes, Salah?s writing is by turns political, evocative, and quite often hot. A Lebanese-Canadian from Nova Scotia who never saw her father?s homeland nor spoke his tongue, Salah explores the nuances of identity, and her writing is simply gorgeous."?The Walrus
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