Undercurrents

Contributions by E. Blagrave, Sarah Feldman, Hamish Guthrie, Amanda Jernigan, George Pakodzi, Alex Pierce, Jason Ranon Uri Rotstein, Kay Weber, Margo Wheaton
By Daniel Karasik, and Michael Lithgow

Undercurrents
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Undercurrents: New Voices in Canadian Poetry is an introduction to the work of eleven poets who have not yet published full collections of their own, but whose poems have been making their way into print in Canada and abroad.

The poems have been hand-picked by editor Robyn Sarah ... Read more


Overview

Undercurrents: New Voices in Canadian Poetry is an introduction to the work of eleven poets who have not yet published full collections of their own, but whose poems have been making their way into print in Canada and abroad.

The poems have been hand-picked by editor Robyn Sarah both for their qualities as individual poems and for the ensemble they create. Each selection has been compiled with a view to showing the poet’s range, yet each is also sequenced so that the poems work effectively as a suite.

The contributors’ ages span five decades, bringing to bear the perspectives and concerns of different life stages. This is not the latest crop of MFAs in Creative Writing, but a foraged gathering of eleven strongly individual poets coming from different regions, different backgrounds, and different walks of life. What they have in common is their uncommon ability to explore our shared human condition in words that resonate.

Featuring:

E. Blagrave
Sarah Feldman
Hamish Guthrie
Amanda Jernigan
Daniel Karasik
Michael Lithgow
George Pakozdi
E. Alex Pierce
Jason Ranon Uri Rotstein
Key Weber
Margo Wheaton

Amanda Jernigan

Gabeba Baderoon is a poet and scholar and the author of the poetry collections, The Dream in the Next Body and A Hundred Silences. She received the DaimlerChrysler Award for South African Poetry and teaches Women's Studies and African Studies at Pennsylvania State University.

Kate Clanchy's three collections Slattern, Samarkand, and Newborn, have recently been gathered into a Selected Poems, published by Picador. She has won the Writer's Guild Award, The VS Prichett Prize, and the BBC National Short Story Award for her prose. Her novel, Meeting the English, was shortlisted for the Costa Prize in 2013.

Carolyn Forché is a poet, translator and essayist, and editor of two best-selling poetry anthologies, Against Forgetting and Poetry of Witness: The Tradition in English: 1500-2001 (co-edited with Duncan Wu). Her poetry books include Gathering the Tribes, The Country Between Us, The Angel of History and Blue Hour. Her work has been translated into more than twenty languages. She is a Professor of English at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Amanda Jernigan is the author of two books of poetry, Groundwork (2011) and All the Daylight Hours (2013). The first was shortlisted for the League of Canadian Poets' Pat Lowther Award and included in the National Public Radio's list of best books of the year; the second was named a best book of the year in the National Post. She is the editor of The Essential Richard Outram (2011) and author of a monograph on the poetry of Peter Sanger.

Michael Lithgow

Michael Lithgow’s first collection of poetry, Waking in the Tree House, was shortlisted for the Quebec Writers Federation First Book Award. His poems and essays have appeared in numerous literary and academic journals and in Best Canadian Poetry (2012). Born in Ottawa, he changed cities frequently in his early years and moved to Vancouver in the mid-1980s, working as an activist journalist in community-based media and as a paralegal, before attending graduate school in Montreal and Ottawa to complete a PhD in Communication Studies. He currently lives in Edmonton with his wife and daughter, and teaches at Athabasca University.

Reviews

“Speaking personally, I had this book on my desk a considerable time. The deaths of both parents within a six-month period meant I had to read the book twice, and parts of it, three or four times. The re-reading was worth it. After so much shock and so much grief, it has been indeed life affirming to absorb and re-absorb this collection of insistent, original voices. ”

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