Includes:
A Literary Perspective on the Plays of W. O. Mitchell by Diane Bessai (1984)Elsie Park Gowan: Distinctively Canadian by Anton Wagner (1987)
CKUA: Radio Drama and Regional Theatre by Howard Fink (1987)
The Banff School of Fine Arts 1933–1969: “A Theatre of the People” by Moira Day (1989)
“The Country Mouse at Play”: Theatre in the Peace River District 1914–1945 by Moira Day (1991)
“The Actors Excelled Their First Efforts”: Amateur Theatre in Lethbridge, Alberta, 1885–1990 by Ches Skinner (1996)
Reacting to the Right[eous]: The Political Plays of Frank Moher, Lyle Victor Albert, Raymond Storey and Greg Nelson by Anne Nothof (1996)
World on a String by Liz Nicholls (1998)
“Introduction” to Scraping the Surface: Three Plays by Lyle Victor Albert by Lynne Van Luven (2000)
Calgary’s Wild Ride: How the High Performance Rodeo Inspired and Transformed a Theatre Community by Martin Morrow (2005)
Globalisation’s Marginalia: Anglo-Canadian Identity and the Plays of Brad Fraser by Roberta Mock (2006)
The Construction of Masculinity in Sharon Pollock’s Whiskey Six Cadenza by Mark Vincent Diotte (2008)
Canada’s Citadel Theatre and the Alternatives by Diane Bessai (2008)
Critical Perspectives on Canadian Theatre in English sets out to make the best critical and scholarly work in the field readily available. The series publishes the work of scholars and critics who have traced the coming-into-prominence of a vibrant theatrical community in English Canada.