Theatre in Alberta

Edited by Anne Nothof
Series edited by Ric Knowles

Theatre in Alberta
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Includes:
A Literary Perspective on the Plays of W. O. Mitchell by Diane Bessai (1984)Elsie Park Gowan: Distinctively Canadian by Anton Wagner (1987)
CKUA: Radio Drama and Regional Theatre by Howard Fink (1987)
The Banff School of Fine Arts 1933–1969: "A Theatre of the People" ... Read more


Overview

Includes:
A Literary Perspective on the Plays of W. O. Mitchell by Diane Bessai (1984)Elsie Park Gowan: Distinctively Canadian by Anton Wagner (1987)
CKUA: Radio Drama and Regional Theatre by Howard Fink (1987)
The Banff School of Fine Arts 1933–1969: "A Theatre of the People" by Moira Day (1989)
"The Country Mouse at Play": Theatre in the Peace River District 1914–1945 by Moira Day (1991)
"The Actors Excelled Their First Efforts": Amateur Theatre in Lethbridge, Alberta, 1885–1990 by Ches Skinner (1996)
Reacting to the Right[eous]: The Political Plays of Frank Moher, Lyle Victor Albert, Raymond Storey and Greg Nelson by Anne Nothof (1996)
World on a String by Liz Nicholls (1998)
"Introduction" to Scraping the Surface: Three Plays by Lyle Victor Albert by Lynne Van Luven (2000)
Calgary's Wild Ride: How the High Performance Rodeo Inspired and Transformed a Theatre Community by Martin Morrow (2005)
Globalisation's Marginalia: Anglo-Canadian Identity and the Plays of Brad Fraser by Roberta Mock (2006)
The Construction of Masculinity in Sharon Pollock's Whiskey Six Cadenza by Mark Vincent Diotte (2008)
Canada's Citadel Theatre and the Alternatives by Diane Bessai (2008)
Critical Perspectives on Canadian Theatre in English sets out to make the best critical and scholarly work in the field readily available. The series publishes the work of scholars and critics who have traced the coming-into-prominence of a vibrant theatrical community in English Canada.

Ric Knowles

Ric Knowles is a freelance dramaturge and University Professor Emeritus at the University of Guelph. He is the award-winning author or editor of twenty books on theatre and performance, including Fundamentals of Directing, Judith Thompson, The Masks of Judith Thompson, "Ethnic," Multicultural, and Intercultural Theatre (with Ingrid Mündel), The Shakespeare’s Mine, Asian Canadian Theatre (with Nina Lee Aquino), Staging Coyote’s Dream (two volumes, with Monique Mojica), and Performing Indigeneity (with Yvette Nolan). He is also founding editor of the series Critical Perspectives on Canadian Theatre in English and New Essays on Canadian Theatre.

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