Stations of the Crossed
When Carol Rose GoldenEagle was a child, attending Easter church services, she recalls the annual ritual of the priest presenting plaques depicting the stages of Christ's persecution to his resurrection, referred to as the "stations of the cross". Using these early teachings ... Read more
When Carol Rose GoldenEagle was a child, attending Easter church services, she recalls the annual ritual of the priest presenting plaques depicting the stages of Christ's persecution to his resurrection, referred to as the "stations of the cross". Using these early teachings as a springboard for critical reflections, poems look back, but more importantly, look forward to reclaiming the gifts given by Creator within Indigenous culture. GoldenEagle's searing new poetry collection examines the dark legacy of the residential school system, church and government doctrine, and the ongoing impacts on Indigenous peoples' lives across Turtle Island.
Carol Rose GoldenEagle
Carol Rose GoldenEagle is Cree and Dene with roots in Sandy Bay, northern Saskatchewan. She is an award-winning published novelist, poet, playwright, visual artist, and musician. Her works has previously been published using the surname, Daniels. She now chooses to use her traditional name. She is the author of the award-winning novel Bearskin Diary (2015) and the recently published Bone Black (2019). Her debut poetry volume, Hiraeth, was published in 2018 and was shortlisted for the 2019 Saskatchewan Book Awards. As a visual artist, her work has been exhibited in art galleries across Saskatchewan and Northern Canada. As a musician, a CD of women's drum songs, in which Carol is featured, was recently nominated for a Prairie Music Award. Before pursuing her art on a full-time basis, Carol worked as a journalist for more than 30 years in television and radio at APTN, CTV, and CBC. She lives in Regina Beach, Saskatchewan.
"Carol Rose's poetry is profound, phenomenal! The journey of words intertwining takes you to the past and the future. The connections intertwined uniquely exceptional while capturing the poetic beauty, and creation of a masterpiece! I survived genocide in and from the institutional residential school. I felt the journey, the shift through Carol Rose's incredible poetry. It brought me some tears. It put my life in a perspective of silhouettes and vivid picturesque. This is poetry you want to read again and again. I highly recommend for high school and university classes!"
-Bevann Fox, author of Genocidal Love
"Stations of the Crossed takes apart this county's long history of trying to extinguish Indigenous culture, and the legacy of colonialism. Carol Rose GoldenEagle's own experience as a child of the Sixties Scoop is direct and especially moving. She replaces the Old Testament justifications with her own memories and reflections on community, and the ethical teachings and ways of being in Indigenous culture. It's been said if we only have one story, that's the story we become. This is a book about finding that new path, and the kind of story we need now-a true one. "
-Bruce Rice, author of The Vivian Poems: The Life and Work of Street Photographer Vivian Maier
"I was stripped of any religious or spiritual faith a long time ago. My childhood in Residential School and under the oppressive thumb of the Church proved to me beyond a shadow of a doubt that there is no God or Creator above or around us, for who with such strength and power would allow children to undergo such horror and not step in to save them? The words that Carol has so wonderfully woven together speak to many of the questions I found myself asking over my own life. Juxtaposed with the Fundamentalist Propaganda of the bible, the poems in this collection call out and shine a light upon the truths and pain that we as Indigenous people have faced since the coming of the White Man. They lay bare the ugly reality of the steps taken to erase who we are and what we are, while at the same time questioning the very dogmas and falsehoods pushed upon us as Gospel and Salvation. The underlying theme of Carol's pieces prove one thing emphatically: that our true strength, medicine and power does not lie with the unseen, omnipotent fallacy of a sky god or ethereal Geppetto-like Daddy Figure, but with the very thing that has not and will never be destroyed, try as they might- the actual living, breathing flesh and blood of us as a people, our mothers and grandmothers and our children, those who have gone before, and those yet to come. Carol's words show where devotion and reverence should be placed; it should be placed upon those who survived the storm, and those who will one day live a life free of the memories of it. This book will speak to those who are needing to hear it, and need to know that it is OK to say, "wait a minute. .."
-John Brady McDonald, Nehiyawak-Metis author of Childhood Thoughts and Water and KITOTAM: He Speaks to It