It might be counterintuitive, but Catherine Owen believes being a writer involves much more than writing. In this provocative book she examines the moving parts of the literary community and explains what makes it tick. Starting with reading, which Owen believes is a fundamental part of being a writer, she considers activities such as reviewing, translating, hosting radio shows and even running small presses. With over sixty interviews as well as her own experiences to draw on, Owen sketches a compelling picture of what a literary life can be. Readers will come away with a new appreciation for the dynamism of the Canadian literary scene and the inspiration to contribute to it.
Catherine Owen is a Vancouver poet and writer, the author of nine collections of poetry. A book of essays and memoirs, 'Catalysts: Confrontations with the Muse', was published earlier this year. Catherine's work has appeared in periodicals throughout Canada, Austria, New Zealand, and Australia. Her books and poems have been nominated for numerous awards, including the Gerald Lampert Award, the BC Book Prize, the ReLit Award, the George Ryga Award for Social Awareness In Literature, Short Grain, and The Earle Birney Prize. Her last book of poetry, 'Frenzy' (Anvil), won the Alberta Literary Award in 2009. She has a Masters degree in English and plays bass in the metal bands Inhuman and Helgrind.
"?it's immensely refreshing that she subverts the discourse about the status of poetry as a popular culture failure and celebrates the possibilties inherit in broadening and hybridizing the poet's practice. " - Events: Poetry and Prose
"Engaging, informative, concise, evocative ? Catherine Owen?s The Other 23 & a Half Hours is a clear, keen contemporary snapshot of Canada?s vibrant poetry community. A must read for any new, emerging poet. " - Urban Graffiti
"The book offers no program for a career in poetry, making the title a somewhat tongue-in-cheek jab at professionalized poetry. At the Victoria, BC event in promotion of her book, in July of this year, Owen told the audience that the book grew out of her frustration with the pressure young poets feel to enter academia. " - The Bull Calf
Tell us what you think!
Sign Up or Sign In to add your review or comment.