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To recognize the International Transgender Day of Visibility (TDOV)—a day dedicated to celebrating transgender people and their contributions to society and raising awareness of discrimination faced by transgender people worldwide—we bring you books that reflect stories of transgender people and characters.
Estranged teenage cousins Eli and Kat have recently met online and bonded over their queer identities, but they have a limited understanding of each other’s very different realities. In Italy, soft-spoken Eli is trying to find a way to come out as trans to his conservative Roman Catholic family. In Canada, strong-headed Kat is desperate for connection to a culture and place she’s never known.
Kat and her friend Hannah are the only ones who know that Eli is trans—not even his brother Matteo knows. And while her intentions are good, Kat’s decision to crowdfund a flight for Eli to attend Toronto Pride unknowingly outs him to the public, setting off a chain of events that leave the cousins and their loved ones reeling.
Full of poetry, laughter, and big questions, this touching story paints a portrait of what it’s like for young people wanting to reconcile what they’ve inherited with what feels right.
“Wanted: lesbian couple to foster wonderful eleven-year-old African American boy with gender identity issues.”
Meet Antwan. Not only has he got gender issues, he’s severely emotionally disturbed, severely demanding and, as he puts it, “born to argue.”
In the late nineties, Nicola Harwood and her girlfriend moved to San Francisco in order to be at the epicentre of queer culture. Shortly after arriving, they encountered an ad posted in the SF Bay Times looking for lesbian foster parents. Impulsively, they decided to answer the ad and offer to foster Antwan, an eleven-year-old transgender child* who had been living in group homes since the age of six. Suffering from post-traumatic stress, numerous disabilities and behaviour issues, Antwan turns out to be not only a severely challenging child, but also an irrepressibly honest and funny one.
The sex-positive butch/femme couple, new to foster parenting but confident in their skills and experience as queers, start introducing Antwan to their gay world — including Gay Pride in the Castro, shopping for female clothing among the flash and extravagance of their Latino neighbourhood thrift stores, accompanying him to the queer youth dance club and supporting the emergence of his female identity.
But being queer is only part of who Antwan is, and the couple are soon faced with the reality that his behaviours may be more than they can handle. They become a part of the “system,” working with over-burdened social workers, therapists, group home workers, special needs school teachers, psychiatrists and foster care agencies, all trying to help Antwan succeed outside the group home. Antwan, however, is oblivious to the massive amount of funding and attention being paid to him and just wants the couple to buy him more outfits and watch him perform as Britney Spears singing “… Baby, One More Time.”
While Antwan is introduced to the gay world of San Francisco, the white couple is introduced to his black world of Oakland. As the relationship develops, members of Antwan’s birth family, many of whom he has not seen or heard from in years, begin to emerge. It turns out that Antwan isn’t the only big queer in his family. One of his sisters is a baby dyke, and his troubled mother, who shows up when Antwan is thirteen, wears the strut of an old-school butch.
Outrageous, sad and very funny, Flight Instructions for the Commitment Impaired follows the couple as they attempt to build a relationship with Antwan and his world. As the three start to connect across an abyss of trauma and abuse, a relationship develops that challenges each of their notions of race, family and commitment.
*Note about pronouns: Antwan has asked that we use male pronouns when referring to the time before she transitioned at the age of seventeen.
In the conclusion of the award-winning Merry Bell trilogy, a celebrated philanthropist is found slumped against his car, frozen to death. PI Merry Bell is hired by his son, country music star Evan Whatley, to find out the truth behind what really happened on that desolate stretch of road. As Merry’s investigation uncovers old wounds which never healed, her own are revealed as she confronts her pre-transition past and questions the boundaries of family and friendship.
A funny and sweet—but not saccharine—jaunt through the back alleys of queer love.
Intimate, nostalgic, and surprising, the poems in I Can Hear You, Can You Hear Me? spark connections that alter trajectory and carry lasting resonance. Encounters across phone lines, over drinks, through walkie-talkies, and unspoken recognitions between queer bodies fill this collection with explorations of what it means to be seen.
The micro-narratives in I Can Hear You, Can You Hear Me? both celebrate and grieve the connections they illuminate. Nolan Natasha’s poetry is plainspoken but lyrical, sweet but frank, nostalgic but unromanticized, combining the atmosphere of Eileen Myles with the musical insight of Helen Humphreys. These poems bring an unflinching examination and a keen sense of humour to moments of human connection and self-exploration.
“Nolan Natasha’s writing is so clear-eyed, funny, tender, and absorbing. I love these poems and this sparkling debut.”—Zoe Whittall
Poems that show us a world in which precedent for gender transition is everywhere if you know how to look.
“I delete my history / badly,” writes Estlin McPhee in this searing, witty, lyrical, and elegiac debut collection of poems about intersections of trans identity, magic, myth, family, and religion. The line refers at once to a young person’s browser data that reveals an interest in gender transition; an adult’s efforts to reconcile complicated relationships; a culture’s campaign to erase queerness and transness from the historical record; and a religion’s attempt to pretend that its own particular brand of miraculous transformation is distinct from the kind found in folktales or real life. Populated by transmasculine werewolves, homoerotic Jesuses, adolescent epiphanies, dutiful sisters, boy bands, witches, mothers who speak in tongues, and nonnas who cross the sea, this is a book in which relational and narrative continuity exists, paradoxically, as a series of ruptures with the known.
“There is a shadow of a boy walking within me. His spirit is lightning fire. He will not be shackled. At birth, I was labeled a girl. My name is Jazz. Like the music, I am nature’s improvisation.”
When he is forced to leave his suburban home at age seventeen, Jazz – a transgender F2M – moves into the heart of Toronto’s LGBTQ community in hopes of finding the help he needs to begin his transition. A true hero’s journey, this narrative features a cast of colourful characters, including Martine, a dope-smoking drag queen; Kimmie, a hairdresser with a heart of gold; Sister Mary Francis, a sharp-talking ex-nun, and his counselor; Kendall, who must face his own demons in order to support Jazz in his journey. With comedy and pathos, Jazz wrestles with the realities of the courage it takes to be transgendered in today’s society.
“Pass Me By feels like something David Bowie would have created if he made comics instead of music: original. Ahead of its time. Utterly addictive.” – The Comics Journal
Exploring family, loss, tragedy, identity, and self-discovery, the third book in the award winning Pass Me By series, Lily, is a heartfelt tale about how our stories carry through time, and how we come to terms with change.
17 year old trans girl Lily, visits her estranged grandfather Ed, as he struggles with his rapidly developing Alzheimers. Lily too, faces struggles of her own.
WINNER, Amazon Canada First Novel Award; Lambda Literary Award; Firecracker Award for Fiction
Finalist, Carol Shields Winnipeg Book Award
A Globe and Mail Best Book of the Year
It’s the dead of winter in Winnipeg and Wendy Reimer, a thirty-year-old trans woman, feels like her life is frozen in place. When her Oma passes away Wendy receives an unexpected phone call from a distant family friend with a startling secret: Wendy’s Opa (grandfather) — a devout Mennonite farmer — might have been transgender himself. At first she dismisses this revelation, but as Wendy’s life grows increasingly volatile, she finds herself aching for the lost pieces of her Opa’s truth. Can Wendy unravel the mystery of her grandfather’s world and reckon with the culture that both shaped and rejected her? She’s determined to try.
Alternately warm-hearted and dark-spirited, desperate and mirthful, Little Fish explores the winter of discontent in the life of one transgender woman as her past and future become irrevocably entwined.
“My Body Is Distant is a trans, coming-out story like no other. Beautifully crafted, propulsive and by turns heartbreaking and funny, Paige Maylott offers us a guided tour of gaming communities and virtual romance, and how they can create collisions and liberation in real life.” — Farzana Doctor, author of Seven and You Still Look the SameAn electrifying and vulnerable memoir that invites readers into an intimate conversation about our digital and physical selves, gender, and belonging. In My Body Is Distant, Paige Maylott writes about her life — both virtual and IRL — as she explores her authentic self and sexuality through dream-like virtual worlds. While Paige dances in online BDSM clubs and hurls spells on virtual battlefields, she is swept into a fairy tale romance that pushes her into discovery mode: How can she transcend her carefully curated computer universe and manifest that happiness in the real world? As she discovers the person she is meant to be, Paige contends with a cancer diagnosis and an imploding marriage while struggling to convert an online love story into reality. When a humiliation at work provides the necessary push to transition, Paige finds the freedom to explore her new self.Part trans woman’s coming-out story and part heartfelt romance, My Body Is Distant follows Paige from a childhood obsession with the 1980s game Zork, through a health crisis and divorce, to, ultimately, an affirmation of authenticity and self-love.
A visually stunning graphic non-fiction book on queer and trans resistance.
Over the past ten years, we have witnessed the rise of queer and trans communities that have defied and challenged those who have historically opposed them. Through bold, symbolic imagery and surrealist, overlapping landscapes, queer illustrator and curator Syan Rose shines a light on the faces and voices of these diverse, amorphous, messy, real, and imagined queer and trans communities.
In their own words, queer and trans organizers, artists, healers, comrades, and leaders speak honestly and authentically about their own experiences with power, love, pain, and magic to create a textured and nuanced portrait of queer and trans realities in America. The many themes include Black femme mental health, Pacific Islander authorship, fat queer performance art, disability and health care practice, sex worker activism, and much more. Accompanying the narratives are Rose’s startling and sinuous images that brings these leaders’ words to visual life.
Our Work Is Everywhere is a graphic non-fiction book that underscores the brilliance and passion of queer and trans resistance.
Includes a foreword by Lambda Literary Award-winning author and activist Leah Lakshmi Piepzna-Samarasinha, author of Care Work: Dreaming Disability Justice.
Full-colour throughout.