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Happy Pride, June and all year long! Discover these amazing titles by LGBTQ2SIA+ writers from across Canada.
Showing 65–80 of 167 results
Sometimes it’s not as simple as being a boy or a girl. I Am Everything In Between highlights kids who may not fit into stereotypical gender ideals, and celebrates how they do identify by sending positive messages about gender identity. This book teaches children that regardless of biological gender, it’s OK to feel like a boy, or a girl, or even both! The illustrations include bright and bold examples of boys that like to play dress up and wear makeup, girls that like to play sports and get dirty, and kids that want to grow up to be astronauts! I Am Everything In Between uses diverse, relatable examples to help kids understand that sometimes it’s not as simple as being a boy or a girl. Teacher resources available on publisher website: rebelmountainpress.com/i-am-everything-in-between-teacher-resources
A funny and sweet—but not saccharine—jaunt through the back alleys of queer love.
Intimate, nostalgic, and surprising, the poems in I Can Hear You, Can You Hear Me? spark connections that alter trajectory and carry lasting resonance. Encounters across phone lines, over drinks, through walkie-talkies, and unspoken recognitions between queer bodies fill this collection with explorations of what it means to be seen.
The micro-narratives in I Can Hear You, Can You Hear Me? both celebrate and grieve the connections they illuminate. Nolan Natasha’s poetry is plainspoken but lyrical, sweet but frank, nostalgic but unromanticized, combining the atmosphere of Eileen Myles with the musical insight of Helen Humphreys. These poems bring an unflinching examination and a keen sense of humour to moments of human connection and self-exploration.
“Nolan Natasha’s writing is so clear-eyed, funny, tender, and absorbing. I love these poems and this sparkling debut.”—Zoe Whittall
In Our Own Aboriginal Voice 2 is a powerful collection of short fiction, non-fiction, personal essay, poetry, and original Indigenous artwork by Indigenous authors and artists from across Canada. Featuring the work of established authors such as the late Connie Fife, and up-and-coming Aboriginal authors to watch out for (according to CBC Books) Joanne Arnott, Michelle Sylliboy, and Dennis Saddleman, as well as emerging writers from across Canada who shine a light on the lives of Indigenous Peoples living in Canada. The Indigenous selection committee was headed by author Richard Van Camp. Foreword by former Chief Edmund Metatawabin–appointed to the Order of Canada and author of Up Ghost River: A Chief’s Journey Through the Turbulent Waters of Native History, a finalist for the 2014 Governor General’s Award.
“There used to be people dying and they didn’t know why and there was nothing anyone could do, but most of all—no one cared whether we lived or whether we died.”
Love, sex, and pharmaceuticals are put to the test when a gay couple’s open relationship is threatened with dangerous consequences.
Kurt, a silver fox dance instructor, and his young fiancé, Travis, have an arrangement: when one’s away, they’re allowed to stray . . . as long as they’re safe. One night, over a dinner conversation about wedding invitations, Travis admits that he had a fling with a man named Gideon whom he believes removed the condom during sex. He also reveals that he didn’t start taking the HIV preventative medication PrEP (Truvada)—as promised—putting himself and Kurt in danger of contracting HIV. When Gideon appears on their doorstep in the middle of the night, the threat against Kurt and Travis’s relationship is an alarming force to be reckoned with.
Kiskajeyi- I AM READY is a ground breaking Indigenous poetry book that also includes ancient Mi’kmaq (L’nuk) hieroglyphics. In 2020, Kiskajeyi- I AM READY won the Canadian Indigenous Voices Award (IVAs) for Published Poetry (English category). Indigenous artist and writer, Michelle Sylliboy blends her poetry, photography, and Mi’kmaq (L’nuk) hieroglyphic poetry in this unprecedented book.
Dani Couture’s latest poems are transmissions that travel across the cosmos, the spaces we live in, as well as within the more intimate distances we navigate between one another. Distances we hope to bridge with contact, often to profound or disastrous effects. With language rooted in science, sociology, memoir and aesthetics, she questions the limits of our bodies, both human and celestial. Like the subtle cues we lend one another and the hopeful messages we send into deep space, these poems broadcast our greatest aspirations and vulnerabilities.
A bold experiment in autobiography, Lost Family: A Memoir is a book of sonnets that centres around the deaths of John Barton’s mother and sister, but tracks much of the poet’s early life in Alberta through to a conflicted, restless adulthood. Alongside tales of love, friends and mentors, intolerance, AIDS, and the struggle for equality, Barton’s collection–his first in eight years–explores how being gay rewrites and expands one’s sense of lineage, both inherited and chosen. A book of penetrating self-awareness and humility, marked by powerful image-making, Lost Family: A Memoir is a profound test of poetry’s ability to give coherence to life. It is also a celebration of the sonnet form, that finely made reliquary that permits memory to take shape.
After moving to Vancouver’s West End in 2014, The Human is drawn to a small body of water called Lost Lagoon in Stanley Park. Daytime visits, with a surprising array of wildlife, are quietly revelatory; but so is suddenly waking in the night when owl hoots, or geese startle in alarm at otter on the prowl. The Human savours this up-close relationship between wildlife and fast-paced urban living, questioning the interface between the urban and natural world.
Upon learning the lagoon was named by nineteenth century Canadian author E. Pauline Johnson, of Mohawk and English origin, Johnson then becomes a presence in the narrative. Pauline Johnson wrote evocatively about it: “Among the wild rice in the still lagoon/In monotone the lizard shrills his tune.”
During five years of intimate counterpoint between urban living and wildlife, The Human’s notions are challenged and altered. Questions of how significant the specificity of place is to story, how our relationship to nature is altered by urban living, and how we might return to the natural world. Reminiscent of Henry Thoreau’s Walden Pond, perceptions about nurturing, fear, inventiveness, delight, death, protection, humour, even tenderness change as the lagoon has exposed what being human in the twenty-first century actually means.
Samuel knows that their real name is Simone, but things at their house are too quiet to think about how to tell their parents. When Chloe the costume designer moves in across the street with a dog about to have puppies, life becomes bigger, more colourful, and louder. And so does Simone.Teacher resources available on publisher website: rebelmountainpress.com/the-loudest-bark-quel-jappements-teacher-resources
Winner of the Lambda Literary Award, Lesbian Poetry, 2012
Honourable Mention, San Francisco Book Festival, Poetry, 2012
In Love Cake, Leah Lakshmi Piepzna-Samarasinha explores how queer people of colour resist and transform violence through love and desire. Refusing to forget the traumas of post 9/11 Islamophobia, and Sri Lanka’s civil war, Love Cake documents the persistence of survival and beauty. It maps the complicated, luscious joy of reclaiming the body and sexuality after abuse, examines a family history of violence with compassion, and celebrates the beautiful resistance of queer people of colour in love and home-making.
A hilarious romp through love, food, and Italy.
Do you love life? In this hilarious frolic through the hills of Italy, our heroine discovers the past is never really gone: it runs beside us our entire lives, just waiting to bite us in the arse. love, life is a made-up true fable about coming out, going back in, getting fat, Italian food, and stalking the Piazzo Bernardini. It’s a haunting love story, transcending decades, countries, and heartbreak. A Newfoundlander in Italy offers the humour, optimism, and romantic yearning the world needs now.