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Women Poets
All Books in this Collection
Showing 49–64 of 125 results
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It’s a Big Deal!
$16.95So many things seem like a BIG DEAL: buying clothes, food trends for healthfulness and coolness, what’s trending online, your personal problems, what someone else has said, the political landscape, an Instagram post, avocado toast. This list could go on and on. What’s a big deal to someone might be nothing to another. It’s a Big Deal! questions the way modern society values, interprets, and roasts or embraces these ideas. How do these big deals affect us, and the way we interact with others? Is the way we measure “bigness” different than it used to be? Does it mutate as time goes on? From popular trends in health and wellness to the big deals of life like death and work, love and politics, and into the extinct megafauna that used to walk this earth, this book looks at the ways we interpret those things. This collection is wry, sensitive, bitchy, and honest. With a unique voice that holds humour and heart, the poems reflect the ever-changing big deals we encounter in the world.
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Kiskajeyi- I AM READY
$19.99Kiskajeyi- I AM READY is a ground breaking Indigenous poetry book that also includes ancient Mi’kmaq (L’nuk) hieroglyphics. In 2020, Kiskajeyi- I AM READY won the Canadian Indigenous Voices Award (IVAs) for Published Poetry (English category). Indigenous artist and writer, Michelle Sylliboy blends her poetry, photography, and Mi’kmaq (L’nuk) hieroglyphic poetry in this unprecedented book.
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KITH
$20.00kith [noun] one’s friends, acquaintances, neighbours, or relations.
In Kith, award-winning writer Divya Victor engages Indian-American diasporic culture in the twentieth century, via an autobiographical account that explores what ‘kith’ might mean outside of the national boundaries of those people belonging to the Indian and South East Asian diasporas.
Through an engagement with the effects of globalization on identity formation, cultural and linguistic exchange, and demographic difference, Kith explores questions about race and ethnic difference: How do ‘brownness’ and ‘blackness’ emerge as traded commodities in the transactions of globalization? What are the symptoms of belonging? How and why does ‘kith’ diverge from ‘kin,’ and what are the affects and politics of this divergence? Historically-placed and well-researched, Kith is an unflinching and simultaneous account of both systemic and interpersonal forms of violence and wounding in the world today.
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Kitotam: He Speaks to it
$20.00The Neyhiyawak (Plains Cree) word “Kitotam” translates into English as, “He Speaks to It.” This is a collection of free-verse poetry by Indigenous poet and artist John McDonald. Written in two parts, these poems chronicle John’s life and experiences as an urban Indigenous youth during the 1980s. The second half of the book is a look into the inspirations and events, that shaped John’s career as an internationally known spoken word artist, beat poet, monologist and performance artist.
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Lake of Two Mountains
$20.00A hymn to a beloved lake, a praise poem in forty-five parts, a contemplation of landscape and memory
Lake of Two Mountains, Arleen Paré’s second poetry collection, is a portrait of a lake, of a relationship to a lake, of a network of relationships around a lake. It maps, probes and applauds the riparian region of central Canadian geography that lies between the Ottawa and the St. Lawrence Rivers. The poems portray this territory, its contested human presences and natural history: the 1990 Oka Crisis, Pleistocene shifts and dislocations, the feather-shaped Ile Cadieux, a Trappist monastery on the lake’s northern shore. As we are drawn into experience of the lake and its environs, we also enter an intricate interleaving of landscape and memory, a reflection on how a place comes to inhabit us even as we inhabit it.
flint-dark far-off
sky on the move across the lake
slant sheets closing insky collapsing from its bowl
shoreline waiting taut
stones dark as plums
~from “Distance Closing In” -
Ledi
$18.00Ledi, the second book by Vancouver-based poet Kim Trainor, describes the excavation of an Iron Age Pazyryk woman from her ice-bound grave in the steppes of Siberia. Along with the woman’s carefully preserved body, with its blue tattoos of leopards and griffins, grave goods were also discovered–rosehips and wild garlic, translucent vessels carved from horn, snow-white felt stockings and coriander seeds for burning at death. The archaeologist who discovered her, Natalya Polosmak, called her ‘Ledi’–‘the Lady’–and it was speculated that she may have held a ceremonial position such as story teller or shaman within her tribe.
Trainor uses this burial site to undertake the emotional excavation of the death of a former lover by suicide. This book-length poem presents a compelling story in the form of an archaeologist’s notebook, a collage of journal entries, spare lyric poems, inventories, and images. As the poem relates the discovery of Ledi’s gravesite, the narrator attempts simultaneously to reconstruct her own past relationship and the body of her lover.
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Listen Before Transmit
$18.00Dani Couture’s latest poems are transmissions that travel across the cosmos, the spaces we live in, as well as within the more intimate distances we navigate between one another. Distances we hope to bridge with contact, often to profound or disastrous effects. With language rooted in science, sociology, memoir and aesthetics, she questions the limits of our bodies, both human and celestial. Like the subtle cues we lend one another and the hopeful messages we send into deep space, these poems broadcast our greatest aspirations and vulnerabilities.
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Little Housewolf
$17.95Medrie Purdham‘s Little Housewolf delves deeply into the world of domestic miniatures, a realm where thimbles, baby teeth, push pins, keyholes, teacups, and wedding rings become meticulously realized scale models of one’s terrors and joys. Purdham uses the fine-grained signatures of her poetry–close observation, exact detail, precise sounds–not only to examine childhood and its fascination with size and scale, but also to measure herself against the larger, untamed landscapes she feels increasingly alienated from (“It is all anachronism, / grasses vintage wild”). Marked by bold emotion and arresting imagery, Little Housewolf is a brilliant debut.
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Love in the Chthulucene (Cthulhucene)
$18.00In a collection grappling with #MeToo, climate change and political turmoil, Natalee Caple strives to discover a way forward in charged times. These poems look to acknowledge struggle, to re-evaluate society and to rethink our approach to art. This is a challenging collection, but also a personal one. As Caple explains in her acknowledgements, she “wrote these poems as gifts.” They were gifts to the people who have shaped her as a writer and a thinker, and now they are gifts to readers to show how one might try and find a way to keep creating that acknowledges the interconnectedness of all things, human and non-human.
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Lyric Sexology Vol. 1
$19.95Largely written before the current cultural visibility of trans lit, Lyric Sexology Vol. 1 is Salah’s prescient contribution to a canon of self-determined literature that explores transness. In this case, the author sidesteps the “I” in the text and instead draws on archives–sexological, anthropological, psychological, among others–to demonstrate the shifting and shifty nature of our identities, affiliations, and narratives.
This 2017 edition is the first to be published in Canada and features four new poems and a new cover design by Kai Yun Ching and Wai-Yant Li.
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Maunder
$18.95Maundering is a both a physical and verbal process. One can walk in a maundering, aimless fashion and one can verbosely maunder on. Claire Kelly?s debut collection, Maunder, contains poems about the physical act of walking and the mental act, what is seen and what is reflected on. These poems allow the reader to do their own idle walk across the page, stepping from image to image, place to place, striding, pivoting in different, unexpected directions.
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Moldovan Hotel
$20.00Moldovan Hotel explores the intergenerational trauma of the Holocaust in Romania through a queer Jewish voice in the Diaspora.
In 2017, Leah Horlick travelled to Romania to revisit the region her Jewish ancestors fled. What she unearthed there is an elaborate web connecting conscious worlds to subconscious ones, fascism to neofascisms, Europe to the Americas to the Middle East, typhus to HIV/AIDS, genocide in Romania to land grabs in Palestine, women’s lives in farming villages to queer lives in the city, language to its trap doors, and love to its hidden, ancestral obligations.
With force, clarity and searing craft, Horlick’s poems are equal to the urgency of our political moment. “No one ever thinks they might be the dragon,” Horlick writes, and yet history repeats its cruelties. This work takes things apart to put them profoundly back together.
“If Leah Horlick’s second book invited us to witness, this time she draws from her Jewish heritage and takes us back to show us how to read the landscape and mind-scape and tell us what the texts left out. This is an accounting, a calling, an invocation, a return, a skilful mediation on how to remember when the ‘names of the oppressors are blotted out’.” — Juliane Okot Bitek, author of 100 Days
“Every poem in Moldovan Hotel is a room thick with ghosts. Here, Horlick takes the language of the past–used to dehumanize and unmoor–and crystalizes it around revelation after revelation. A graceful, striking collection.” — Carmen Maria Machado, author of In the Dream House
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Monkey Ranch
$19.00Comic and sober by turns, these poems ask us what is sufficient, what will suffice?
… a mandrill, a middle-aged woman, a shattered Baghdad neighbourhood, a long marriage, even a spoon, grapple with this unanswerable conundrum — sometimes with rage, or plain persistence, sometimes with the furious joy of a dog who gets to ride with his head through a truck’s passenger window. Julie Bruck’s third book of poetry is a brilliant and unusual blend of pathos and play, of deep seriousness and wildly veering humour. Though Bruck “does not stammer when it’s time to speak up,” and “will not blink when it’s time to stare directly at the uncomfortable,” as Cornelius Eady says in his blurb for the book, “in Monkey Ranch she celebrates more than she sighs, and she smartly avoids the shallow trap of mere indignation by infusing her lines with bright, nimble turns, the small, yet indelible detail. Bruck sees everything we do; she just seems to see it wiser. Her poems sing and roil with everything complicated and joyous we human monkeys are.”
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Myrmurs
$18.00Myrmurs is an innovative variant of the sestina form (a medieval mechanism of desire that spirals around six end words). Connecting medieval textuality to contemporary politics and poetics, this poem explores living systems: cities and languages as self-organizing entities; ants; interspecies entanglements; strange attachments; neocolonialism and how to break free of it. Following on her critically acclaimed debut collection fur(l) parachute (published by BookThug in 2013), this is the second volume in Shannon Maguire’s planned medievalist trilogy.
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nakamowin sa for the seasons
$17.95Rita Bouvier’s third collection of poetry is a response to the highs and lows of life and represents an attempt at restoring order through embracing others, reconciling the traumas caused by the deep scars of history, and soaring beyond life’s awkward and painful moments in order to live joyfully. Inspired by the metaphor of a voyageur sustained by song on his journeys up and down the rivers of Northwest Saskatchewan, these “songs for the seasons” draw heavily on images from nature as well as the joys, heartaches and transgressions Bouvier has witnessed and experienced as a Métis woman. Using imagery strongly connected to the natural environment, Bouvier evokes earth’s regeneration through the seasons as inspiration for moving forward.
Whether discussing the joys and trials of family life with poems such as “nigosis is sweet and sixteen” and “my grandmother’s hands”, offering her own take on history in “songs to sing” and “measured time”, or exploring Métis identity in “I have something important to say” and “Indigenous Man 2”, Bouvier captures the essence of a life that can be “joyful/one minute and then. agony”. Yet she always encourages the reader to become “caught in the movement and beauty/of life – dance, breathe, listen” and, of course, sing. -
Narrow Bridge
$15.95Lyric poems that are open to readers; Strong imagery; Poems that describe the need to build “bridges” between people; Interesting accounts of a single woman in Italy; The difficulties involved in learning to age gracefully; The act of writing as a means of living with courage in crossing the narrow bridge of life. COMPARATIVE TITLES: The Road in Is Not the Same Road Out by Karen Solie (Anansi, 2015); The Wrong Cat by Lorna Crozier (McClelland & Stewart, 2015); The Waking Comes Late by Steven Heighton (Anansi, 2015).
“All the world is a narrow bridge,” states Rabbi Nachman of Bresnov. “The important thing is not to be afraid at all.” These poems, Barbara Pelman’s third collection, explore bridges both real and metaphoric: the bridge connecting Denmark to Sweden where her family lives; the bridges she has travelled across Europe; and the bridges we build through words and actions to overcome our separateness from one another. The poet writes about lovers, mothers, daughters, ex-husbands, grandchildren, and her attempts to construct solid foundations for the heart to travel easily across time and space. Pelman writes of her love of landscapes and the things in them, and the everyday epiphanies that happen in one’s backyard. These are poems that explore the tension between living in one place but wanting to be in another, the losses and freedoms contained in solitude, the process of learning to age gracefully. The act of writing, Pelman says, is itself a talisman against fear, a mantra of boldness and courage to live con spirito.