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Pantone announced two colours for 2021—Ultimate Gray and Illuminating—so naturally we’ve gathered book covers to match.
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A Tristram Shandy–esque novella about failing memory and failed writing, from one of French Canada’s most exciting new voices.
A young, floundering author meets Robert ‘Baloney’ Lacerte, an older, marginal poet who seems to own nothing beyond his unwavering certainty. Over the course of several evenings, Lacerte recounts his unrelenting quest for poetry, which has taken him from Quebec’s Boreal forests to South America to East Montreal, where he seems poised to disappear without a trace. But as the blocked writer discovers, Lacerte might just be full of it.
‘[Bock’s] deeply original writing always seeks out the mot juste, then sculpts them into sentences that describe the slightest variations of human emotions in spectacular complexity, harnessing the power of form, rhythm, and sound.’
—Mario Cloutier, La Presse (translated fromthe French)
‘Books are dangerous. They call into question the order of things, turn the world upside down to get a better sense of it and shake the dust off the lenses we look through. […] No one can say where this book by Maxime Raymond Bock will take us. It’s an incandescent plea for the latent powers of literature, something like a necessity.’
—Jérémy Laniel, Spirale (translated from the French)
Praise for Atavisms:
‘Crackles with the energy of a Queébécois folk song, impassioned and celebratory but also melancholy and cheekily ironic … As in Bolaño’s work, narrative itself is often the subject; stories are folded within other stories and narrators are constantly asserting their presence … Like Bolaño, Bock alternates between rage, sorrow, protest, and dark comedy, and the two writers share a sense of urgency –of writing against time as much as about it.’
—Pasha Malla, The New Yorker
This extraordinary graphic novel is a powerful denunciation of sexual violence against women. As seen through the eyes of a twelve-year-old girl named Una, it takes place in northern England in 1977, as the Yorkshire Ripper, a serial killer of prostitutes, is on the loose and creating panic among the townspeople. As the police struggle in their clumsy attempts to find the killer, and the headlines in the local paper become more urgent, a once self-confident Una teaches herself to “lower her gaze” in order to deflect attention from boys.
After she is “slut-shamed” at school for having birth control pills, Una herself is the subject of violent acts for which she comes to blame herself. But as the police finally catch up with and identify the killer, Una grapples with the patterns of behaviour that led her to believe she was to blame.
Becoming Unbecoming combines various styles, press clippings, photo-based illustrations, and splashes of colour to convey young Una’s sense of confusion and rage, as well as sobering statistics on sexual violence against women. The book is a no-holds-barred indictment of sexual violence against women and the shame and blame of its victims that also celebrates the empowerment of those able to gain control over their selves and their bodies.
From award-winning author Alisha Piercy comes Bunny and Shark, a middle-aged coming-of-age story-cum-shark-adventure that reveals and celebrates women’s power in the trenches. Plunging into the first thirteen days after the ‘bastard’ pushes his ex-Playboy wife ‘Bunny’ over a cliff in the Caribbean, Bunny and Shark is a fable about island survival, and the perils and potentials of being exiled from one’s identity.
Literally lost at sea, Bunny is fueled by the miracle of having been saved from sharks by a band of dolphins. And her continued survival depends on her ability to become a spiritual extension of the landscape: she is the mood of the ocean at night as she swims blindly in it, and the protective coolness of the jungle by day as she recovers from a loss of limb; the close-walled refuge of the sailboats anchored in the harbour, and the sparkling deck of an opulent superyacht when, transformed, she makes a triumphant return to her former world.
Introducing one of the great heroines of contemporary fiction, Bunny and Shark takes readers on a voyage intense with abandon and illumination, in a story that invokes more than a little bit of magic in the telling.
Daughter of Here is an experiment in memory, desire, and time. As she sifts through an international whirlwind romance with Célestin, her larger-than-life love for her daughter Mo, and her own childhood behind the Iron Curtain, Dolores’s narrative shifts from Williamsburg, to Tokyo, to Bucharest before and after the fall, and to Cairo at the first spark of the Arab Spring. Filmic and thought-provoking, this novel straddles the political and the personal with ease and eloquence.
Faldistoire’s grandfather thinks he’s a ghost. Sylvie’s mother reads tarot and summons stormclouds to mete her witch’s justice. Behind his Dad of the Year demeanour, Sébastien’s father hides dark designs. It’s Croustine’s grandfather who makes the boy a pair of slippers from the dead family dog, but it’s his father, the cannily-named Kevin Lambert, who always seems to be nearby when tragedy strikes, and in the cemetery, under the baleful eyes of toads, small graves are dug one after the other: Chicoutimi, Quebec, is a dangerous place for children. But these young victims of rape, arbitrary violence, and senseless murder keep coming back from the dead. They return to school, explore their sexualities, keep tabs on grown-up sins—and plot their apocalyptic retribution.
Surreal and darkly comic, this debut novel by Kevin Lambert, one of the most celebrated and controversial writers to come out of Quebec in recent memory, takes the adult world to task—and then takes revenge.