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League of Canadian Poets 2025 Poetry Award Longlists
We rounded up the incredible poetry collections published by Canadian independent literary presses that make up 2025’s Gerald Lampert, Pat Lowther, and Raymond Souster Award longlists, awarded by the League of Canadian Poets.
All Books in this Collection
Showing all 18 results
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Aqueous
$20.00Aqueous by Nathanael Jones is a collection of prose poems that address the ways in which post-colonial realities in the black diaspora continue to fracture concepts of identity, history and memory, place, and community. Through the use of extended metaphors relating to the transatlantic slave trade, contemporary art, marine biology, and the commercial construction industry, both personal and collective experiences of being Afro-Caribbean Canadian in North America/Turtle Island are described and enacted as indefinitely liminal. Organized into three main poem sequences, the collection first uses a fictional sound art piece as a way of diagramming the kinds of fractured subjectivities engendered by colonialism and its after effects. In the second sequence, a beleaguered speaker navigates realities of manual labour and how they are used to shape racialized and gendered identities, and the pressures these forces exert upon interpersonal relationships. Lastly, the third sequence delves further into oceanographic themes in order to compose a portrait of Montreal’s black anglophone communities as both invisible and yet forever in the peripherals of mainstream cultures in Canada.
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Blood Belies
$22.00In this arresting debut collection Ellen Chang-Richardson writes of race, of injury and of belonging in stunning poems that fade in and out of the page. History swirls through this collection like a summer storm, as she brings her father’s, and her own, stories to light, writing against the background of the institutional racism of Canada, the Chinese Exclusion Act, the head tax and more. From Taiwan in the early 1990s to Oakville in the late 1990s, Toronto in the 2010s, Cambodia in the mid-1970s and Ottawa in the 2020s, Blood Belies takes the reader through time, asking them what it means to look the way we do? To carry scars? To persevere? To hope?
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Dayo
$23.95An elegant debut collection that illuminates the contours of un/belonging.
Dayo: a Tagalog word referring to someone who exists in a place not their own. A wanderer, migrant worker, exile or simply a stranger. At its core, the poems in Dayo interrogate whether belonging can exist in a society suffused with violence. Here, the poet, as a stranger, confronts the politics of recognition by offering his vision. Reflexive and lyrical, this collection embodies the true curiosity and tenacious spirit of a dayo seeking a place to replant, tend, and grow delicate roots.
“Great poetry re-creates the world, and Perez’s world is here, built from the fleeting moments you don’t always notice, built beautifully, built to last.”
– Wayde Compton, author of The Outer Harbour and The Blue Road: A Fable of Migration“By the end of all the belovedness catalogued in this book, you too will be heavier with the weight of all that is most gorgeous about this world.”
– Ed Bok Lee, author of Mithocondrial Night and Whorled“One of the things that most impresses me about this lush, lyrical and soulful collection is its ability to hold hope alongside melancholy and despair…With incredible empathy and insight, he writes for “the fragments of ourselves, pieced together by grief.”
– Jen Currin, author of Trinity StreetAt once cinematic and elegiac, this book is an unforgettable contribution and a remarkable achievement.”
– Adrian De Leon, author of barangay: an offshore poem -
echolalia echolalia
$23.95Interviewed on CBC Books
CBC Best Poetry Book 2024
Relentlessly inventive poetry that proclaims a diasporic, queer, and disabled self-hood.
In Jane Shi’s echolalia echolalia, commitment and comedy work together to critique ongoing inequities, dehumanizing ideologies, and the body politic. Here are playful and transformative narratives of friendship and estrangement, survival and self-forgiveness. Writing against inherited violence and scarcity-producing colonial projects, Shi expresses a deep belief in one’s chosen family, love and justice.
“Shi extends her poetics in all directions with silky skill. Language flourishes in the realm of a poet like this.”
– T. Liem, author of Slows: Twice and Obits. -
Farm: Lot 23
$25.95Tonya Lailey’s Farm: Lot 23 explores the complex relationship we have with land, particularly as it relates to agriculture. Her poems depict the spectrum of human experience that plays out on the stage of the family farmlove, desperation, triumph, folly, caution, greedand the real impacts that technology, economics and shifting cultural values have on both the people and the land. Lailey reminds us that the fates of culture and agriculture are inseparable, that “the purpose / of a farm / of a poem / has always been / the living in it.”
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Good Want
$23.95What if poetry and prayer are the same: intimate and inconclusive, hopeful and useless, a private communion that hooks you to the thrashing, imperfect world?
Good Want entertains the notion that perhaps virtue is a myth that’s outgrown its uses.
Exploring the value and shame ascribed to our desires both silly and serious – artistic, superficial, spiritual, relational – these poems grapple with deeply rooted questions: How can there be a relationship between goodness and godliness, if god is a character with shifting allegiances and priorities? Is clarity worth the pain of redefining your experience of the world? Is privacy the same as secrecy the same as deceit? Each caveat becomes a prayer, ritual, invocation, dream, or confession, requiring a blind faith that feels increasingly more impossible to sustain.
Good Want looks inward, at once both sincere and tongue-in-cheek, to confront the hum of class and intergenerational trauma. Playing with and deconstructing received notions of ‘good,’ ‘bad,’ and ‘god,’ these poems open up a series of further possibilities: empathy for difficult people, acceptance of our difficult selves, and joy in every difficult thing.
“These are lush, provocative poems that luxuriate in unexpected detail while examining how economic precarity shapes both shame and desire. Firmly rooted in the working class, Martinello explores the hunger we inherit from our ancestors, what it means to indulge from a position of bottomless want, and to ‘Waste not your wanting.’ With impressive range, a sense of humor, and entrancing musicality, Good Want is a celebration of the gluttony of girlhood, the paradoxes of faith, and everyday pleasures of a “small, specific life.”
– Cassidy McFadzean, author of Crying Dress“Good Want is a baroque painting of Dutch aristocracy, but all the subjects’ garments are secretly from Walmart. I mean this in the best way. Each poem cracks me open and out shines a never-before-seen shade of light.” – Shy Watson, author of Cheap Yellow
“Sometimes the confessor reckons with the confessional. In Good Want, it’s a wracking and lucky sometimes, full of piss and vinegar, and one that finds Domenica Martinello performing the wonderment, the depth and push and pull, between what there is to reveal and what each revelation ruptures or binds. Happily, sadly, the poet scours a life lived and unearths inheritances, burdens, and selves destined for and not for the telling. And tells them brilliantly as she pleases.” – D.M. Bradford, author of Bottom Rail on Top
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Graphis scripta / writing lichen
$24.95Clare Goulet considers how things are and also are not what they seem, grounding her poems in the natural history of lichen, metaphor’s biological analogue. Though presented as a sort of field guideto lichen, but also to metaphorthis collection is delightfully animated, buoyed by Goulet’s sense of mischief, rhythm, and sound. By nimbly shifting our attention from the supposed subject matter to the slippery matter of attention itself, Goulet daylights language’s symbiotic relationship with the world and the way in which it nurtures hope and love.
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Heliotropia
$23.95Featured on CBC Books
“Where fear collides with the little shield of love.”
Manahil Bandukwala’s second collection of poems is a meditation on love during times of social and political upheaval. As a sunflower’s growth reaches toward the sun, so, she suggests, is a lover’s growth compelled by the gravitational pull and soul-light of their beloved. Many of these poems are in conversation with other poets and artists, creating a lineage of call and response. Against a backdrop of terrestrial crisis, come, spend your precious minutes in love’s Heliotropia, where we are magnetized by the unfathomable dark matter of another person, and know ourselves as celestial bodies flowering in spacetime, together.
“Intergalactic yet deeply earthly, intertextual yet wonderfully original…”
– Mikko Harvey, author of Let the World Have You
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I Hate Parties
$19.95Fifty poems to dance (awkwardly) between queer and anxious spaces.
Social anxiety runs through I Hate Parties like a current. Recorded on deliberately shaky media, this collection offers the B-side of growing up queer, autistic and nonbinary. From Scruff dates to mix tapes, Jes Battis cruises (and crashes) through wild feelings and minor catastrophes. Dipping readers into a world of missed connections, social disasters and life as a queer party that constantly surprises, Battis uses a light touch and neurodiverse prosody as they chronicle middle-grade queerness and a kind of meandering surreality. From difficult desires, panic attacks and environmental sensitivities, Battis weaves nineties metaphors with current discussions of neurodiversity and trans rights in Canada as they ruminate between past and present like a cat refusing to settle. I Hate Parties guides us through all the best and worst parties of our lives—to the secret room beyond, where being awkward is the one and only dress code.
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I Will Get Up Off Of
$23.95Overthinking simple actions leads to overwhelming poems about what one can lean on if promised help doesn’t help
I Will Get Up Off Of is a book about trying to leave a chair. How does anyone ever leave a chair? There are so many muscles involved – so many tarot cards, coats, meds, McNuggets, and memes. In this book, poems are attempts and failures at movement as the speaker navigates her anxiety and depression in whatever way she can, looking for hope from social workers on Zoom, wellness influencers, and psychics alike. Eventually, the poems explode in frustration, splintering into various art forms as attempts at expression become more and more desperate. What is there to lean on when avenues promising help don’t help? Bell may want to #talk but does it want to listen? I Will Get Up Off Of explores the role art plays in survival and the hope that underlies every creative impulse.
“The voice of these poems moves like a magical fish trapped in a small square bowl, dazzlingly alive inside an almost annihilating constriction. These poems play a serious game in a tight space, caught in the looping limbo between intention — ‘I will…’ ‘I will…’, ‘I will…’— and action. Simina Banu’s skill and humour animate every line and gesture within this inventive drama that begins ‘(I will get up off of) this monobloc but I’ve been sentenced…’ Sentenced to form and to language, Banu gives us a mind thinking its way toward freedom.” – Damian Rogers, author of Dear Leader
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impact statement
$23.95A revolutionary call to arms wherein the arms are love, art, self-definition, and community care as an alternative to so-called care under carceral capitalism.
Borrowing and disrupting the forms of patient records, psychiatric assessments, and court documents, Jody Chan’s impact statement traces a history of psychiatric institutions within a settler colonial state. These poems bring the reader into the present moment of the Diagnostic and Statistical Manual, capitalism and “money models of madness,” and “wellness” checks. Forming a ghost chorus, they sing an impact statement on migration and intergenerational trauma, gentrification, and police neglect of racialized violence against queer communities in Toronto–and how the “wrong” kinds of desire, be it across class, race, or gender lines, or towards other worlds, are often punished or disappeared. And yet, these poems also make space for what can take root, despite the impacts–care teams, collective grief rituals, dinners around a table with too many friends to fit. impact statement imagines, and re-imagines, and re-imagines again, a queer, disabled, abolitionist revolution towards our communal flourishing.
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In the Key of Decay
$21.95Triangulated against the backdrop of a deteriorating world, In the Key of Decay pushes past borders both real and imagined to attend to those failed by history. Attuned to scientific racism, systemic medical failures, and climate change, Em Dial’s poems incisively carve out space for interrogation. Their place-finding and place-making is often surprising, centring care and desire, where Dial’s speaker “calls for someone to call me what I am and for that someone to be a lover, bare on silk sheets, inside walls of confidential lilac.” In the Key of Decay doesn’t just hum along, it sings.
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Oh Witness Dey!
$20.00Shani Mootoo’s great-great-grandparents were brought to Trinidad as indentured labourers by the British. There is no record of where they were from in India or whether it was kidnapping, trickery, or false promises of wealth that took them to the Caribbean.
In Oh Witness Dey! Mootoo expands the question of origins, from ancestry percentages and journey narratives, through memory, story, and lyric fragments. These vibrant poems transcend the tropes of colonial violence through saints and spices, rebellion and joy, to reimagine tensions and solidarities among various diasporas. They circumvent traditional conventions of style to find new routes toward understanding. They invite the reader to witness history, displacements, and the legacies of our inheritance.
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Ox Lost, Snow Deep
$20.00“I’m just going to break this, okay?” writes Nova Scotia poet Alice Burdick in her sixth full-length poetry collection. The 14 long poems in Ox Lost, Snow Deep range from confessional narrative to collage to surrealism, exploring representations of history, both public and personal, and within that, they probe what is considered important and what is considered not important. These poems include takes on semi-rural existence, raising a family, and living in poverty. They also veer toward popular culture: using movies, music, social media language as jumping-off points or simply by taking those media’s forms. Burdick confronts the very embarrassment of simply being alive: excruciation, apology, loss, humour, mistakes, and grief – and the freedom achieved by acknowledging these things.
Burdick’s first collection of new poems since 2018, Ox Lost, Snow Deep will alter your ways of thinking and reading.
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Precedented Parroting
$21.95Opening with an exit, the poems in Precedented Parroting accept no assumptions. With the determination and curiosity of a problem-solving crow, this expansive debut plumbs personal archives and traverses the natural world, endeavouring to shake the tight cage of stereotypes, Asian and avian. Praised as “lively and intelligent” and “lyrically delicious,” Barbara Tran’s poetry offers us both the keen eye and grace of a hawk, “red-tailed gliding / on time.”
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The Work
$23.95The poems in The Work engage with the work of love and loss and the hope that we might somehow learn to carry our portion of grief. Simmers writes of churning in an accumulation of lossesthe sudden death of her father, the descent of her mother into dementia, her sister-in-law’s terminal illnessand of the work of slowly making wholeness out of brokenness. Her writing fosters a vulnerability and wit that sidestep easier tropes, a reminder that healing often comes through saying “Hello” and “Yes”; a realization that “all this noticing / was love.”
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Weather
$25.95Living with his wife and young children in a small apartment during the pandemic lockdown, Rob Taylor developed a habit of retreating to the wooded fringes of a nearby walking trail with a camping chair to do his work. “I needed that space in order to edit the writing of others,” writes Taylor, “but when time allowed I waited in that quiet, that wind and birdsong, for haiku.” A companion to his poetry collection The News, Taylor’s Weather was written over the first three years of his daughter’s life, chronicling the accumulative effect of intimacy and contemplation and revelling in the “small moments out of which we assemble our lives.”
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What Fills Your House Like Smoke
$19.95In these poems, E. McGregor combines the lore of family history with personal memory, vividly parsing patterns of inheritance, particularly through the maternal line.
What Fills Your House Like Smoke begins and ends at the deathbed of the writer’s Metis grandmother. In between, McGregor composes an incomplete and wildly imaginative biography of the grandmother, interrogated by family photographs, stories, and the scant paper trail she left behind.
McGregor sifts through the complexities of motherhood, daughterhood, anxiety, intimate relationships and addiction, weaving family history with memory to make sense of what is carried on. Especially affecting are poems about childhood, and the people who disappear from a child’s life, and the struggle to live as a societal outsider, finding strength in self-definition and the power of narrative.
As these poems unfold, they move us toward an understanding of maternal inheritance, shifting identities, forgiveness, and finally love.