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These books by Indigenous authors are now available in accessible ePub format.
Showing 17–23 of 23 results
A picture of the Riel Resistance from one of Canada’s preeminent Métis poets
With a title derived from John A. Macdonald’s moniker for the Métis, The Pemmican Eaters explores Marilyn Dumont’s sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel.
Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont’s ancestors. In Dumont’s The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.
The elders in Those Who Know have devoted their lives to preserving the wisdom and spirituality of their ancestors. Despite insult and oppression, they have maintained sometimes forbidden practices for the betterment of not just their people, but all humankind.First published in 1991, Dianne Meili’s book remains an essential portrait of men and women who have lived on the trapline, in the army, in a camp on the move, in jail, in residential schools, and on the reserve, all the while counselling, praying, fasting, healing, and helping to birth further generations.In this 20th anniversary edition of Those Who Know, Meili supplements her original text with new profiles and interviews that further the collective story of these elders as they guide us to a necessary future, one that values Mother Earth and the importance of community above all else.
In this final installation of the Overhead Series, Lucy Hemphill once again transports the reader with intimate revelations on identity by exploring both her personal and ancestral relationship to the forest and the quiet sentinels that root together everything. Hemphill’s prose is extraordinary in its combination of self awareness yet unselfconscious honesty and skillful restraint, creating a sense of connection under the tangle of foliage and limb that ever-reach skyward. Masterfully illustrated by artist Michael Joyal, his evocative dendrological drawings contribute to the overall sensory and transcendent experience.
When Gellhorn, a notable poet, begins a university residency in a “dynamic metropolis” and stays at the illustrious Máximo College, he finds himself scandalized, and for little known reason. Scrutiny by his new academic neighbours is the least of his worries, as he learns of the existence of Aaron Schnell, his physical pseudo-twin, and an actor and film “double.”The Chair shares fragments from the oeuvre of Thomas Claque, a recently deceased author who contrived the tale of the pseudo-twins. The Chair’s scholarship leads him to the real Máximo College, where he revives those characters and scenarios, before travelling to a smaller prairie town where he reimagines one of Claque’s risqué getaways. There he meets a young woman doing her creative thesis on the double in literature.Petra, a police clerk in an entirely different prairie city, receives a photograph of a missing person and recognizes a passenger from her weekday commute. Non-routine surveillance draws her deeper into his world until a global pandemic abruptly stalls her progress. Her romantic prospect soon leads to a greater mystery punctuated by the words, TULPA MEA CULPA, although its uncanny truth will be ultimately less provocative than serial coverage in the Prairie Pulse.Tulpa Mea Culpa is a literary tour-de-force and solidifies Morse as one of Canada’s most exciting writers today and proves why he is a two-time Governor General Award nominee.
The generation to which Joe and Josephine Crowshoe belonged spanned more than the length of their lifetimes. That generation fought heroically in world wars and at the same time raised children under a paternalistic federal regime that denied both a culture and a heritage. The Crowshoes regained their heritage and shared it with the larger community, gaining respect from all the people with whom they were in contact and becoming articulate representatives and the holders of stories, legends, and customs. The interviews in Weasel Tail track not just their personal stories but the stories of a people who insisted on being recognized and a culture born out of the land of southern Alberta. Paralleling the interviews, Mike Ross has included historical photographs and documentation of a world and people who are a rich part of Alberta’s history.