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Books by BIPOC authors.
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Author and radio personality Stanley Péan is a jazz scholar who takes us seamlessly and knowledgeably through the history of the music, stopping at a number of high points along the way. He gets behind the scenes with anecdotes that tell much about the misunderstandings that have surrounded the music. How could French existentialist writer Jean-Paul Sartre have mixed up Afro-Canadian songwriter Shelton Brooks with the Jewish-American belter Sophie Tucker? What is the real story behind the searing classic “Strange Fruit” made immortal by Billie Holiday, who at first balked at performing it? Who knew that an Ohio housewife named Sadie Vimmerstedt was behind the revenge song “I wanna be around to pick up the pieces when somebody breaks your heart?” And since this is jazz, there is no shortage of sad ends: Bix Beiderbecke, Chet Baker, Lee Morgan, to name a few.Jazz is liberation music, from Fats Waller to Duke Ellington to John Coltrane who walked side by side with Martin Luther King with his piece “Alabama.” Péan shows how musicians like Miles Davis worked with the emerging voices of hip-hop to widen jazz’s audience. The intricate crisscross between Black musical forms, from Marvin Gaye to the Last Poets is explored, as well as how the movies, Hollywood and European cinema alike, tried to use jazz, often whitening it in the process (with the exception of Spike Lee).
Strong female voice, a clear-eyed narrator examining self and family.
Ash from the Eyjafjallajökull volcano fills the skies. Flights are grounded throughout Europe. Dessie, a cosmopolitan flight attendant from Canada, finds herself stranded in Addis Ababa — her birth place.
Grieving her mother’s recent death, Dessie heads to see her grandfather, the Shaleqa — compelled as much by duty as her own will. But Dessie’s conflicted past stands in her way. Just as the volcano’s eruption disordered Dessie’s work life, so too does her mother’s death cause seismic disruptions in the fine balance of self-deceptions and false histories that uphold her family.
As Dessie reacquaints herself with her grandfather’s house, familiar yet strangely alien to her diasporic sensibilities, she pieces together the family secrets: the trauma of dictatorship and civil war, the shame of unwed motherhood, the abuse met with silence that gives shape to the mystery of her mother’s life.
Reminiscent of the deeply immersive writing of Taiye Selasi and Arundhati Roy, Rebecca Fisseha’s Daughters of Silence is psychologically astute and buoyed both by metaphor and by the vibrant colours of Ethiopia. It’s an impressive debut.
Winner, CBC Canadian Literary Award and Friends of American Writers Award
The new reader’s guide edition of Shauna Singh Baldwin’s literary debut features the fifteen stories from the original collection, an interview with the author, an original afterword, and her suggested reading list. When Shauna Singh Baldwin’s debut collection was first published in 1996, it took readers by storm. Reviewers discovered a new voice; listeners tuned in to the stories on CBC Radio. Since then, Baldwin has written two award-winning novels and, in 2007, a second story collection, We Are Not in Pakistan. Dramatizing the lives of Indian women from 1919 to the present, from India to North America, Shauna Singh Baldwin travels from the intimate sphere of family to the wasteland of office and university.
An utterly convincing and moving look at the beauty and perils of consciousness.
WINNER OF CANADA READS 2017
WINNER OF THE 2015 GILLER PRIZE
WINNER OF THE 2015 ROGERS WRITERS’ TRUST FICTION PRIZE
FINALIST FOR THE 2015 TORONTO BOOK AWARDS
— I wonder, said Hermes, what it would be like if animals had human intelligence.
—I’ll wager a year’s servitude, answered Apollo, that animals – any animal you like – would be even more unhappy than humans are, if they were given human intelligence.
And so it begins: a bet between the gods Hermes and Apollo leads them to grant human consciousness and language to a group of dogs overnighting at a Toronto veterinary clinic. Suddenly capable of more complex thought, the pack is torn between those who resist the new ways of thinking, preferringthe old ‘dog’ ways, and those who embrace the change. The gods watch from above as the dogs venture into their newly unfamiliar world, as they become divided among themselves, as each struggles with new thoughts and feelings. Wily Benjy moves from home to home, Prince becomes a poet, and Majnoun forges a relationship with a kind couple that stops even the Fates in their tracks.
André Alexis’s contemporary take on the apologue offers an utterly compelling and affecting look at the beauty and perils of human consciousness. By turns meditative and devastating, charming and strange, Fifteen Dogs shows you can teach an old genre new tricks.
A 2023 Canada Reads FinalistLonglisted for the 2022 Scotiabank Giller PrizeA vivid love letter to the 1980s and one woman’s struggle to overcome the challenges of immigration.It’s 1986, and Muna Heddad is in a bind. She and her son have moved to Montreal, leaving behind a civil war filled with bad memories in Lebanon. She had plans to find work as a French teacher, but no one in Quebec trusts her to teach the language. She needs to start making money, and fast. The only work Muna can find is at a weight-loss center as a hotline operator.All day, she takes calls from people responding to ads seen in magazines or on TV. On the phone, she’s Mona, and she’s quite good at listening. These strangers all have so much to say once someone shows interest in their lives–marriages gone bad, parents dying, isolation, personal inadequacies. Even as her daily life in Canada is filled with invisible barriers at every turn, at the office Muna is privy to her clients’ deepest secrets.Following international acclaim for Niko (2011) and The Bleeds (2018), Dimitri Nasrallah has written a vivid elegy to the 1980s, the years he first moved to Canada, bringing the era’s systemic challenges into the current moment through this deeply endearing portrait of struggle, perseverance, and bonding.
Winner of the 2017 Toronto Book AwardA remarkable memoir about achieving prosperity in the face of relentless prejudiceIn the Black traces B. Denham Jolly’s personal and professional struggle for a place in a country where Black Canadians have faced systematic discrimination. He arrived from Jamaica to attend university in the mid-1950s and worked as a high school teacher before going into the nursing and retirement-home business. Though he was ultimately successful in his business ventures, Jolly faced both overt and covert discrimination, which led him into social activism. The need for a stronger voice for the Black community fuelled Jolly’s 12-year battle to get a licence for a Black-owned radio station in Toronto. At its launch in 2001, Flow 93.5 became the model for urban music stations across the country, helping to launch the careers of artists like Drake.Jolly chronicles not only his own journey; he tells the story of a generation of activists who worked to reshape the country into a more open and just society. While celebrating these successes, In the Black also measures the distance Canada still has to travel before we reach our stated ideals of equality.
Rita and Alfred Allmers live in an isolated family cabin on native leasehold land overlooking Indian Arm, a still untamed glacial fjord just north of Vancouver, BC. With Alfred—a formerly promising novelist—now struggling with his latest work, Rita has been tasked with caring for their adopted son Wolfie, a sensitive First Nations teen who has been designated as “special needs” for much of his life. Rita’s resentments and frustrations are further embittered by her younger half-sister, Asta, a constant reminder of the innocence, idealism, and sexual allure Rita once had and yearns for again. The fragile impasse of their lives is torn asunder by the appearance of Janice, the surviving member of the Indigenous family who leased the land to Rita and Asta’s reclusive and mysterious father over fifty years ago. With the lease now expired, they are all engulfed by the secrets and contradictions of their lives and of the land itself—in both the past and the present—and their stories are drawn inexorably toward an unspeakable tragedy.
In this modern adaptation of Henrik Ibsen’s Little Eyolf, award-winning author Hiro Kanagawa explores the uneasy intersection of privilege and birthright.
What was beyond doubt by the time I got back was that a new Transfixion had arrived in the form of Hermia Druitt, the woman in this photograph. This was confirmed by the sensations: flashes from Arcadia. Moonlight, of a kind, sighed up and down the tube of my spine, but above all, that indescribable note which accompanied all my Transfixions was present: humming beneath the high fine rush–probably not dissimilar to holy rapture–was an almost violent familiarity. The feeling of not only recognising, but of having been recognised.
A new Transfixion.
Shola von Reinhold’s lavish debut novel lays bare, through ornate, layered prose, the gaps and fault lines in the archive. Through obsessive research on an overlooked Black modernist poet, the narrator buckles under the vacuousness of the art world and also curates a queer historical scene, breaking it open and reveling in it. Originally published in the UK by Jacaranda as part of the Twenty in 2020 Black British writers series, LOTE won both the James Tait Black Prize and The Republic of Consciousness Prize in 2021.
In Mythical Man, David Ly builds, and then tears down, an army of men in a quest to explore personhood in the 21st century. Tenderness, toxic masculinity, nuances of queer love, and questions of race and identity mix in Ly?s poetry, casting a spell that enters like “a warm tongue on a first date.” Mythical Man is an authentic and accomplished debut.
Poet Sareh Farmand was born in Tehran at the start of the Islamic Revolution. In this brave first collection of poems and prose a narrative arc details her family’s escape from Iran, detailing their time as immigrants in limbo, and finally, as Landed Immigrants in Canada. Using family anecdotes, memory, public documents, and images to outline her family’s story, Pistachios in my Pocket moves from the personal to the universal by exploring the influences of migration, political strife, and cultural identity on humanity. Here is a new voice to the conversation on global citizenship and multiculturalism, as themes of loss, home, and belonging are explored in a new way through a wide socio-political lens and personal accounts of a family’s unique, yet universal experiences. Ultimately, bringing forward the many ways immigrants are haunted after fleeing for safety and what it means to be Canadian.
How does one write a preemptive eulogy for their hometown, a transient metropolis arriving at its last stop? Composed over a span of three months, Postscripts from a City Burning reassembles the embers left behind by the 2019 Hong Kong protests (and ultimately failed coup), weaving nostalgia, loss, and possible redemption into a time capsule of diaristic verse, photographs, dramatic monologues, and historical testimony. At once angry, despondent and unflinching, Sam Cheuk?s second full-length collection offers up a microcosmic prelude of a city?s smouldering ruin among many in a world marching to the heartbeat of increasingly authoritarian impulses.
Winner, Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers
Not every story has a happy ending.
Since her brother’s death, eight-year-old Egg Murakami has been living day-to-day on the family ostrich farm near Bittercreek, discovering life to be an ever-perplexing condition. Mama Murakami has curled up inside a bottle, and Papa has exiled himself to the barn with the birds. Big sister Kathy tells stories to Egg so that the world might not seem so awful.
The Murakami family is not happy. But in the hands of Tamai Kobayashi, their story becomes a drama of rare insight and virtuosity. Weighing physical, cultural, and emotional isolation against the backdrop of schoolyard battles and adult mysteries, Kobayashi paints a compelling portrait of a feisty and endearing outsider.
As Kathy’s final year in high school counts down to an uncertain future, the indomitable Egg sits quiet witness to her unravelling family as she tries to find her place in a bewildering world.
An unflinching allegorical novel that explores trauma, women’s rights, and religious tradition.
In the slums of Tehran, seven-year-old Sara witnesses the horrific murder of her sister Setayesh, an event leaves her in shock and unable to speak. As the neighbourhood frantically searches for the missing girl, Sara is locked inside herself, unable to tell her parents or police all she knows.
Over time, the mute Sara develops a strange allergic reaction, in which hair covers her face every time a man approaches her. One day in school, when an imam gets too close, she faints. After Sara reawakens, classmates show her video of her speaking freely and eloquently while unconscious… in Polish. These are only the first of many unexpected developments in Sara’s life, as she grapples with how to live with her sister’s memory in a world that abuses women from a very early age.
Prophetess is a fearless novel of gripping and surreal turns that push the limits of the imagination in their collision of tradition and nonconformity. Baharan Baniahmadi has crafted a wild, allegorical interrogation of trauma, women’s rights, and religious tradition.
An exhausted security guard dreams of home. A sculptor and a pothead have great sex — in the shadow of wax ex-lovers. A diversity workshop devolves into a familiar nightmare.
Throughout this deadpan collection, determined, damned, and triumphant characters appear and reappear, and their links become clear over the course of the fragmented narrative. The author playfully traces the portrait of the intertwined lives of a group of Black queer and trans friends as they navigate the social violence, traumas, and contradictions of their circumstances.
Originally published in French in 2021 by les Éditions du remue-ménage, as part of the Martiales collection, the stories in Bah’s The Rage Letters — set in Montreal and beyond — are sometimes brief, often conversational, and always generative of possibilities through the characters’ desire, rage, and acts of rebellion.
From renowned author Anosh Irani comes an updated edition of The Bombay Plays featuring two plays that explore the depths of the back alleys of Bombay. Winner of the Dora Mavor Moore Award for Outstanding New Play Finalist for the 2007 Governor General’s Literary Award for Drama
In The Matka King—a story that pits human nature against love and chance—a landscape of betrayal and redemption comes to life in the red-light district of Bombay, India. One very powerful eunuch, Top Rani, operates an illicit lottery through his brothel, and when a gambler who is deeply in debt makes an unexpected wager, the stakes become life and death.
Bombay Black—winner of the Dora Mavor Moore Award for Outstanding New Play—tells the story of Apsara, Bombay’s most infamous dancer, who lives with her iron-willed mother, Padma, in an apartment by the sea. Padma takes money from men so they can watch her daughter perform a mesmerizing dance. When a mysterious blind man named Kamal visits for a private dance, his secret link to their past threatens to change each of their lives forever. At turns lyrical and brutal, Bombay Black charts the seduction of Apsara by Kamal, and Padma’s violent enmity towards the blind man and the secret he holds.
Finalist, City of Vancouver Book Award 2019
A man returns to Hoi An in his retirement to compose a poem honouring his parents. Two teenagers, ostracized in a private school, forge an unlikely bond. A son discovers the truth about his father’s business ventures and his dreams of success. A young bride, isolated on a remote island with her new husband, finds community in a group of abalone divers.
Taking the title for his debut collection of short fiction from the walled palace of Vietnam’s Nguyen dynasty, Philip Huynh dives headfirst into the Vietnamese diaspora. In these beautifully crafted stories, crystalline in their clarity and immersive in their intensity, he creates a universe inhabited by the deprivations of war, the reinvention of self in a new and unfamiliar settings, and the tensions between old-world parents and new-world children. Rooted in history and tradition yet startlingly contemporary in their approach, Huynh’s stories are sensuously evocative, plunging us into worlds so all-encompassing that we can smell the scent of orange blossoms and hear the rumble of bass lines from suburban car stereos.