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Showing 17–32 of 61 results
2019 Canada Reads Audience Choice Winner and Finalist for the 2018 Governor General’s Award for Non-Fiction and the Shaugnessy Cohen Prize for Political Writing
In 2010, the al Rabeeah family left their home in Iraq in hope of a safer life. They moved to Homs, in Syria – just before the Syrian civil war broke out.
Abu Bakr, one of eight children, was ten years old when the violence began on the streets around him: car bombings, attacks on his mosque and school, firebombs late at night. Homes tells of the strange juxtapositions of growing up in a war zone: horrific, unimaginable events punctuated by normalcy – soccer, cousins, video games, friends.
Homes is the remarkable true story of how a young boy emerged from a war zone – and found safety in Canada – with a passion for sharing his story and telling the world what is truly happening in Syria. As told to her by Abu Bakr al Rabeeah, writer Winnie Yeung has crafted a heartbreaking, hopeful, and urgently necessary book that provides a window into understanding Syria.
A finalist for the Amazon Canada First Novel Award, a powerful debut novel about four young soldiers serving in Afghanistan, and the devastating aftermath of war.
Winner of the 2025 Robert Kroetsch City of Edmonton Book Prize
Finalist for the 2025 Amazon Canada First Novel Award
“An unvarnished, intimately informed dissection of war’s physical and emotional derangements.” – Omar El Akkad, author of What Strange Paradise and American War
Sixteen-year-old Plinko is attending basic training before high school starts up again in the fall. Feeling adrift from his own family, he moves in with an older soldier, where he forges an unlikely group of friends in the military: the very tall Walsh, who moves in shortly after Plinko does; Abdi, whose Somali immigrant parents often welcome the group of young men over for dinner; and the unpredictable and gun-loving Krug, who is brash and exasperating yet magnetic.
After 9/11, the military prepares to move into Afghanistan — to go to war. Plinko and his friends have no idea that the trajectory of their lives is about to be irrevocably altered.
Drawn from the author’s experiences as a soldier in Afghanistan, Juiceboxers tenderly traces the story of a young man’s journey from basic training, to the battlefields of Kandahar, to the inner city of Edmonton, braiding together questions of masculinity and militarism, friendship and white supremacy, loss and trauma and hard-won recovery.
Launch thrusts readers into the life of Theo Strahl, a quirky artist and inventor from Winnipeg who’s spent the past two decades happily scavenging back-lanes and transforming scrap into art. But beneath his contented exterior, Theo has always been quietly expecting the world to end within his lifetime.
On his fortieth birthday, Theo’s fears are brought to life when an otherworldly voice named Ford disrupts his celebration, commanding him to build a Noah’s Ark-esque spaceship to escape the doomed planet. As someone who’s convinced that the countdown to global collapse is ticking away, Ford’s message feels disturbingly plausible. In the weeks that follow, Theo becomes consumed by Ford’s impossible task, unraveling his once-happy life as he prepares to escape from a world he’s always feared would implode. His obsession strains his marriage and alienates his son — leaving Theo to confront his deepest fears about life, love, and the meaning of survival.
Launch explores the haunting echoes of Cold War trauma, the fragility of family bonds, and the eternal struggle between hope and despair. In a world on the brink of ruin, can Theo salvage his relationships — or will his journey to the stars tear everything apart?
Monica, a young woman studying art history in Montreal, has lost touch with her Innu roots. When an exhibition unexpectedly articulates a deep, intergenerational wound, she begins to search for stronger connections to her Indigeneity. A new friendship with Katherine, an Indigenous woman whose life is filled with culture and community, emphasizes for Monica the possibilities of turning from assimilation and toxic masculinity to something deeper and more universal.
Travelling across the continent, from Eastern Canada to Vancouver to Mexico City, Monica connects with other Indigenous artists and thinkers, learning about their traditional ways and the struggles of other Nations. Throughout these journeys, she is guided by visions of giant birds and ancestors that draw her back home to Pessamit. Reckonings with family and floods await, but amidst strange tides, she reconnects to her language, Innu-aimun, and her people.
A timely, riveting story of reclamation, matriarchies, and the healing power of traditional teachings, Nauetakuan, a silence for a noise affirms how reconnecting to lineage and community can transform Indigenous futures.
The freedom to read is under attack.
From the destruction of libraries in ancient Rome to today’s state-sponsored efforts to suppress LGBTQ+ literature, book bans arise from the impulse toward social control. In a survey of legal cases, literary controversies, and philosophical arguments, Ira Wells illustrates the historical opposition to the freedom to read and argues that today’s conservatives and progressives alike are warping our children’s relationship with literature and teaching them that the solution to opposing viewpoints is outright expurgation. At a moment in which our democratic institutions are buckling under the stress of polarization, On Book Banning is both rallying cry and guide to resistance for those who will always insist upon reading for themselves.
In 1973, Hildi Froese Tiessen published the first academic essay about Rudy Wiebe’s fiction (included in this volume). Since then, in scholarly essays and talks, she has examined with great insight the literary careers of Di Brandt, Patrick Friesen, Julia Kasdorf, Sandra Birdsell, and David Waltner-Toews, as well as key origin figures like Arnold Dyck and Al Reimer. Dr. Froese Tiessen’s widely admired essays include several (among the first of their kind) which situate Mennonite literature in relation to postmodernism, as well as investigations of the sometimes disconcerting ethnic and theological assumptions about Mennonite artistic practice. The essays in On Mennonite/s Writing are the first solo collection of Dr. Tiessen’s writings, and she has written a major new piece especially for this publication.
Set during the dramatic Red River Resistance of 1869-1870 and the birth of Manitoba. The novel is told through the perspective of a young Irish-Canadian journalist, Conor O?Dea. Under mysterious circumstances, after working for the assassinated politician D?Arcy McGee, O?Dea is sent West, and to Sir John A. Macdonald?s horror befriends Louis Riel. Macdonald never understood Louis Riel and never really tried to.
The story also includes the little known Fenian attack in Manitoba. If Louis Riel had supported his fellow Catholics, it could have been what the lieutenant governor called ?a rough time of it.? But he didn?t. He supported Canada.
Equal parts spy thriller and love triangle and, in a time of reconciliation, this poignant novel contributes to the complicated story of Canada.
Henderson and Bouchard have managed the magnificent feat of starting a very important conversation about this great land for all of those who call it home.
Permission to Settle fills in the blanks of the application for Permanent Residency with a series of memoir-based poems, capturing common aspects of immigration – the anxiety, and the bureaucracy of application, identity, foreignness, and inadequacy – all while exploring the sense of privilege that comes from the geographically and culturally close immigration journey from the US to Canada as a modern-day settler.
The poems investigate the implicit biases in the forms and the gaps between the messy reality of life lived and the structured and colonial system of boxes and check marks that still seek to categorize “the other” and to harness it in the face of reconciliation. The reader is drawn in through the guise of the familiar, while the playfulness and self-revealing tone of the work reveals a poignancy of meaning and language.
Dive into the powerful narrative of Poetry Marching for Sindy as Virginia Pésémapéo Bordeleau examines the haunting disappearance of Sindy Ruperhouse in 2014, a woman from the Abitibiwinni First Nation. In this poignant seventh literary work, Bordeleau navigates the raw emotions of anger, sadness, and compassion that echo across the continent due to the vanishing of too many Indigenous women.
Through this evocative longform poem, Bordeleau delves into the depths of societal contempt and hatred towards Indigenous women, igniting crucial reflections on the root causes of violence against them. With a blend of spirituality and profound sensitivity, she crafts a compelling narrative that urges readers to join in her quest for justice and understanding.
Poetry Marching for Sindy serves as both a lament for Sindy?s absence and a celebration of women?s voices and the resilience of communities in the face of tragedy. Join Bordeleau on a journey of grief, longing, and hope as she honors Sindy’s memory and amplifies the voices of those who demand justice and closure. Poetry Marching for Sindy is a testament to the enduring strength of the human spirit and the unwavering power of collective action.
This collection of essays focuses how dance and movement engage and enact political questions around agency, mobility, pedagogy, and resistance. Committed to crossing disciplinary boundaries, Power Moves looks to movement knowledge for its radical insights and critical forms of public intervention and pedagogy.
The writers of this collection examine cultural and social patterns in action in the studio, on the stage, and from the street, and in doing so give voice to fresh perspectives from Canadian dance and performance studies on social, political, and cultural values in the twenty-first century. Contributors include Natalie Alvarez, Serouj Aprahamian, Mique’l Dangeli, Camille Georgeson-Usher, Greg Hodge, Emily Johnson, Evadne Kelly, Jennifer Lavoie, Gabriel Levine, Joseph M. Pierce, Karyn Recollet, Ahalya Satkunaratnam, MJ Thompson, and Angélique Willkie, with an introduction from editors Seika Boye and MJ Thompson.
What are the histories, constraints, and possibilities of language in relation to bodies, origins, land, colonialism, gender, war, displacement, desire, and migration?
Moving across genres, memories, belongings, and borders, these luminous texts by poets, writers, and translators invite us to consider translation as a form of ethical and political love – one that requires attentive regard of an other – and a making and unmaking of self.
Unless there is snow on the ground, never speak their name aloud.
The more they eat the hungrier they become, and they are starving.
They were meant to stay undisturbed, their dismembered limbs scattered, frozen under the permafrost, but as is always the way, the greed of industry has unburied them once more. Now, the most feared, the Wheetago, have returned, using their powers to call back the Na acho, cannibalistic giants once banished by Dene deities.
The revered hero known as the Child Finder who is fighting to cling to his humanity after a Wheetago attack, a mother, her young son, and a desperate band of convicts, form an uneasy alliance to survive the Wheetago horrors now awakened.
ROTH, from award-winning, bestselling Tlicho Dene author Richard Van Camp, and visionary illustrator Christopher Shy is the first graphic novel in the Wheetago War series.
““This spectacular, boundary-pushing book will change the way you look at graphic novels.
Rooted in ancient and powerful narratives, this captivating saga will have you holding your breath until it releases you from its grip at the end, only to want more.”
– Waubgeshig Rice, author Moon of the Turning Leaves
Nominated for Best Graphic Novel Aurora Awards 2025