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Books for National Indigenous History Month
We celebrate National Indigenous History Month with vibrant and vital books by Indigenous authors.
All Books in this Collection
Showing 33–42 of 42 results
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Stages of Tanning Words and Remembering Spells
$19.95In their second poetry collection, Tawahum Bige explores belonging and voice of a Two-Spirit Dene youth.
These poems are a stark plunge—an answer to how voice emerges for a young Two Spirit growing up in so-called “Surrey, BC,” far from his Łutselk’e Dene territories. The fundamental thrum in which vocal cords produce sound to whisper, cry, holler and laugh—these inner workings are made corporeal through moments of growth from childhood to young adulthood to show how the seeds sprouted for someone who needed to learn to express to find their path.
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Stolen Sisters
$19.95Stolen Sisters is a first-of-its-kind play that gives voice to the lives and legacies of three Beothuk women and girls whose names have survived in historical record.
These are stories that have been mis-told, misrepresented, and mythologized by colonial interference. By shifting the lens of history to reflect Indigenous perspective and experience, the women brought to life in Stolen Sisters set the record straight, telling their own stories with both humour and unflinching honestly. Based on the oral and written Indigenous histories of colonization locally and worldwide, the voices of Stolen Sisters shine a light on the global experience of Indigenous women and girls and, in particular, Newfoundland’s part in that legacy.
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Suliewey
$16.95Award recognition for My Indian
***2022 ATLANTIC BOOK AWARDS: APMA BEST ATLANTIC-PUBLISHED BOOK AWARD – SHORTLIST***
***2022 BMO WINTERSET AWARD – LONGLIST***
***2022-2023 HACKMATACK AWARD: ENGLISH FICTION – SHORTLIST***
***2022 IPPY AWARDS: MULTICULTURAL FICTION: JUV/YA – SILVER***
Suliewey: The Sequel to My Indian continues the story of Mi’kmaw guide Sylvester Joe, whose traditional name is Suliewey, as he seeks out the last remaining Beothuk community.
In My Indian, Sylvester was hired by William Cormack in 1822 to guide him across Newfoundland in search of Beothuk encampments. In fact, he followed the advice of his Elders and guided Cormack away from the Beothuk.
In this sequel, having parted ways with Cormack at St. George’s Bay, Sylvester decides to go out on his own in search of the winter camp of the last of the remaining Beothuk.
Written as fiction by two Mi’kmaw authors, Suliewey: The Sequel to My Indian supports Mi’kmaw oral history of friendly relationships with the Beothuk.
The novel reclaims the settler narrative that the Beothuk and the Mi’kmaq of Newfoundland were enemies and represents an existing kinship between the Mi’kmaq and the Beothuk.
Rich in oral history, the descriptions of traditional ceremonies and sacred medicines, the use of Mi’kmaw language, and the teachings of two-spirit place readers on the land and embed them in the strong relationships described throughout the book.
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The Glass Lodge
$34.99John Brady McDonald, MBSFA, a Nêhiyawak-Métis multidisciplinary artist and writer from Treaty Six Territory in Saskatchewan, Canada, is an award-winning author of multiple books who has presented at literary festivals around the world. Before all this, however, he was a young, urban Indigenous youth, struggling with addictions, the streets, and the pain and turmoil of intergenerational trauma as a residential school survivor and the child of residential school survivors.
These raw, lyrical poems are a glimpse of the birth of a poet, recklessly using language and words with abandon and without restraint. It is the poetry of an individual experimenting with the language, mixing the influences of Shakespeare and Jim Morrison with the teenage-Goth writing style of youth-the base metals from which a lifetime of words was forged.
Originally published by Kegedonce Press in 2004, The Glass Lodge was presented across Canada and the United States at esteemed festivals. Chosen for the First Nations Communities Read program, it was also nominated for the Anskohk Aboriginal Book of the Year in 2005.
Now, here is that seminal work in a brand-new edition, re-edited and restored, illustrated with images of many of the original, handwritten poems, and with author’s notes providing frank, fascinating insight into what gave rise to each of these verses: the outpouring of language that marked the birth of a remarkable writer.
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The HBC Brigades
$24.95A lively recounting of the tough men and heroic but overworked packhorses who broke open B.C. to the big business of the 19th-century fur trade.
Facing a gruelling thousand-mile trail, the brigades of the Hudson Bay Company (HBC) pushed onward over mountains and through ferocious river crossings to reach the isolated fur-trading posts. But it wasn’t just the landscape the brigades faced, as First Nations people struggled with the desire to resist, or assist, the fur company’s attempts to build their brigade trails over the Aboriginal trails that led between Indigenous communities, which surrounded the trading posts. Nancy Marguerite Anderson reveals how the devastating Cayuse War of 1847 forced the HBC men over a newly-explored overland trail to Fort Langley. The journey was a disaster-in-waiting. -
There is Violence and There is Righteous Violence and There is Death or, The Born-Again Crow
$18.95Grocery-store clerk Beth has had a hell of a week. A hell of a life, actually, full of people squashing her soul. And after pushing back at life—stabbing a steak to her boss’s desk and lighting a magazine rack on fire, for instance—freshly unemployed Beth regroups at her mom’s suburban home. Just when Beth starts to think she’s to blame for systemic limits, the gift of a bird feeder sparks a relationship with a talking Crow who reconnects her with her true power.
This sly chamber piece from new voice Caleigh Crow turns post-capitalism ennui on its head with a righteous fury. It unearths the subtle (and not so subtle) ways we gaslight the marginalized, especially Indigenous women, people living with mental-health afflictions, and anyone struggling to make ends meet in low-income service jobs. There Is Violence captures the vivacity and humour of one truly remarkable woman not meant for this earth, and brings her to her own glorious transcendence.
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TOL, NEW? SEN T?E SO?: I KNOW THE ROAD
$28.00Academia remains an unwelcoming space for Indigenous scholars. What space it does cede to Indigenous knowledge is dictated and narrowly defined. As W?SÁNE? scholar Jack Horne
asserts, when negotiating space for alternative knowledges, the academic world remains jealous, competitive, and territorial; ?In response to the question of how I, a W?SÁNE? artist and scholar, use embodied W?SÁNE? knowledge in my artistic and academic work, this book advocates for a move away from standard social sciences theories, methodologies and paradigms while forcefully insisting on a W?SÁNE? paradigm.? To accomplish this constructive goal, Horne argues, ?requires a negotiation of embodied W?SÁNE? knowledge, performance studies theory, and western eurocentric social sciences paradigms.?Written through beautiful storytelling practices with this goal in mind, TOL, NEW? SEN T?E SO?: I KNOW THE ROAD is thus part-history, part- contemporary critique. Horne weaves personal and academic research, letters, and even fragments from his plays, to create a compelling challenge to outmoded academic structure, one that embraces and tools historically suppressed W?SÁNE? ways of knowing. Not only does Horne?s writing confront white supremacy and anti- Indigenous racism in academia, it offers material alternatives to status quo, white-centric pedagogy. With its focus on W?SÁNE? history and knowledge practices, this book offers a
praxis of Indigenous knowledge and performance study theory that manifests in a unique and
deeply valuable pedagogic project. -
Uiesh / Somewhere
$19.95Winner of the Prix des libraires, the Indigenous Voices award, the Prix littéraire des enseignant.e.s de Français, and the Coup de Cœur Renaud-Bray, finalist for the Prix Alain-Grandbois, and finalist for the Governor General’s Literary Award for Translation
Dual-language edition
The poems in Uiesh / Somewhere are rooted in Innu Elder Joséphine Bacon’s experiences of moving between the nomadic ways of her Ancestors in the northern wilderness of Nitassinan and the clamour of the city. Wherever she is, Bacon is attentive to the smallest details of her environment, from the moon and the stars, the Northern Lights, and the falling snow, to the sirens of fire engines and the noise of a busy bar night. From her quiet centre, she listens to the voices of the Old Ones, whose stories are alive within her, and reflects on the beauty and the pain of her long life.
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Walking Together
$12.99This bestselling, innovative picture book introduces readers to the concept of Etuaptmumk—or Two-Eyed Seeing, the gift of multiple perspectives in the Mi’kmaw language—as we follow a group of young children connecting to nature as their teacher.
A poetic, joyful celebration of the Lands and Waters as spring unfolds: we watch for Robin’s return, listen for Frog’s croaking, and wonder at maple tree’s gift of sap. Grounded in Etuaptmumk, also known as Two-Eyed Seeing—which braids together the strengths of Indigenous and non-Indigenous ways of knowing—and the Mi’kmaq concept of Netukulimk—meaning to protect Mother Earth for the ancestors, present, and future generations—Walking Together nurtures respectful, reciprocal, responsible relationships with the Land and Water, plant-life, animals and other-than-human beings for the benefit of all.
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What Shade of Brown
$20.00Passionate poetry and prose exploring the experience of an Indigenous person who feels like a stranger in a strange land, not quite accepted because of his light skin but also undermined by a settler-colonial society. Lyrical and heartfelt, bewildered and shaken, the poet struggles to find a connection to his family and lost culture.,