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These award-winning titles are now available in accessible ePub format.
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Winner (Bronze) of the Foreword INDIES Book of the Year Awards (Science Fiction); Winnner (Silver), 2020 Literary Titan Book Awards
Centuries from now, in a post-climate change dying boreal forest of what used to be northern Canada, Kyo, a young acolyte called to service in the Exodus, discovers a diary that may provide her with the answers to her yearning for Earth’s past–to the Age of Water, when the “Water Twins” destroyed humanity in hatred–events that have plagued her nightly in dreams. Looking for answers to this holocaust–and disturbed by her macabre longing for connection to the Water Twins–Kyo is led to the diary of a limnologist from the time just prior to the destruction. This gritty memoir describes a near-future Toronto in the grips of severe water scarcity during a time when China owns the USA and the USA owns Canada. The diary spans a twenty-year period in the mid-twenty-first century of 33-year-old Lynna, a single mother who works in Toronto for CanadaCorp, an international utility that controls everything about water, and who witnesses disturbing events that she doesn’t realize will soon lead to humanity’s demise. A Diary in the Age of Water follows the climate-induced journey of Earth and humanity through four generations of women, each with a unique relationship to water. The novel explores identity and our concept of what is “normal”–as a nation and an individual–in a world that is rapidly and incomprehensibly changing.
Winner, 2017 IPPY Bronze Medal for Popular Fiction
When twenty-two-year-old Marla finds herself unexpectedly pregnant, she wishes for a family, but faces precariousness: an uncertain future with her talented, exacting boyfriend, Liam; constant danger from her roommate, Dani, a sometime prostitute and entrenched drug addict; and the unannounced but overwhelming needs of her younger brother, Gavin, whom she has brought home for the first time from deaf school. Forcing her hand is Marla’s fetal alcohol syndrome, which sets her apart but also carries her through. When Marla loses her job and breaks her arm in a car accident, Liam asks her to marry him. It’s what she’s been waiting for: a chance to leave Dani, but Dani doesn’t take no for an answer. Marla stays strong when her mother shows up drunk, creates her own terms when Dani publicly shames her, and then falls apart when Gavin attempts suicide. It rains, and then pours, and when the Bow River finally overflows, flooding Marla’s entire neighbourhood, she is ready to admit that she wants more for her child than she can possibly give right now. Marla’s courage to ask for help and keep her mind open transforms everyone around her, cementing her relationships and proving to those who had doubted her that having a fetal alcohol spectrum disorder does not make a person any less noble, wise or caring.
Deluxe redesign of the Gerald Lampert Award-winning classic.
On the occasion of the press’s 40th anniversary, Brick Books is proud to present the fourth of six new editions of classic books from our back catalogue. This edition of A Really Good Brown Girl features a new Introduction by Lee Maracle, a new Afterword by the author and a new cover and design by the renowned typographer Robert Bringhurst.
First published in 1996, A Really Good Brown Girl is a fierce, honest and courageous account of what it takes to grow into one’s self and one’s Métis heritage in the face of myriad institutional and cultural obstacles. It is an indispensable contribution to Canadian literature.
I am looking at a school picture, grade five, I am smiling easily … I look poised, settled, like I belong. I won an award that year for most improved student. I learned to follow really well. –from “Memoirs of a Really Good Brown Girl”
“No other book so exonerates us, elevates us and at the same time indicts Canada in language so eloquent it almost hurts to hear it.” –Lee Maracle, from the Introduction
Seeing beyond Winston’s disfiguring scars and foreseeing a future with him, Lise falls in love and the couple soon marry. Years later, having inherited Lise’s gift, two of their children, Theresa and Jerome, must struggle to find their place within the community. But for Leo, their middle child, that is just the start of his worries. As he grows older and the chasm between himself and his family grows, Leo realizes that he doesn’t belong to his family. While familial tensions mount and secrets are revealed, the Evans family come to see the monumental effect even the smallest spark can create. Based on the short story by Michael Crummey, Afterimage explores the connections built within both family and community, of finding a place to belong.
Winner of the 2014 Governor General’s Literary Award
Based on a true story, Get Yourself Home Skyler James follows the harrowing journey of a young lesbian who defects from the army when she is outed by fellow soldiers. The award-winning rihannaboi95 centres around a Toronto teen whose world comes crashing in when YouTube videos of him dancing to songs by his favourite pop heroine go viral. Finally, Peter Fechter: 59 Minutes chronicles the last hour of Peter Fechter’s life, a teenager in East Berlin shot while attempting to cross the Berlin Wall in 1962 with his companion. Together these solo plays explore the lives of three queer youth and their resilience in the face of violence and intolerance.
Agnes, Murderess is a graphic novel inspired by the bloody legend of Agnes McVee, a roadhouse owner, madam and serial killer in the Cariboo region of British Columbia in the late nineteenth century. Fascinated by this legend–which originated in a 1970s guide to buried treasure in BC, and has never been verified–Sarah Leavitt has imagined an entirely new story for the mysterious Agnes: her immigration to Canada from an isolated Scottish Island; her complex entanglement with shiny things; and her terrifying grandmother, Gormul, who haunts Agnes’s dreams and waking life.
Leavitt puts a decidedly queer twist on the story, moving from women’s passionate friendships in the gardens of St John’s Wood to female relationships in the Canadian wild. At the same time, the book grapples with the dangerous pre-conceived notions held by settlers that the country was a “new world,” free of ghosts and history. Agnes, Murderess presents a tortured, complicated woman struggling to escape her past. It is a spine-chilling tale of ghosts and murder, friendship and betrayal, love and greed, fate and choice.
Winner of the 2018 IPPY Gold Medal for Literary Fiction; Shortlisted for the 2017 Mary Sarton Award for Contemporary Fiction
In the morning fog of the North Atlantic, Valerie hears the frenetic ticking of clocks. She’s come from Toronto to hike on the French island of St. Pierre and to ponder her marriage to Gerard Lefèvre, a Montrealer and a broadcast journalist whose passion for justice was ignited in his youth by the death of his lover in an airline bombing. He’s a restless traveller (who she suspects is unfaithful) and she’s the opposite: quiet, with an inner life she nurtures as a horticulturalist. Valerie’s thinking about Gerard on assignment in her native New York City, where their son Andre works. In New York City, an airplane has plunged into a skyscraper, and in the short time before anyone understands the significance of this event, Valerie’s mind begins to spiral in and out of the present moment, circling around her intense memories of her father’s death, her youthful relationship with troubled Matthew, and her pregnancy with his child, the crisis that led to her marriage to Gerard, and her fears for the safety of her son Andre and his partner James. Unable to reach her loved ones, Valerie finds memory intruding on a surreal and dreamlike present until at last she connects with Gerard and the final horror of that day.
Shortlisted for the New Brunswick Book Award for Fiction
A novel of absence and adolescence by the author of the award-winning The Town That Drowned.
It’s 1977. Seventeen-year-old Violet is left behind by her parents to manage their busy roadside antique stand for the summer. Her restless older brother, Bliss, has disappeared, leaving home without warning, and her parents are off searching for clues. Violet is haunted by her brother’s absence while trying to cope with her new responsibilities. Between visiting a local hermit, who makes twig furniture for the shop, and finding a way to land the contents of the mysterious Vaughan estate, Violet acts out with her summer boyfriend, Dean, and wonders about the mysterious boneyard. But what really keeps her up at night are thoughts of Bliss’s departure and the white deer, which only she has seen.
All the Things We Leave Behind is about remembrance and attachment, about what we collect and what we leave behind. In this highly affecting novel, Nason explores the permeability of memory and the sometimes confusing bonds of human emotion.
Winner of the 2018 American Bookfest Best Book Award for Historical Fiction; Shortlisted for the 2018 GOETHE Book Awards for Post-1750s Historic Fiction; Shortlisted for the 2018 Eric Hoffer Award Grand Prize; Finalist for the 2018 International Book Awardfor Historical Fiction
Prior to 1857, the year it was engulfed by tragic historical conflict, the cosmopolitan city of Lucknow thrived on open-mindedness, great prosperity and pride, the city a magnet for musicians, poets, painters and chefs, drawing the finest cultural talent from other parts of India and the wider world. It proved too tempting a prize for the English East India Company not to attempt a takeover of the Kingdom of Awadh with its capital city, Lucknow. The devastation and disaster that came to be known as “the Red Year” was a turning point in the history of Indian colonialism. It gave birth to the self-conscious, anti-colonial nationalism that would define the next ninety years, eventually leading to Gandhi’s nonviolent measures to oust the British from India once and for all.
Synthesizing a wealth of meticulous historical research, Amah and the Silk-Winged Pigeons plunges the reader into the complex drama and historical dilemmas faced by both ordinary and extraordinary Lakhnavis (people of Lucknow) at the time. The story is centered on a group of strong, independent women who take action to defend their world and way of life. The novel’s protagonist, Amah, is a member of the Rose Platoon, an elite corps of female military guards of African descent who have protected Lucknow’s royalty for generations. Appalled by the mounting affronts and threats to her absent ex-husband’s kingdom, Begam Hazrat Mahal, one of Lucknow’s former queens and also of African descent, enlists Amah to be her eyes and ears and help coordinate resistance to the British takeover.
When the women decide to take on the English colonists who declare rule, what will be the ultimate price of the women’s loyalty to the royal family and to the place they’ve grown to love?
Longlisted, Scotiabank Giller Prize
Violence is the domain of both the rich and poor. Or so it seems in early 20th-century Ukraine during the tumult of the Russian Revolution.
As anarchists, Bolsheviks, and the White Army all come and go, each claiming freedom and justice, David Bergen embeds his readers into the lives of characters connected through love, family, and loyalty. Lehn, a bookseller south of Kiev, deserts the army and writes poetry to his love back home; Sablin, an adopted Mennonite-Ukrainian stableboy, runs with the anarchists only to discover that love and the planting of crops is preferable to killing; Inna, a beautiful young peasant, tries to stop a Mennonite landowner from stealing her child. In a world of violence, Sablin, Lehn, and Inna learn to love and hate and love again, hoping, against all odds, that one can turn away from the dead.
In this beautifully crafted novel, David Bergen takes us to a place where chaos reigns, where answers come from everywhere and nowhere, and where both the beauty and horror of humanity are on full display.
Half-Asian teenager Grace (but she’d prefer it if you called her “Gray” instead) is not a perfect little supermom-in-the-making like her older sister Jessica, and would rather become a marine biologist than a mother–although she does understand how to take care of her special-needs kid brother Squid better than anyone else in her family. When her mother Belinda abruptly runs out on her family and flies across the Atlantic in order to study crop circles in the English countryside, Grace is left alone to puzzle out her life, the world, and her unique place within it.
With a warmth and a boisterous sense of humour reminiscent of Miriam Toews’ A Complicated Kindness and Peter Hedges’ What’s Eating Gilbert Grape? author Corinna Chong introduces us to two lovable and thoroughly original female characters: persnickety, precocious Grace, and her impractical, impulsive mother Belinda–very different women who nevertheless persistently circle back into each other’s hearts.
Jamie is twenty-two years old and works twelve-hour shifts operating a wood processor, clear-cutting for pulp. At the end of each shift, he walks through the destruction he has created looking for injured birds and animals and rescues those he can. Jamie’s desire to escape this world is thwarted by his fear of leaving the place where he has some status.
Bone Cage examines how young people in rural communities, employed in the destruction of the environment they love, treat the people they love at the end of their shift. Bone Cage is about the difficulty in growing and hanging on to dreams in a world where dreams are seen as impractical or weak. It is funny. It is tragic. It is about different kinds of escaping. It is about a soul trapped in its own rib cage, a cage of bone, a Bone Cage.