Your cart is currently empty!
May is Asian Heritage Month, and the perfect chance to check out new and new-to-you books by Asian-Canadian writers.
Showing 81–96 of 101 results
With the loosening of restrictions on the Chinese economy in the 1980s and 1990s and the rise of the middle class, many observers thought that Western-style democracy would soon follow. Instead, China has adopted its own version, with a market-driven economy where actions that might call into question the decisions of the governing party are strictly forbidden.
In this fascinating account, Cormier chronicles numerous failed attempts to bring democracy to China in the last century, starting with a handful of brave souls who tried to move China towards a constitutional monarchy at the turn of the century and peaking with the student uprising of 1989. Using historical research (including surprising transcripts from Party meetings) and candid interviews with many of the dissidents — some now living in exile, others under house arrest in China — Cormier tells the very human story of real people struggling for human rights and freedoms.
The Legacy of Tiananmen Square was originally published in French as Les héritiers de Tiananmen. This updated edition was translated by Jonathan Kaplansky.
In Baraffo, a town gripped by revolutionary fervour, a boy named Mazzu grapples to understand the motivations of Babello, a man imprisoned for an act of arson. When Babello begins a hunger strike and another building is set ablaze, tensions mount among the citizens and Mazzu considers a risky solution.
Within an extraordinary world, this sweeping and mythical story asks prescient questions about the nature of social change: is it better accelerated by those who seek total transformation or attained by those trying to work within the system?
Nisha, “Azar’s beautiful wife,” lives a life surrounded by all the modern luxuries of a wealthy suburban home in Toronto. Her father is a taxi driver, her mother a conservative religious housewife jealously craving a better material life. Tormented by her childhood memories of serial sexual abuse by a family friend, contemptuous of the lies lived by her circle of fake friends, Nisha is unwilling to have a child by her dominant, patronizing husband. She finds escape in mindless shopping sprees and secretly spirals into an addiction to a drug called the “red powder.” In this state one day she meets the mysterious Red One, an archetypal strong man to whom she’s instantly and dangerously attracted, who promises her release from her pain. But is he real or a figment of her fervid imagination? In a thrilling denouement to the novel she finds the answer.
In these devastating lyric poems Jen Sookfong Lee unfolds the experience of her narrator, following her through frost-chilled nights and salt-scented days, as she pulls at the knot of accumulated expectations around her trying to create space to want and to be. The Shadow List is a book filled with desire, where we question the politics of who gets to choose and who doesn’t and where the narrator creates hidden lists of what she really wants. With a novelist’s way with character, Lee builds a deep connection with the narrator of the poems, yet each individual poem creates a vivid snapshot of moments many will recognize. The slick of black ice, the killing light of day, the cheap, plastic diamonds – they are all pieces of a life we gather and put in our pockets to remember with.
The Spirits Have Nothing to Do with Us is an anthology of fascinating and singular short stories from some of the best Chinese Canadian authors writing today.
Assembled by Dan K. Woo, who was named a Canadian author to watch by CBC in 2022, the stories in the anthology span a wide variety of Chinese Canadian voices, experiences and styles. The collection has contributions from established writers such Sam Cheuk, Sheung-King and Lydia Kwa; up-and-coming voices such as Isabella Wang and even a story available for the first time in English from Bingji Ye. From the practiced fielding of family questions by young women in a Hong Kong living room to a child’s ghost searching for a way to move to the next world to a family living with the unsettling sounds of constant explosions an industrial district on the edges of Beijing, each story is a stunning window into a world new to many North American readers. The Spirits Have Nothing to Do with Us is a powerful and elegant collection of stories that works to redefine Chinese Canadian writing.
***2023 IPPY AWARDS: MULTI CULTURAL NONFICTION – JUVENILE-YOUNG ADULT***
Through a framework of traditional tales, fantastic creatures struggle with issues of marginalization, opening discussion for parents and children in an accessible form.
The Tales Of Dwipa is a collection of short stories adapted from the Panchatantra, a collection of simple, engaging, and interrelated animal tales penned by Pandit Vishnu Sharma in the hopes of awakening the dim intelligence of a powerful Indian king’s idle sons. The ancient stories of the Panchatantra still find meaning in today’s world despite originating in India before 300 BCE. These stories are set in a Canadian context with topical themes, bringing together two distinct cultures—Indian and Canadian—for the most impressionable minds of our society.
WINNER, Lambda Literary Award
In this visionary novel by Larissa Lai — her first in sixteen years — a community of parthenogenic women, sent into exile by patriarchal and corporate Salt Water City, go to war against disease, technology, and an economic system that threatens them with extinction.
Kirilow is a doctor apprentice whose lover, Peristrophe, is a “starfish,” a woman who can regenerate her own limbs and organs, which she uses to help her clone sisters whose organs are failing. When a denizen from Salt Water City suffering from a mysterious flu comes into their midst, Peristrophe becomes infected and dies, prompting Kirilow to travel to the city, where the flu is now a pandemic, to find a new starfish who will help save her sisters. There, Kirilow meets Kora, a girl-woman desperate to save her family from the epidemic. Kora has everything Kirilow is looking for, except the will to abandon her own family. But before Kirilow can convince her, both are kidnapped by a mysterious group of men to serve as test subjects for a new technology that can cure the mind of the body.
Bold, beautiful, and wildly imaginative, The Tiger Flu is at once a saga of two women heroes, a cyberpunk thriller, and a convention-breaking cautionary tale — a striking metaphor for our complicated times.
The Walking Boy is a quest novel set in early eighth-century Tang Dynasty China, in the final days of the rule of the first Female Emperor Wu Zhao. The ailing hermit monk Harelip sends his disciple Baoshi on a pilgrimage from Mount Hua to Chang’an, the Western capital; Baoshi is the “walking boy” charged with locating Harelip’s missing former lover Ardhanari. Baoshi lives with a secret only his Master knows, and he is filled with fears of being discovered. On his journey, Baoshi crosses paths with both commoners and imperial officials, as well as others who take delight in their queer identities; in doing so, he is released powerfully from his past shame.
The Walking Boy, set in the years following Kwa’s recent novel Oracle Bone, is a book of quiet subversion, upending classical Chinese tropes with contemporary ideas around gender and feminism. Filled with psychological complexities, magic and poetic allusions to classical Chinese literature, The Walking Boy explores the intrigue of inner alchemy while exorcising the ghosts of history.
A refreshingly original debut collection of short stories that grapple with the self-alienation and self-discovery that make us human.
For fans of Souvankham Thammavongsa, Lynn Coady, and Lisa Moore comes a striking debut collection of short stories that explore bodies both human and animal: our fascination with their strange effluences, growths, and protrusions, and the dangerous ways we play with their power to inflict harm on ourselves and on others.
Throughout The Whole Animal, flawed characters wrestle with the complexities of relationships with partners, parents, children, and friends as they struggle to find identity, belonging, and autonomy. Bodies are divided, often elusive, even grotesque. In “Porcelain Legs,” a pre-teen fixes on the long, thick hair growing from her mother’s eyelid. In “Wolf-Boy Saturday,” a linguist grasps for connection with a young boy whose negligent upbringing has left him unable to speak. In “Butter Buns,” a college student sees his mother in a new light when she takes up bodybuilding.
With strange juxtapositions, beguiling dark humour, and lurid imagery, The Whole Animal illuminates the everyday experiences of loneliness and loss, of self-alienation and self-discovery, that make us human.
2019 CANADA READS FINALIST
Shortlisted for the Hilary Weston Writers’ Trust of Canada Prize for Nonfiction; Winner, Hubert Evans Nonfiction Prize; Longlisted for the Stephen Leacock Medal for Humour
In this jaw-dropping, darkly comedic memoir, a young woman comes of age in a dysfunctional Asian family who blame their woes on ghosts and demons when they should really be on anti-psychotic meds.
Lindsay Wong grew up with a paranoid schizophrenic grandmother and a mother who was deeply afraid of the “woo-woo” — Chinese ghosts who come to visit in times of personal turmoil. From a young age, she witnessed the woo-woo’s sinister effects; when she was six, Lindsay and her mother avoided the dead people haunting their house by hiding out in a mall food court, and on a camping trip, in an effort to rid her daughter of demons, her mother tried to light Lindsay’s foot on fire.
The eccentricities take a dark turn, however, and when Lindsay starts to experience symptoms of the woo-woo herself, she wonders whether she will suffer the same fate as her family.
At once a witty and touching memoir about the Asian immigrant experience and a harrowing and honest depiction of the vagaries of mental illness, The Woo-Woo is a gut-wrenching and beguiling manual for surviving family, and oneself.
Translated from Tamil into English by Geetha Sukumaran.
In recent times, Tamil poetry from Sri Lanka has taken a new turn, serving as a countermemory–a witness to torture, loss, trauma, and exile. Ahilan gives us a unique voice and style, in which he expresses the trauma of the violence in Northern and Eastern Sri Lanka with great nuance and subtlety. His background as art historian has allowed him to blend the 2,000-year-old Tamil cultural, literary, and philosophic tradition with visual, graphic imagery to create a rich and distinct body of poetry.
Finalist, Audre Lorde Award for Lesbian Poetry
In their fourth collection of poetry, Lambda Literary Award-winning poet and writer Leah Lakshmi Piepzna-Samarasinha continues her excavation of working-class queer brown femme survivorhood and desire.
Tonguebreaker is about surviving the unsurvivable: living through hate crimes, the suicides of queer kin, and the rise of fascism while falling in love and walking through your beloved’s neighbourhood in Queens. Building on her groundbreaking work in Bodymap, Tonguebreaker is an unmitigated force of disabled queer-of-colour nature, narrating disabled femme-of-colour moments on the pulloff of the 80 in West Oakland, the street, and the bed. Tonguebreaker dreams unafraid femme futures where we live — a ritual for our collective continued survival.
The water belongs to itself. undercurrent reflects on the power and sacredness of water—largely underappreciated by too many—whether it be in the form of ocean currents, the headwaters of the Fraser River or fluids in the womb. Exploring a variety of poetic forms, anecdote, allusion and visual elements, this collection reminds humanity that we are water bodies, and we need and deserve better ways of honouring this.Poet Rita Wong approaches water through personal, cultural and political lenses. She humbles herself to water both physically and spiritually: “i will apprentice myself to creeks & tributaries, groundwater & glaciers / listen for the salty pulse within, the blood that recognizes marine ancestry.” She witnesses the contamination of First Nations homelands and sites, such as Gregoire Lake near Fort McMurray, AB: “though you look placid, peaceful dibenzothiophenes / you hold bitter, bitumized depths.” Wong points out that though capitalism and industry are supposed to improve our quality of life, they’re destroying the very things that give us life in the first place. Listening to and learning from water is key to a future of peace and creative potential.undercurrent emerges from the Downstream project, a multifaceted, creative collaboration that highlights the importance of art in understanding and addressing the cultural and political issues related to water. The project encourages public imagination to respect and value water, ecology and sustainability. Visit downstream.ecuad.ca.