A note to US-based customers: All Lit Up is pausing print orders to the USA until further notice. Read more
Showing 1217–1232 of 9481 results
Nikos Wulf is at the top of his game. Within the sublevels of 2120 Winnipeg, he is the undisputed king of bounty hunters, working for the elite Bounty Commission Eco-Terror Taskforce. The job: maintain the delicate ecological balance in a city holding back climate collapse. But when a series of bounties go wrong, Nikos finds himself on the trail of a troubling new player among the city’s anti-establishment. Bound to a sense of duty to the city that made him, Nikos finds himself in a deadly game of catch-up with an insidious enemy bent on bringing down everything he’s fought so hard to protect.
Over twenty years ago, Aboriginal and Treaty Rights were included in Section 35 of the Constitution Act, 1982. They provided the basis for recognition of the unique status of Indigenous Peoples within Canada. After four first ministers’ conferences on Aboriginal Constitutional Matters failed to produce any substantial agreement between Indigenous Peoples and Canada, the precise meaning and content of Section 35 has remained unclear. As a result, Section 35 has been largely defined through a series of court cases, but despite these cases, many Indigenous and non-Indigenous people continue to have different visions of the possibilities and limitations of Section 35. Box of Treasures or Empty Box? brings together these voices to explore community, political, legal and academic perspectives on whether or not Section 35 has helped or hindered Indigenous Peoples’ aspirations for Self-Determination and Nationhood.
Contributors include Halie Bruce, Arthur Manuel, Louise Mandell, Mark Stevenson, Catherine Bell, Robert Paterson, Ian Waddell, Lee Maracle, John Borrows, Millie Poplar, James Tully, Douglas Harris, Cheryl Knockwood, June McCue and Ardith Walkem.
In a time of isolation and scarcity, a regressive regime rules with absolute power, turning neighbour against neighbour, and crushing dissidence with deadly force. A microcosm of this monstrous time: the tiny Pacific Northwest town of Gilder.In a house on the fringes of the decimated hamlet, Kasper—fifteen, intellectually disabled, limited ability to speak—has miraculously survived the slaying of his family. But alone, he is a fleeting miracle. Alone, he is on borrowed time. Alone, his yellow headphones, brown blanket and beloved copy of The Gingerbread Man are scant consolation. Alone, he is destined to die within the folds of the blue hammock hanging from his bedroom ceiling.Kasper is not alone.Tao—failed service dog turned family pet—has also survived the attack. And with the discovery of Boy, Tao understands he has a duty: guide the last living member of his pack out of the house and through the ravaged streets of Gilder to safety. The destination? The one refuge he can conceive of in a world gone mad.Boy in the Blue Hammock is an epic tale of loss and loyalty, of dissent and destruction, of assumption and ableism. With a unique premise, powerful narrative and evocative prose, this novel might be the best kept literary secret of 2022.
Deep in Simon’s basement, there is a secret world of imagination and adventure. When his new friend Abby comes over after school to work on a class assignment, Simon steers their work toward creating a play…but Simon’s older brother, Zach, is having none of it. Zach’s on high alert for certain behaviours: as he reveals to Abby, Simon wishes to be a girl. As the three characters struggle through their conflicts, they improvise a fairy tale about a magic prince, an evil king, a brave young girl, and a fire-breathing dragon who’s getting more real by the minute. Can Abigail save Princess Simone from the Tower of Light? Will Zach succeed in turning his brother back into being a boy once and for all? Will Simon overcome fear and finally become their true self? Boys, Girls, and Other Mythological Creatures is a thoughtful and hilarious play about our ability to transform.
While bpNichol (1944-1988) has attained iconic status in Canadian literature in recent years, particularly through his lifelong poem The Martyrology and his work in visual and sound poetry, there are numerous early “fugitive” sequences that are often referred to in critical studies, but are long out of print and only available in library special collections or in the hands of rare book collectors. bp: beginnings brings together these pre-Martyrology materials in one comprehensive collection, including such key texts as Nichol’s first chapbooks Beach Head and Cycles Etc., the minimal lyric sequences The Other Side of the Room and The Journeying and the Returns, and various concrete and sound-texts such as “Lament,” “The Year of the Frog” and “Ballads of the Restless Are.” These collected sequences show Nichol developing his talents in both visual poetry and lyricism, pointing the way towards the union of the two forms in the later Martyrology. Combined with The Captain Poetry Poems, bp: beginnings now makes all of Nichol’s major poetry sequences available to both the avid Nichol specialists and to aficionados of innovative poetry everywhere.
A study of the Canadian poet bpNichol and his works.
The scope, innovation and depth (down to the heart) of bpNichol’s writing makes him one of the most important writers in English of the 20th century. He is widely known for his research into genres as diverse as the lyric, the long poem, sound poetry, concrete poetry, critical theory and now, with the publication of bpNichol Comics, we can even add the comic strip to this impressive list.
Carl Peters has put together this major collection of Nichol’s comics from 1960 to 1980, which frame characters ranging from Milt the Morph, to Bob de Cat, Lonely Fred and Rover Rawshanks: rich examples of Nichol’s attempts to explode conventional syntax, narrative structure, lyric self-centredness—indeed all of the conventions of modernist art and art making. And with the inclusion of a remarkable selection of previously unpublished letters and essays around the comics themselves, Peters shows us that Nichol’s comics informed not only his own work in other genres, but the work of other writers as well. But, in as much as Nichol’s comics bring us to a deeper understanding of his poetics, his comics also remind us that, as Robin Blaser writes, “the truth is laughter.” bpNichol Comics is not only for scholars, poets, cartoonists, artists, animators, writers and readers; it is for the inquisitive and adventurous child in all of us.
The ambitious third instalment of Renée Sarojini Saklikar’s epic fantasy saga in verse, The Heart of This Journey Bears All Patterns (THOT J BAP).
In Bramah’s Discovery, the year is 2110 and Bramah’s journey to discover the truth about her origins, and to find out more about her parents, continues. Along the way, this time-travelling locksmith rescues her friend Amahl the Beggar, trapped in the Eternal Game of Climate Chess; eludes an evil drug-lord; encounters two shape-shifting mythical beasts, Fanon and Gavroche; breaks free from captivity in Baghdad; and battles wits with a Paris collective of super naturals. Each challenge forces Bramah to discover truths about her own demi-goddess self and the price of idealism in the face of ecological and economic calamity.
Ten years in the making, Bramah’s Discovery weaves the devastation of climate change into speculative verse to create an epic family saga that is also a meditation on good and evil. Bramah—brown, brave and beautiful—is determined to conquer the odds and deal with what fate and chance throw in her path. Each twist and turn tests her ability to live up to the motto “Let all evil die and the good endure.”
Winner of the 2020 Nelson Ball Prize
Careful attention reveals that, even in moments that seem insignificant, our minds are constantly navigating disjunctions among registers of experience. Our intellect silently reminds our eyes that the car that appears to be moving between leaves is actually behind them and much larger. The sound of the vacuum cleaner in the next room is noise to be ignored. The phrase that arises in mind belongs to a conversation earlier in the day. Clear thinking demands that these navigations remain unconscious. But what if they’re meaningful, or productive, in themselves? What if they’re necessary to help us find a more meaningful place in the world? Branches explores these questions.
Over two years, author and amateur naturalist Brian Bartlett sat down beside various bodies of water (bays, rivers, streams, lakes, waterfalls) to record his impressions, capturing both sensuous details of natural phenomena and reflections on his life and reading. Making a virtue of leisurely digression, Bartlett’s experiment in plein-air writing wanders beyond everyday personal journal-keeping into a meditation on the rich connections between the seemingly disparate experiences of our days, and on the enduring value of indulging our curiosity.
‘Brave New Play Rites’ presents twenty years of original and startling theatre from Canadas best young writers. The book is a collection of short one-act plays written by students in the Creative Writing Program at UBC and produced at the annual festival, Brave New Play Rites, for public performances. Many successful writers have had their plays produced in the festival, including Lynn Coady, Steven Galloway, Dennis Bolen, Kevin Chong, and Aaron Bushkowsky. The release of ‘Brave New Play Rites’ coincides with the 20th anniversary year of the festival, and the familiar names in this collection will be of interest both critically, and to readers who already follow the careers of these writers.
Mixed martial arts (MMA) fighting pits masters of every kind of combat — street fighting, sumo, judo — in matches broadcast around the world. This book chronicles the turbulent history of MMA fighting from its inception in the Greek Olympic Games, through its glorification in Japan to its growing popularity as an American sport. Through personal interviews with legendary fighters, Krauss offers a detailed look into that world of absolute intensity, the MMA — a world of honour, vendettas, and drunken back-alley scraps.
From translator Saskia Vogel and one of Sweden’s most loved authors, an essayistic memoir about women and food
Bread and Milk traces a life through food, from carefully restricted low-fat margarine to a bag of tangerines devoured in one sitting to the luxury of a grandmother’s rice pudding. In this radiant memoir from one of Northern Europe’s most notable literary stylists, we follow several generations of women and their daughters as they struggle with financial and emotional vulnerability, independence, and motherhood. When Karolina finds herself a single mother to a young daughter of her own, food becomes the way for her to show her love, but also to instill a fraught and complicated inheritance.
The result is a lush, meditative memoir about the connections we make between food and love: how a mother’s emotional absence is filled by the food she painstakingly provides, how a missing father’s approval is granted for tomatoes sliced just right. Bread and Milk is at once wholly original and a natural extension of the brazenly intelligent and personal writing that has come to define Karolina Ramqvist’s authorship. After all, what we eat is inexorably intertwined with how we love.
”The strange thing is that, parallel to Ramqvist’s remembering, my own memories of food and people are activated, and suddenly there are tastes, smells and voices that I thought I had long forgotten.” – Svenska Dagbladet
“In such an associative and winding story as this, it is impressive how Ramqvist manages to keep a steady course. At times one is led to believe that she is taking a detour, but with safe hand she steers us back to the dinner table – and even if she occasionally leaves the kitchen, its aromas are always present.” – Västmanlands läns tidning
“Ramqvist’s skill as a writer does not only lie in her ability to neatly put the abyss into order, but rather in how she manages to depict the untarnished in the utterly boundless: the states that in and of themselves are neither wrong nor right, they just are.” – Svenska Dagbladet
“The relationship between mothers and daughters appears to be an inexhaustible subject in prose. And when food enters the picture my interest is piqued.” – Jönköpings-Posten