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Thirteen-year-old Ariana Caine has woken in Coraira, and is torn between finding her brother Asher and learning how to rule the magic realm while Calla is under a protection spell. Beneath the sea, Starla the mer-queen is bringing her apprentice, Teagan, to the Chamber of Memories to learn more about her parents. But when Starla is beckoned by one of the Ancients, Teagan is approached by a stranger, who promises to lead her to her mother and father. Meanwhile, the sea witch and her sisters are poised and ready to usurp the queen’s reign, and will stop at nothing to gain her powers. On top of it all, Elora, the infamous witch who has caused so much heartache, is now asking for trust one last time. Will Ariana choose Coraira over her brother?Will the sea witch have her wish? What are Elora’s true intentions?/
Blood is Blood is a collaborative book-length poem for two-voices, dealing with the bloodshed in the Middle East, a version of which was commissioned for CBC Radio in 2006. Souaid, of Christian Lebanese descent, and Farkas, the child of Jewish Holocaust survivors give this piece a special resonance. Blood is Blood,/i> is a powerful encounter between two poets, from diametrically-opposed backgrounds, whose cultural and personal lives intersect, clash and confront the truths and fictions that have become the destructive reality of Jews and Arabs trying to co-exist in the Middle East. Artistically, it is an innovative tapestry of images, sound and text that challenges viewers to confront their own attitudes about this volatile relationship and conflict in general. Although set in the troubled Middle East, its narrative speaks to tribal wars that have wreaked havoc around the globe: in Ireland, in the former Yugoslavia, in Russia, in Darfur, in Zimbabwe, and elsewhere.
The 15-minute video-poem included in the book is a powerful visual interpretation of the text.
“The multimedia approach to the book is effective at communicating the transformational effects of the war, to which no one is immune. Psychological and body horror given multiple forms, all of them scarring. ” — Kirkus Reviews
When your entire family is caught up in a world war with flesh-eating fog and robotic monstrosities, the only question that matters is: what are you willing to do to survive?
Siblings Kris, Albany, and Millie each inhabit a different part of the war – special ops and cannon-fodder at the front and codeworks behind the line – which transforms and transmutes how they think of themselves and their allegiances. They dump everything they know?confessions and consolations alongside poems for fallen friends and battleground sketches – into letters.
In her passionate second collection of poetry, Blood Mother, Su Croll casts fresh light on the timeless maternal life of women. Collating singular moments in the unfolding narrative of birth, she draws us into the emotional interior and shifting identity that comes with new motherhood, from the simple desire for children to the chaos and pain of labour, from the meditation on a child’s first breath to the long-wanted birth of a second child. Always mindful of the relationships between mothers and tackling the feminist challenge of representation, Croll asks how mothers are meant to see themselves when the language itself seems insufficient. Set against Alberta’s urban and natural spaces, Blood Mother answers with remarkable originality in poems that never background the frustrations of motherhood while celebrating the rapturous pleasures that many women are summoned to in giving birth to their children and our families.
In Blood of Stone, Tariq Malik revisits Kotli, the 1,000-year-old city of his formative years in the province of Punjab, Pakistan. Marked by the traumas of dislocation and migration, the city and its inhabitants share secrets and longings, chronicled and imagined by Malik as he gives voice to a personal history that precedes his experiences as an immigrant in Canada. As the inhabitants of Kotli are forced to branch out in search of home, their stories expand to encompass the diaspora of Malik’s fellow mohijar. Named for the earthy, familiar scent present after rainfall, Blood of Stone is a compelling, luminous celebration of people and place.
Award Winning mystery author Anne Emery returns with another installment in the Collins-Burke mystery series
“The writing bustles with energy, and with smart, wry dialogue and astute observations about crime and religion.” — Ellery Queen Mystery Magazine
Father Brennan Burke’s patience is tested to the limit when a young woman announces to the world that the Virgin Mary has appeared to her in his churchyard, and hordes of pilgrims, souvenir hawkers, and reporters converge on the scene. But, as unwelcome as these guests may be, they pale in comparison to yet another aggravation in Father Burke’s life, a controversial talk show host who clashes with Burke the minute he arrives in town.
Events take a darker turn when a body is found at the apparition site, and the talk show host is picked up for the murder. There is enough aggravation to go around, as lawyer Monty Collins learns when he takes on the loud-mouthed TV man as a client. Monty and Brennan both have a stake in uncovering the truth about the murder, and learn disturbing things about the accused and other suspects in the case. Problem is, Monty and Brennan cannot talk to each other about what they find out, because one is bound by solicitor-client confidentiality and the other by the seal of the confessional.
About the Collins-Burke Mysteries
This multi-award-winning series is centred around two main characters who have been described as endearingly flawed: Monty Collins, a criminal defence lawyer who has seen and heard it all, and Father Brennan Burke, a worldly, hard-drinking Irish-born priest. The priest and the lawyer solve mysteries together, but sometimes find themselves at cross-purposes, with secrets they cannot share: secrets of the confessional, and matters covered by solicitor-client confidentiality. The books are notable for their wit and humour, and their depiction of the darker side of human nature ? characteristics that are sometimes combined in the same person, be it a lawyer, a witness on the stand, or an Irish ballad singer who doubles as a guerrilla fighter in the Troubles in war-torn Belfast. In addition to their memorable characters, the books have been credited with a strong sense of place and culture, meticulous research, crisp and authentic dialogue, and intriguing plots. The novels are set in Nova Scotia, Ireland, England, Italy, New York, and Germany. The series begins with Sign of the Cross (2006) and continues to the most recent installment, Postmark Berlin (2020).
Award Winning mystery author Anne Emery returns with another installment in the Collins-Burke mystery series
“The writing bustles with energy, and with smart, wry dialogue and astute observations about crime and religion.” — Ellery Queen Mystery Magazine
Father Brennan Burke’s patience is tested to the limit when a young woman announces to the world that the Virgin Mary has appeared to her in his churchyard, and hordes of pilgrims, souvenir hawkers, and reporters converge on the scene. But, as unwelcome as these guests may be, they pale in comparison to yet another aggravation in Father Burke’s life, a controversial talk show host who clashes with Burke the minute he arrives in town.
Events take a darker turn when a body is found at the apparition site, and the talk show host is picked up for the murder. There is enough aggravation to go around, as lawyer Monty Collins learns when he takes on the loud-mouthed TV man as a client. Monty and Brennan both have a stake in uncovering the truth about the murder, and learn disturbing things about the accused and other suspects in the case. Problem is, Monty and Brennan cannot talk to each other about what they find out, because one is bound by solicitor-client confidentiality and the other by the seal of the confessional.
About the Collins-Burke Mysteries
This multi-award-winning series is centred around two main characters who have been described as endearingly flawed: Monty Collins, a criminal defence lawyer who has seen and heard it all, and Father Brennan Burke, a worldly, hard-drinking Irish-born priest. The priest and the lawyer solve mysteries together, but sometimes find themselves at cross-purposes, with secrets they cannot share: secrets of the confessional, and matters covered by solicitor-client confidentiality. The books are notable for their wit and humour, and their depiction of the darker side of human nature ? characteristics that are sometimes combined in the same person, be it a lawyer, a witness on the stand, or an Irish ballad singer who doubles as a guerrilla fighter in the Troubles in war-torn Belfast. In addition to their memorable characters, the books have been credited with a strong sense of place and culture, meticulous research, crisp and authentic dialogue, and intriguing plots. The novels are set in Nova Scotia, Ireland, England, Italy, New York, and Germany. The series begins with Sign of the Cross (2006) and continues to the most recent installment, Postmark Berlin (2020).
This brand new edition features the plays that established Sharon Pollock as a major Canadian playwright and gained her many accolades, among them, the first ever Governor General’s Award for Drama for Blood Relations in 1981. Her characters are the oppressed, from the spinster Lizzie Borden in the title play, Blood Relations, to the prisoners of One Tiger to a Hill, to Leah, "chosen" daughter/mistress of rum runner Mr. Big in Whiskey Six Cadenza.
The past infuses the present in the poems gathered in this collection. Painting a transformative Southeast wind helps restore a culture to a decimated people. Everyday events trigger a yearning for love from those already departed. A goldfish experiences poetry for the first time, again. An arduous trek through the Peruvian mountains leads to a stone that stops the sun. By turns ironic, comic, imagistic, experimental, these poems ask what?s next, and how we get there.
Reflecting on a dual upbringing in two villages, Bobcaygeon (Canada/Turtle Island) and Badela (Sierra Leone), Jessica Hiemstra’s new collection of poems delves into her relationship with home. In Blood Root, she interrogates questions of legacy, land, belonging, and the breathtaking intimacy of death.
One moment tender, the next moment dark, hard, and raw, Blood Root blends diary entries, drawings, and lyricism to hold up a polished mirror to colonialism and its echoing impact. Considering beauty and horror in equal reverence “so I’m not human once removed,” Hiemstra cuts through pretence, bearing witness to humans as they confront and connect to one another and the larger world.
Blood Secrets
The conclusion of the epic sci-fi series, set in a world of cloning, artificial intelligence, and battles in a virtual realm . . .
A new blood-transmitted virus has become a black market staple due to its rejuvenating effects, forcing infected “Eternals” into a tightly knit underground where they must hack the “V-net” for food and shelter. When the leader of the Eternals, Helena Sharp, begins to lose her immortality, she flees to an old lover for strength and solace, as the entire Eternal community is thrown into chaos.
Meanwhile, young clone Niko discovers the truth about her gifted daughter — who carries the future heritage of humanity in her augmented DNA. This knowledge forces Niko to confront her progenitor, Phillip Davis, with a litany of experimental abuse — only to discover that Phillip has fully integrated his persona with the AI monster who controls V-space. With the aid of the charismatic avatar Philomena, he embarks on a program of manipulation and control that will redefine the boundaries of death and consciousness. Advancing the post-cyberpunk genre into new territory, this compelling series delves into intriguing questions of religion, God, family, and the universe’s central source of life.
Blends science fiction and suspense in this tale about humans’ quest for immortality — and a son’s quest for justice
A fast, powerful read full of action, twists, and dark humour
Mia and Zakariah Davis risked their lives to secure an activated sample of the life-prolonging “Eternal virus” for their teenage son Rix — and while Zakariah survived, Mia didn’t. Overcome by grief, Zakariah is determined to contact her spirit in the afterlife, while Rix wants revenge, no matter the cost.
Niko, the teenage clone of Zakariah’s dead sister, has received the Eternal virus — and has been captured by vampires who drain her blood nightly for its rejuvenating effects. Rix intends to help Niko escape. And once they join forces, they will go in search of Mia’s murderer . . .
This action-packed neo-cyberpunk tale continues the story of Reconciliation, in which “themes of transcendence and family love play out against backdrops of real and virtual worlds.” — Publishers Weekly
In Bloodroot, Betsy Warland traces how a mother and daughter’s shared gender can shape the very anatomy of narrative itself. In her mother’s final year,Warland quietly discovered how to disentangle a crucial, concealed story that had rendered their relationship disconnected and fraught. Warland weaves a common ground that moves beyond duty and despair, providing both questions and guideposts for readers, particularly those faced with ageing and ill parents and their loss.
The 2000 edition of Bloodroot broke new ground in memoir form and uncharted storytelling. The 2021 edition, reprinted by Inanna for the launch of its InannaSignature Feminist Publications series, includes a new foreword by Susan Olding and a new essay by Warland that explores subsequent questions, insights and tenderness only the passage of time can enable.
A raw, searching and intimate memoir, Bloom: Letters on Girlhood is a conversation between two acclaimed writers about silence and shame and what it means to come of age as young women.
Over the course of two and a half years, authors Claire Sicherman (Imprint: A Memoir of Trauma in the Third Generation) and Nicole Breit, an award-winning poet and essayist, exchanged letters chronicling their coming-of-age in the suburbs of late 1980s Vancouver.
Bloom: Letters on Girlhood is a candid memoir-in-letters in which Claire and Nicole explore the awkwardness and confusion of adolescence, delving into everything from periods, first bras and body hair to desire, sexuality and consent. As they reflect on their silent struggles as girls, women and mothers from the perspective of mid-life, the true impact of patriarchy and misogyny on their lives becomes increasingly apparent.
With unflinching honesty and insight, Bloom is a timely memoir exploring how societal expectations shape identity, and how we can continue, at any age, to release the past. Written by two feminist authors from underrepresented communities (Claire is a Jewish woman and the granddaughter of Holocaust survivors; Nicole is a queer, neurodivergent writer), this memoir-in-letters will resonate with anyone who has ever asked themselves: Who was I taught to be? And who do I want to become?
Nelson Ball was a poet, publisher, and bookseller, the author of several dozen poetry collections during his lifetime. His partner of over four decades, Barbara Caruso, was a visual artist, publisher, and poet who never published a full book of poems. Bloom / Until comprises Caruso’s first book, bringing together nearly all the linear poems she wrote, and Ball’s final collection of new poems, gathering work from the last few years of his life, including his unfinished long poem “Palliative Care,” about Barbara’s final months. Two artists who largely flew under the radar as they shared a life devoted to their respective arts now share a book. Each collection is introduced by friend and editor Stuart Ross.