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Showing 9169–9184 of 9305 results
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Woodlands Canoeing
$16.95A recreational canoeman in his native Texas, Rick Sparkman thought he knew all about the sport when he moved to Nova Scotia in 1981. The swift, cold rivers and streams of his new home adjusted his thinking in the most personal way: he got dumped. That’s when he started learning to paddle in earnest.
Woodlands Canoeing explains the fundamentals of recreational canoeing in the woods of the Maritimes, New England, and anywhere else where the waterways are small, the water is swift and at times shallow, and canoeing varies with the seasons. It’s a guide to safe, comfortable recreation for those who already canoe a little and want to know more, as well as for people experienced in canoeing on lakes or on the more predictable rivers described in other canoeing books.
Woodlands Canoeing outlines the advantages of various kinds of equipment and describes canoeing and camping techniques in words, photos, and drawings, mixing practical information with anecdotes drawn from Sparkman’s years of family canoeing. Throughout, Sparkman concentrates on having fun, even when the expected summer shower becomes the tail of a hurricane or the canoe has to be inched over rocky shallows where only a few days earlier there was plenty of water. Keeping warm, dry, and well fed are crucial to Sparkman’s pleasure, and Woodlands Canoeing contains hints for packing, instructions for making camp, and recipes for delicious and satisfying meals.
Because of the region’s volatile climate and variable water conditions, Sparkman has learned how to canoe delightfully in all weathers, and in Woodlands Canoeing he passes his hard-won knowledge along. An enthusiastic winter canoeist, he even explains how to achieve this feat safely and — believe it or not — in comfort.
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Woodshedding
$18.00Adopting woodshedding — a jazz term for arduous, solitary rehearsal — as her writing practice, Venart has honed both her craft and a seeing heart.
Whatever their subject — the unwinding of lovers, childhood as the foundation of being, the metaphorical life of everyday objects and events — S.E. Venart’s poems show us a kind of courage that is quotidian. Surviving childhood, surviving failed love, finding solace in the self, and reinvigorating that self: this is the world Venart reveals to us, in all its prescient detail. An honest and lyrical first book.
“Venart’s poetry reveals itself in the world of mysteries that lies between one bright orange next to one bright knife. Such is the domestic tension she creates, where home is turned inside out so the familiar becomes unfamiliar. Yet the power of her writing shows how simple things, observed with clarity, are lit from within. This is a book to read, then read again: once for the bright orange and once for the bright knife.”
— Anne Simpson
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Word, Woman and Place
$7.95Word, Woman and Place is McCarthy’s fourth collection of poetry. Selections from his earlier works are gathered together with recent poems into this powerful new book which demonstrates McCarthy’s range and achievement.
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Words are the Worst
$17.95Born in 1968 in The Hague, Erik Lindner is one of the Netherland’s most acclaimed poets. Admired for a style that fuses simplicity with strangeness, Lindner builds his poems through a montage of descriptive images that, by fending off closure, generate extraordinary visionary power. Gathering together new work with a selection from his previous six collections, Words are the Worst offers a range of pleasures that have made him celebrated in his home country: an austere eloquence; a hard, unsparing precision; a restless and idiosyncratic eye. Best of all is how his intensely filmic observations transform haunted landscapes of windmills, birds, dogs and houseboats on canals into, as one critic put it, “Lindner-like” moments. Brilliantly translated by Francis R. Jones, with an introduction by Canadian poet David O’Meara, Words are the Worst introduces a leading Dutch voice to English readers.
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Words Out There
$18.95“A book of women poets in Atlantic Canada – not a moment too soon.” –PK Page
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Wordwings
$20.00In 1941, 12-year-old Rivka Rosenfeld lives in the Warsaw Ghetto with her grandfather and two sisters in a synagogue because housing is scarce. When German soldiers slash her grandfather’s beard, Rivka is compelled to write in between the pages of a library book by Hans Christian Andersen. Dr. Emanuel Ringelblum, founder of the Underground Archive–a compilation of Warsaw Ghetto experiences, asks her to contribute her stories to the archives and Rivka agrees, imagining her words rising up from the ground on wings of their own.
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Work to Be Done
$26.95Essays and critical writing drawn from a wide-ranging fifty-year career in letters
Drawn from a body of essays and reviews written over the course of nearly fifty years, Work to Be Done showcases both the depth and breadth of Bruce Whiteman’s critical work. Widely published across Canada and the United States, Whiteman is an accomplished poet, translator, and scholar, and his broad interests have never been limited to any one subject area. He moves between classical and contemporary literature, and music, book and literary history, shifting seamlessly from the close reading of a poem to the consideration of the life and oeuvre of an artist.
In these thirty-four selected essays, Whiteman demonstrates the cohesion of his varied body of work, which ranges from essays on such poets as Sappho, Goethe, Samuel Beckett, P.K. Page, Leonard Cohen and Philip Larkin, to insightful readings of the biographers and translators of such great writers as Ezra Pound and Marcel Proust. Work to Be Done is an erudite and eclectic tour of Whiteman’s finest critical investigations.
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Work, The
$19.95When aspiring stage-manager Rebecca Weir falls for the married director of the SenseInSound theatre company, she initiates a love triangle-and a working collaboration-which go on for two decades. Beginning in Toronto in the early 1980s, The Work traces the rise and fall of SenseInSound. The director has the status of a guru within the company, and his disciples call their method The Work. Is he pushing people to creative heights or abusing his power? Is The Work a cutting-edge artistic practice, a road to personal healing, or a cult? And as his top deputy, is Rebecca complicit, or merely loyal? A historian trying to write about the company, many years later, has little to go on but internet searches-that is, unless the women behind the man find a way to speak out.
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Workbook
$18.95Since selections first appeared in the New Quarterly and the National Post as part of “The Afterword,” Steven Heighton’s memos and dispatches to himself — a writer’s pointed, cutting take on his own work and the work of writing — have been tweeted and retweeted, discussed and tacked to bulletin boards everywhere. Coalesced, completed, and collected here for the first time, a wholly new kind of book has emerged, one that’s as much about creative process as it is about created product, at once about living life and the writing life.
“I stick to a form that bluntly admits its own limitation and partiality and makes a virtue of both things,” Heighton writes in his foreword, “a form that lodges no claim to encyclopedic completeness, balance, or conclusive truth. At times, this form (I’m going to call it the memo) is a hybrid of the epigram and the précis, or of the aphorism and the abstract, the maxim and the debater’s initial be-it-resolved. At other times it’s a meditation in the Aurelian sense, a dispatch-to-self that aspires to address other selves — readers — as well.”
It’s in these very aspirations, reaching both back into and forward in time — and, ultimately, outside of the pages of the book itself — that Heighton offers perhaps the freshest, most provocative picture of what it means to create the literature of the modern world.
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Working for the Man, Playing in the Band
$34.95A young, long-haired rock guitarist finds the funk on stage with the Godfather of Soul
In this unvarnished account of toiling under one of popular music’s most notorious bosses, Damon Wood details his six years spent playing guitar for James Brown’s Soul Generals.
In a memoir certain to fascinate Mr. Dynamite’s millions of fans, as well as musicians and industry insiders, Wood recalls how a chance encounter with James Brown led him to embrace soul and funk music under the tutelage of its greatest progenitor. Numerous interviews with bandmates provide multiple perspectives on James Brown’s complex character, his leadership of his band, the nature of soul and funk, and insights and sometimes harsh lessons learned along the way.
This is a sideman’s story of the gritty reality of working close to the spotlight but rarely in it. Damon Wood describes life on the road — often on James Brown’s infamous tour bus — with one guitar, a change of clothes, and two dozen comrades-in-arms as they brought the funk to clubs, theaters, and the biggest music festivals on earth. Working for James Brown could be fear-inducing, inspiring, exhilarating, and exasperating — all in the space of a single performance.
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Working North
$19.95Ranson skillfully recreates his northern experience in strong, crisp stories that are humorous, quirky, and unique. Working North makes it clear why Ranson was moved to "pity the southerner who has never seen an arctic sun skipping along the earth, gathering all the colours of the prism and turning the land a warm purple." Working North is an engaging and entertaining read for inexperienced southerners and northern travellers alike.
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Working Women
$29.95“[Mendelson Joe] paints with more emotion than almost any other painter in the country. It comes through blazingly in the colours of his ‘Working Women’ series.” — Toronto Star
In the words of Mendelson Joe: “My purpose in my work, any of it from song to essay to picture, is to tell the truth and it seems that most truth ain’t couth. Inequality bugs me. Prejudice bugs me. And, I’ve long believed that women are the only hope for this ever-degrading organism that mothered us all. So, in 1982, I began to paint portraits of women. The purpose was to document women in the context of their job descriptions, so the pictures showed them as working folks as opposed to sexual objects.” For years, Mendelson Joe has been painting portraits of women, some of them prominent (Anna Banana, Doris Anderson, Irshad Manji, June Callwood, Jane Siberry), and some less so. Along with faithful reproductions of the original paintings, Joe has added his own brand of particular comments about the subject and the sessions.
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World Enough
$18.95When their farm gets expropriated to make way for the Point Lepreau nuclear power plant, Alexander McNab and his family move to Saint John. Without the magic of the Bay of Fundy, without the bright companionship of his little sister, Alex grows up a lonely, insecure failure.
At 30, he’s had enough; to make a clean break, he moves to Halifax. There, he is hired as a counsellor at New Dawn, a rehabilitation workshop, even though he has no professional qualifications. Alex soon becomes part of the New Dawn family, and the distinction between the helper and the helped blurs. The key may be that Alex takes for granted the wholeness in each of these damaged adults. Blind Jeff, 17, knows everything about cars, so Alex takes him out to the parking lot and teaches him to drive. In turn, Alex is adopted by Cornwallis Itwaru, a descendent of Jamaican Maroons plagued by encroaching Alzheimer’s, who firmly adjusts Alex’s fuzzy thinking. Alex sees right away that Gloria Vincent, who suffers from schizophrenia, has adopted a sloppy dress and ugly glasses as camouflage for her intelligence and beauty, and his discovery does not wholly displease her. Unfortunately, New Dawn goes broke, but by the time the landlord padlocks the doors, Alex has learned that living life fully doesn’t depend on external circumstances.
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World in Crisis
$21.95Gabriel Kolko provides a panoramic overview of the problems facing the US and the world today. Each chapter covers a key topic, spanning a range of international issues including the current financial crisis, the limits of US foreign policy, the politicisation of intelligence, and why a war with Iran would be likely to culminate in disaster for the US. Kolko also outlines why changes in military technology make all wars, no matter who fights them, increasingly futile. At the heart of the book is the idea that the international system is in the grip of a great transition. Kolko shows how America is losing its dominance, and examines the profound changes we are experiencing as it is forced to accept the limits of its military power.
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World Wrestling Insanity
$22.95In an industry where nothing is real and no one actually wins or loses, the possibilities for manipulation are endless. World Wrestling Insanity sets out to expose the nepotism, backwards logic, and power plays that have made World Wrestling Entertainment go round. Alongside many well known names in wrestling, author James Guttman uses sarcasm, humour, and facts to break down the secrets of Vince McMahon’s company and analyze the reasoning behind many of the decisions made. Never before has WWE, the McMahon Family, Triple H, and others been held up to the light and examined so closely. Why are some of the shows written as they are? Who has the company’s best interests at heart? Who has their own best interests at heart? Could the WWE’s errors be nothing more than accidents or are they the product of cold and calculated manipulation?
In his trademark style, James Guttman analyzes the insanity and breaks down the McMahonifaction of pro wrestling. You better get your copy soon. Something tells us that there’s a family in Connecticut who would like to make sure that James’s first book is his last…
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World Wrestling Insanity Presents Shoot First… Ask Questions Later
$19.95?
In the latest offering from the best-selling author of World Wrestling Insanity, James Guttman tells the real story behind contacting, cajoling, convincing, interviewing, and learning from more than 100 of professional wrestling’s most beloved stars. From former World Champions to Playboy models, from grizzled veterans to slick promoters, Radio Free Insanity, Guttman’s popular and groundbreaking weekly web broadcast has featured an environment that fosters discussion and leads to countless memorable tales.
In Shoot First… Ask Questions Later you’ll journey with Guttman through the business of sports entertainment, making startling discoveries about the way the industry truly works. For the first time ever, Guttman offers keen insight into the true personalities of wrestling’s stars.
Who’s the nicest guest off-air? And who was the most abrasive? Who was the funniest? And who was the worst interview in the history of interviews? What’s the bizarre story behind speaking with Scott Steiner, and why was Guttman worried? Why was Corporal Kirschner answering JG’s phone? What’s the inside scoop on the now infamous Ole Anderson shoot? What were crazy pre-interview conversations with people like Jerry Lawler, Diamond Dallas Page, Juvi “The Juice” Guerrera, and others really like? Discover all this and more from James Guttman’s two years behind the curtain and inside the work/shoot world of professional wrestling.
Shoot First … Ask Questions Later, with over 100 names you’ve come to know and love and sometimes hate, comes from the outsider who makes it his mission to find out what makes them tick.