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Showing 9153–9168 of 9311 results
Two plays by Marianne Ackerman. Woman by a Window externalizes one woman’s struggle with her desire, her will and her soul as she attempts to renounce a man and food simultaneously. She attempts to distract herself from her hungers by reading Madame Bovary, with alternately hilarious and sad results. Céleste examines the relationship between David Temple, a modern philosopher, Isaac Hirscholm, his doctor friend and Céleste, the woman who becomes the Temple’s housekeeper and eventually his wife. Ackerman masterfully uses this dramatic situation to explore some of the issues raised in the work of contemporary Canadian philosopher Charles Taylor.
International intrigue and murder come to a small town
Stolen gems. shady cops. Murders that could lead to an international incident. Orwell Brennan, chief of the Dockerty police force in small-town Ontario, had enough problems on his hands with the mayoral election, a daughter engaged, and, perhaps worst of all, someone in the department stealing his favourite cookies.
Things are complicated for the loveable curmudgeon: a police officer from Toronto, in Dockerty as part of a Metro murder investigation, is killed in his hotel room. And the eccentric local dance teacher, a former Russian ballet star, has some very dark secrets, unsavoury associates in her past, and a slippery way with the truth. But Brennan finds help in one of his bright young officers, who teams up with the dead cop’s brash ex-partner. Together the two women uncover a ring of shady pawnbrokers, crooked public figures, and Russian thugs all after one thing — the Sacred Ember, a very rare ruby once owned by the Tsarina herself.
The beguiling “Woman Gored by Bison Lives” is from Douglas Glover’s 1991 Governor General Award-nominated story collection, A Guide to Animal Behaviour. Published on the occasion of Goose Lane Editions’s 60th anniversary, it is also part of the six@sixty collection.
While on vacation with her family in Valencia, Claire Halde witnesses a shocking event that becomes the catalyst for a protracted downward spiral and a profound personal unravelling as she struggles to come to grips with her role in the incident.
This haunting novel, which unfolds across three timelines set in as many decades, takes the reader on a dark journey through the minds of three women whose pasts, presents and futures are decided by a single encounter on a scorching summer afternoon.
From award-winning author Merilyn Simonds, a remarkable biography of anextraordinary woman — a Swedish aristocrat who survived the Russian Revolution to become an internationally renowned naturalist, one of the first to track the mid-century decline of songbirds.2022 Foreword Indies Award Winner for the Editor’s Choice Prize, non fiction“[A] lyrical, passionate, and deeply researched portrait.” — Margaret Atwood“This brilliant account does justice to a pioneering figure who merits wider recognition.” — Publishers Weekly, starred review“[A] marvelous biography of a true pioneer of ornithology.” — Booklist, starred review“Woman, Watching is an entrancing blend of biography, memoir, history, research, and homage that is unlike anything I’ve ever read. It’s radical, it’s ravishing.” — Kyo Maclear, author of Birds Art LifeReferred to as a Canadian Rachel Carson, Louise de Kiriline Lawrence lived and worked in an isolated log cabin near North Bay. After her husband was murdered by Bolsheviks, she refused her Swedish privilege and joined the Canadian Red Cross, visiting her northern Ontario patients by dogsled. When Elzire Dionne gave birth to five babies, Louise became nurse to the Dionne Quintuplets. Repulsed by the media circus, she retreated to her wilderness cabin, where she devoted herself to studying the birds that nested in her forest. Author of six books and scores of magazine stories, de Kiriline Lawrence and her “loghouse nest” became a Mecca for international ornithologists.Lawrence was an old woman when Merilyn Simonds moved into the woods not far away. Their paths crossed, sparking Simonds’s lifelong interest. A dedicated birder, Simonds brings her own songbird experiences from Canadian nesting grounds and Mexican wintering grounds to this deeply researched, engaging portrait of a uniquely fascinating woman.
‘Wombat’ is a cartoon strip from Vancouver artist Rod Filbrandt and the precursor to his long-lived and much loved strip, ‘Dry Shave’. In ‘Wombat: The Collected Comic Strip’ the reader witnesses the development of a cartoon strip and the characters that fill its frames, from its nascent, raw stages, when it first ran in Discorder-a UBC Campus paper- in the late 1980s, on through numerous growth spurts, to the amazingly polished strides of the early 1990s, and finally to its sad and noirish end in 1994. One can easily see where the artist is going with his extensive cast of louts, drunkards, grifters, drifters, and wannabes of every stripe. You can almost smell the cast of ‘Dry Shave’ through the blue smoke and beer mist.
“In the mid-’90s underground, there was a hard-drinking, heavy-smoking private eye who went on seedy, hallucinatory journeys in black-and-white – navigating hellish terrains and nastier people. It was written and drawn by Vancouver cartoonist Rod Filbrandt, and the character was named Wombat. An incredibly stylish and unique series …” – Fast Forward Weekly (Calgary)
“Running from the mid ’80s until 1994, ‘Wombat’ showcased Rod Filbrandt’s wry and jaded views on modern society and his incredible growth and progression as a cartoonist. … a great representation of the formative years of one of the best cartoonists this country has produced.” – Broken Pencil
It’s already passé to ask if parity is important for today’s Canada. What’s needed now is to ask how we can make sure more women run for office and that they’re well-represented in government. There are no easy answers to this, but it’s clear that half-measures just won’t do. Pascale Navarro argues that quotas are essential for women to achieve parity with men in politics. Over a hundred other nations worldwide have already established parity as a goal. What are we waiting for?
“Elena Ferrante’s Neapolitan novels meet Alice Munro’s Lives of Girls and Women” in award-winning author Connie Guzzo-McParland’s highly anticipated sophomore novel, The Women of Saturn
The Women of Saturn chronicles the lives of three women of different generations, all living in Montreal in the 1980s, connected and haunted by the same Italian village of their pasts.
When high school teacher Cathy’s estranged childhood friend, Lucia is found beaten and abandoned in an apparent act of domestic violence, she takes Lucia’s teenage daughter, Angie, into her home. An aspiring writer, Cathy resolves herself to giving Lucia a voice through her writing–and in doing so, relives their journey from Calabria to Canada in 1957, her own family’s difficult years after their arrival in Montreal, and the exhilarating, corruption-ridden period of Expo 67.
Meanwhile, rumors swirl about Lucia’s family’s connections to the Montreal Mafia. Cathy’s live-in boyfriend, Sean, sees Angie’s presence in their home as a dangerous liability to his career in federal politics – not helped by the fact that Lucia’s husband, located in Italy, begins to hurl accusations of corruption against Lucia’s family and their business partner with ties to the Member of Parliament for whom Sean works. When these revelations are brought to the attention of Montreal tabloid journalist Antoine–Cathy’s former writing mentor, with whom she’s had a problematic relationship since her teens–Cathy becomes yet more determined to connect the village stories of the past with the drama of the present, culminating in a confrontation that will forever change her life.
Gripping and as satisfying as southern Italian cuisine, The Women of Saturn is an important and unforgettable story about the female immigrant experience, and the inescapable impact of the past on our post-modern present.
“Put them in jail and throw away the keys.” That’s how many Canadians feel about their fellow citizens convicted of crimes. But that’s not how all Canadians feel. This eye-opening and inspiring book shows how one organization, Prison Fellowship Canada, is helping women prisoners in particular to keep their families together while they are incarcerated and to build better lives once they’re out. Several women describe in riveting and heart-wrenching detail their violent pasts and subsequent incarceration. They describe how they’ve broken free from their criminal pasts, reintegrated themselves into society, and even helped other women avoid going down the path that took them to prison.
Women Teaching, Women Learning: Historical Perspectives is a collection of essays exploring aspects of women’s formal and informal education in the nineteenth and twentieth centuries. The subjects of the essays are women who teach and learn in such traditional institutional-based settings as schools and universities as well as in informal learning networks that arose from travel and involvement in social activism. The authors write in a variety of styles in order to focus on the complex interplay of women and education with education broadly conceptualized as occurring at home, at school, and in the community.