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Memory, personal, familial, and societal – is the central theme of this new play by Governor General’s Award-winning playwright François Archambault. Translated by Bobby Theodore, this work follows a family’s struggle with dementia. Edouard is a University professor and historian, a figure prominent in the public eye and a long-time sovereignist. He has been proud throughout his life of his prodigious memory. As memory fails, Edouard tests the ability of family members to care for him. The play also examines collective memory and the current state of affairs in Quebec. Edouard has been appearing on talk shows since his retirement, railing against the dumbing down of society and the adverse effects of technology. Archambault uses personal memory as a foil and metaphor to explore social memory, particularly reexamining moments from the history of the Parti Québécois. Subtle, moving, and funny, You Will Remember Me shows that living completely in the present moment is a nightmare. Harkening to the past, and memory are essential for the human condition.
You will Remember Me opened in French in 2014 and was produced in English at the Tarragon Theatre in Toronto.
“Lavery’s imagination is formidable, his surreal images striking, his insights sharp.” — Globe and Mail
“Lavery’s use of language and characterization is incredible.” — Scene Magazine
“When I was young, very young, I thought it would be a good idea to be a policeman. Because, I thought, if I fought crime really hard,by the time I got to be forty, forty-five maybe, there wouldn’t be any more crime.” Detective Inspector Paul-François Bastarache, despite his degrees in Criminology and Business Administration, and his devotion to a distinguished career, does not achieve his goal.
You, Kwaznievski, You Piss Me Off deals with crimes that remain unsolved. Some are unpleasant and brutal, some of doubtful importance — others might even be considered useful. But most are ambiguous, difficult to reconstruct, and the result of misunderstandings or miscommunication.
Evocative and superbly rakish, this collection is a generous diagnosis of the often offbeat worlds of family, writing, travel, sex and death as interpreted through the real-life adventures of Susan Musgrave. Equally at home recounting the lore of her outlaw husband, Stephen Reid, or interpreting the arcane rituals of her teenage girls, Musgrave brings to her literary essays that same invigorating freshness for which she has become known through her fiction and poetry. In settings ranging from the aching solitude of the Queen Charlotte Islands to the sweaty intensity of bandido apartments in Panama, Musgrave muses with her legendary wit and pastiche, while creating graffiti-like impressions of the writer’s essential take on those closest to her. One of Canada’s most publicized and popular writers, Susan Musgrave is unique, and this is the reader’s chance to get up close and personal.
Young Adult’s Guide to the Canadian West, The
Taking inspiration from John Glassco’s Memoirs of Montparnasse, Young Hunting is both a story of discovery and transformation. While Toronto changes around him, from a puritanical British colonial outpost to a mixing bowl filled with colourful cultural components, a young boy emerges from his middle class childhood to become a flamboyant adolescent a questioning adult who refuses to accept conventional wisdom.
The Toronto of the ’40s and ’50s is often painted as the epitome of dull convention — but this was clearly not Martin Hunter’s experience. The child of eastern Ontario farmers, he was exposed to fundamentalist Presbyterian values; yet at the same time he was connecting with a number of remarkable artists who profoundly influenced the course of his young life. In Young Hunting, the dichotomy is personified by Hunter’s two closest friends: Dick, who would become an Academy Award-winning animator; and Jimmy, who would go on to become the minister of Canada’s largest Presbyterian church. The pull of each of these influences was strong, and each helped define both Hunter’s youth and developing view of life. Along the way, he soaked up vast and varied experience: as an actor in a children’s theatre company; a boarder at an evangelical summer camp; a messenger delivering samples on Queen Street; an officer cadet in the Royal Canadian Navy; a student at Oxbridge-inspired Trinity College; and as a labourer at both a mining camp in the Yukon and a paper mill in Quebec. And while, as Young Hunting explains, Martin Hunter “thoroughly enjoyed the often ludicrous pretension of these various institutions,” it was not until he escaped to fulfill his “dreams of high culture” that he gained true perspective on his life’s journey — discovering that Europe’s vaunted old world cultural superiority was just as hollow as the institutions of his homeland.
Translation into French of Ronsdale’s picture book Mouse Vacation. This will be
Book 4 of the series Youpi, la souris dans ma poche.
Dans ce quatrieme volume de la serie de livres ” Youpi, la souris dans ma poche,” Youpi et son ami humain Jean discutent de la destination de leur prochaine aventure.
Jean suggere une promenade dans la foret ou une visite au musee, mais ces activites sont trop ennuyeuses pour Youpi et sa soif d’aventure. Lorsque Youpi propose des vacances grandioses a New York, a Paris, en Egypte ou en Inde, Jean repond que ces endroits coutent trop cher et qu’ils devront faire des compromis. Finalement, Youpi et Jean embarquent pour un voyage de nuit en bus vers un port maritime afin de voir les grands voiliers, et Youpi est captivee par ces “fantomes du passe.” Andrea Torrey Balsara donne vie a la Tour Eiffel, au Taj Mahal, aux grandes pyramides et a d’autres lieux exotiques grace a 32 pages d’illustrations brillantes en pleine couleur.
Youpi et ses bonbons est le deuxieme volume de la serie “Youpi, la souris dans ma poche.”
Youpi est un aventurier insatiable, et, lorsque son grand ami Jean lui propose d’aller laver leur linge a la laverie, Youpi trouve cela trop ennuyeux et tente de l’en dissuader en lui suggerant de jouer aux quilles. En vain. Youpi arrive a la laverie en pleine deprime et tombe nez a nez avec sa premiere machine a bonbons. Enthousiasme par sa decouverte, Youpi est deconcerte une seconde fois lorsque Jean lui explique qu’il n’a que quelques pieces pour la lessive. Refusant d’abandonner, Youpi fait une reconnaissance minutieuse sous les machines a laver jusqu’a ce qu’il trouve une piece de 25 cents. Mais la machine avare conspire contre la souris en quete de tresor, lui vole sa piece et refuse de liberer ses bonbons. Refusant d’accepter la defaite, Youpi convainc Jean de faire basculer la machine jusqu’a ce que son tresor sucre se repande en abondance. Aucune aventure n’est trop petite pour une souris qui a un prodigieux appetit de vivre.
A spellbinding saga about the inhabitants and inheritors of one rural community, by one of Iceland’s most beloved novelists.
A man comes to awareness in a cold church in the Icelandic countryside, not knowing who he is, why he’s there or how he arrived, with a stranger staring mockingly from a few pews back. Startled by the man’s cryptic questions, he leaves—and plunges into a history spanning centuries, a past pressed into his genes that sinks him closer to some knowledge of himself. A city girl is drawn to the fjords by the memory of a blue-eyed gaze, and a generation earlier, a farmer’s wife writes an essay about earthworms that changes the course of lives. A pastor who writes letters to dead poets falls in love with a faraway stranger, and a rock musician, plagued by cosmic loneliness, discovers that his past has been a lie. Faced with the violence of fate and the effects of choices, made and avoided, that cascade between them, each discovers the cost of following the magnetic needle of the heart.
Incandescent and elemental, hope-filled and humane, Your Absence Is Darkness is a comedy about mortality, music, and the strange salve of time, and a spellbinding saga of death, desire, and the perfect agony of star-crossed love.
Al is in his early sixties, retired from business, happily married. He meets a much younger woman, Courtney, whom he befriends. His immediate difficulty is to define the friendship: His wife, Kimberly, regards the friendship with Courtney as inimical to their marriage. Kimberly insists that Al chooses between her and Courtney. He must confront the issue of what constitutes love; and whether and how much he loves the two women, and in what different ways. Al ends his friendship with Courtney but feels badly about it – he thinks that he has behaved poorly, and that he has let her down. Kimberly is deeply angry, but he slowly recovers her trust, and they resume their erstwhile happy marriage.
Your Friendly Neighbourhood Criminal
Your Guide to the Perfect Smile is a visual feast that celebrates the beauty of the human smile and shows you how you can work with your dentist to find your perfect smile. The book is equal parts dentistry and fashion, explaining the design principles behind beauty in general and smiles in particular. Covering the ten principles of smile design, the book advises you on how to work with your dentist to get that beautiful smile you so richly deserve.
Carla Hartsfield sings praises to the unusual: a rose blooming in December; an angel dancing on a cardiologist’s scanner; Glenn Gould playing Brahms at Angelo’s Garage. But these are common occurrences in Your Last Day on Earth, the everyday world and the metaphysical realm sharing the same ecstatic poem. Hartsfield transforms the contents of her psyche into music that we can all hear, the kind that replays for days in the dark, dreamy parts of our selves.
“She was here inside the purple-eyed daisies
and honeysuckle lining the fence —
arriving seconds after visiting the moon,
her starched, white dress
cascading from frothy clouds —
but even more white like the light
that is said to emanate from reverence.
— from “Nightshine”
“Carla Hartsfield is, like a figure in one of these vivid poems, ‘a charming pyromaniac.’ Under her magnifying glass, the world bristles into smoke: the ‘starched hexagons’ of Queen Anne’s Lace ‘quiver with cocaine bloom’ and water drops become ‘diamonds’ on the speaker’s skin when she plays Bach naked after a shower. Sometimes these fires liberate, sometimes they celebrate, sometimes they memorialize, and always they transform.” – Stephanie Bolster
Toronto’s CN Tower has fallen into the lake. The city is crowded with refugees from the US. Michael and Ruth Racco’s dad has, in a rash of road rage, perpetrated the Backhoe Massacre. And, in the middle of it all, little Jimmy Hardcastle has, in the fountain of a suburban mall, walked on water.
As helicopters chop the air over Toronto and a paranoid America slides into fascism, kids from south of the border collide with kids from north of the border and, over lattes, ruminate on new possibilities.
Your Secrets Sleep With Me is a frenetic, ruthlessly hilarious critique of power and politics. Brilliant, absurd, incisive and fun, this caffeinated novel will take you on a doomed search for the place where you end and everything else begins. But you will not be alone. Shhh. Don’t worry. Your secrets sleep with us.
Sadie McCarney’s Your Therapist Says It’s Magical Thinking is a buoyant second collection that playfully navigates the turbulent waters of life with mental illness and neurodivergence. In much of the book, history and science are treated the way they are often viewed by a brain in mental turmoil: places and events get switched around, facts get rewritten, and the fantastical reigns supreme. Through poems ranging from didactic (the horrible “self-care” advice received by the poet when she was struggling most) to historical fiction (patients in an asylum in 1800s England), to the quirky and unexpectedly fantastical (a rainbow carpool unicorn, a young child’s timeline reversing each morning, and an everything bagel that includes competing theories of time), McCarney digs deep into the muck of her own lived experience. She resurfaces with, if not gold, at least an old time capsule and a few treasured hunks of bone. Your Therapist Says It’s Magical Thinking highlights the sometimes dubious (but always jubilant) inner workings of a mentally unwell brain at play — especially within the context of a larger society that frequently seeks to tamp down this weird and rare form of magic.
They say hindsight is 20/20. They’re not wrong. Ten years after their parents’ death in a car accident, now-grown sisters Carmen and Manon are together for one of their rare visits – and one of them is finally ready to confront their shared tragedy. Carmen is a boisterous country-and-western singer who has left her home, and all her past, in the dust. Manon lives a more sheltered life, closely aligned with the traditions of religious Quebec, which are now – in the mid-1970s – only beginning to come apart at the seams. Carmen is convinced it’s time for Manon to end the years of mourning, while Manon is insulted that Carmen seems to have responded so unfeelingly to such a horror. Each sister has kept the memory of their parents alive in her own way. In fact – here they are, in living memory: Marie-Louise and Lèopold, the girls’ parents, are on stage simultaneously. Just beyond the ken of their daughters, they live out their final day. As the two daughters struggle to reconcile the events preceding the fatal crash, and as their parents play out the culmination of their sodden marriage, we discover there is more to the memory of that fatal day than meets the eye. And yet, can the blame really be laid at the feet of one person? Or can a whole socio-cultural paradigm that twist its subjects into unbearable contortions and trap them in fear and submission, be at fault?
Cast of 3 women and 1 man.
Z: A Meditation on Oppression, Desire and Freedom is an astonishing first stage play by the internationally acclaimed and award-winning poet Anne Szumigalski which explores the relationship between captive and captor and the terrible sacrifices human beings must make to survive. When the concentration camps were opened at the end of World War II, Anne Szumigalski worked with the survivors as a translator for the British Red Cross. ?It made me look at life,? she says, ?in a completely different way.? In Z, Szumigalski translates that profound and disturbing experience into an amazing theatrical event?a blend of drama, poetry and dance.