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If books come from books, as David W. McFadden has claimed, then Time Out of Time is a clear example, arising, very deliberately as it does, out of Etel Adnan’s astonishing collection entitled Time. The poems in Time Out of Time are in love with the poems in Adnan’s Time and, it seems, Paré has fallen in love with Time‘s author, Etel Adnan, the internationally renowned poet and painter–or perhaps it is that she has merely fallen in love with Adnan’s words. Paré’s poems mirror the form, the rhythm, the shape, the short, brief lines in her own spare missives that are the poems in Time. This mirroring increases the intensity of Time Out of Time, creating a rare intimacy in Paré’s collection. Paré’s work pays homage to Adnan’s work. Both collections pay homage to the world of the lesbian in the twenty-first century and to the world of the small poem. Using clear, crisp, well-defined language in visibly defined geometries, in “stanza after sweet-smelling stanza,” Paré attempts to examine the trials of this new century, the hush around the word lesbian, the hush of the world’s general collapse.
A richly atmospheric portrait of women’s agency and the timelessness of love, Time Squared explores the enduring roles of rights, responsibility, and devotion throughout history
The game will change when you remember who you are
Robin and Eleanor meet in 1811 at the British estate of Eleanor’s rich aunt Clara. Robin is about to leave to fight in the Napoleonic Wars, and her aunt rules out a marriage between them. Everyone Eleanor knows, including Robin, believe they’ve always lived in these times.
But Eleanor has strange glimpses of other eras, dreams that aren’t dreams but memories of other lives. And their time jumps start as their romance deepens. Robin fights in the Boer War, the First and Second World Wars, in Vietnam and Iraq. Meanwhile, Eleanor struggles to figure out what’s going on, finally understanding that she and Robin are being manipulated through time.
Who is doing this, and why? Arriving in modern times, Eleanor sets off to confront the ones she discovers are behind this — chessmasters playing her like a pawn. Eleanor’s goal? To free herself to live out her life on her own terms.
Time Squared examines the roles women are forced to play in different centuries, the power they’re allowed, the stresses they face — and what this does to their relationships.
Bringing together all of the poems from Eric Ormsby’s five previous collections alongside a healthy selection of previously unpublished poems, this volume collects the work of one of the most important poets writing today in Canada — or elsewhere. Beautifully crafted, both complex and delicate, intelligent, sensuous and playful, these are poems to return to repeatedly.
Beauty and frailty: these are the two sides of the human condition that have informed Nova Scotian artist Dawn MacNutt’s evocative work for more than 45 years. Working throughout her career with both bronze forms and natural materials like willow, seagrass, and hemp, MacNutt creates organic, abstract forms and sculptures that resonate on a visceral level: a mother and child, a spirit within, a column that is both delicate and strong.
Timeless Forms brings together over a hundred images of MacNutt’s sculptures and textiles, weaving them into the story of her life: from growing up in rural Nova Scotia during the Second World War; through her studies at Mount Allison University under the guidance of Alex Colville; to marriages, motherhood and finding, in her forties, the courage to throw herself into art full time. Writing about her unique artistic journey with humour and empathy, MacNutt finds joy in the face of loss and resilience in the face of adversity.
Timeless Shore
Timely Irreverence is a collection of occasional poems that are sewn together through the inescapable intrusion of poetry itself. With circles of logic that provoke thoughtfulness, the paths of these poems are alluringly complex, and they engage through amusing points of casual living, visceral moments when poetry is permitted to intrude upon the everyday. Whether MillAr is letting a poem pass him by while mowing the grass, or etching it upon himself to “make them witness our cliches,” Timely Irreverence is filled with the voice of a poet in touch with and opposing his creative spirit.
An annotated bibliography of Timothy Findley’s work.
Timothy Findley and the Aesthetics of Fascism: Intertextual Collaboration and Resistance investigates the troubling relationship between narrative meaning and representations of violence within Timothy Findley’s novels, throughout which writing and reading literature are portrayed as dangerous and political acts.
Findley’s novels often expose the ideological underpinnings of the cultures in which they exist, compelling their readers to become politically active social critics. However, reading and writing can be dangerous acts not only because of their revolutionary potential; they can also be dangerous because of their conservatism. The conservative and often dangerous need for narrative unity and closure is nowhere more evident than in Findley’s continued intertextual returns to the historical period of Modernism and Fascism. By re-presenting these historical moments and texts, Findley’s novels simultaneously arouse and critique both the artist’s and the reader’s desire for aesthetic resolution and completion when confronted with various kinds of narrative ruptures.
Although Findley clearly admires the modernist texts that appear in his own fiction, his novels also reveal how the modernist search for metaphoric unity and meaning in the face of real social and political fragmentation often reflects, and often enacts, an aesthetic akin to that of fascism. The disturbing and seductive power of this fascist aesthetic haunts Findley’s novels, and even in those not focused on that historical period, justifies and energizes various social and literary structures of power which seek to impose metaphoric meanings upon disjunctive realities.
Three crooked cops going straight after a murderer
Woody was working on getting high when the phone rang. Dennis was on a date — it was a date he paid for, but a date all the same. Os had blood on his hands from a little extracurricular law enforcement. All three men picked up their phones because they were cops, and cops are never really off-duty — not even when they’re crooked.
Detective Julie Owen was savagely killed in her own bed, and the unborn child she was carrying is nowhere to be found. The grisly crime has the brass breathing down the necks of the three detectives tasked with finding Julie’s killer. Woody, Dennis, and Os each shared a bond with Julie that went deeper than the blue of their uniforms and have their own reasons to want to find the person responsible for her murder. Secrets drive the investigation — secrets that need to stay buried long enough to solve the case.
Tiny Courts in a world without scales is a collection of 50 poems, probes of contemporary language and life, cool vessels for social engagement, modulations of irony orchestrated towards a critical presentation of our artificial lives now.
“The dahlias on Sara’s dress scrunched and stretched with her body as she spun on the grass and Alana couldn’t understand why no one else was mesmerized.” Tiny Ruins is a coming-of-age and coming out story that follows Alana, as she grows up, discovers, and tries to understand her bisexuality. Small windows offer us a glimpse of Alana’s memories, often fragmentary, fleeting, and touching. When she confides in her sister that she is attracted to girls, she is met with disbelief, and so the secret is kept and Alana continues as the outsider looking in.
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The story of a friendship that started in law school and ended with the largest insider trading scandal in Canadian history, this eye-opening chronicle reveals for the first time how Gil Cornblum and Stan Grmovsek worked together to rip off Wall Street and Bay Street for over $10 million.
Cornblum would scout around his law offices in the middle of the night, looking for confidential information on mergers or takeovers. When he found something, he would tip off Grmovsek, who would make the stock market trades that would gain them illegal profits. From the joint investigation by the Ontario Securities Commission, the U.S. Securities and Exchange Commission, the Royal Canadian Mounted Police, and the FBI, to Cornblum’s resultant suicide and Grmovsek’s 39-month prison sentence, Tip and Trade covers the double lives of the twosome and their inevitable downfall.
First-person interviews, conducted with Grmovsek from prison, give insight into what case prosecutors called a classic “Hollywood” insider trading tragedy.
A summer of heavy metal, racial tension, and love… a stunning debut. From the mosh pit, to the barbeque pit. From the heavy metal rack in your record store to the beat-up metal lashed to the bike rack outside. A book about tenderness and adrenalin. A book about friendship and chainsaw guitars. Ladies and gentlemen, for those with the benefit of flash photography: Titanium Punch.
Yashin Blake’s remarkable debut novel is an exquisitely wrought introduction to a cast of characters — a world, in fact — that until now had no literary voice.
In Titanium Punch Issac “Iqbal” Khan, a devout headbanger, comes of age in a summer of beer, bikes, concerts, camping, and love. It’s a breathless take on a young man in the midst of significant personal evolution, a man coming to terms with religious intolerance and subtle racism, with bad cops and hidden agendas. A man about to fall in love.
Iqbal gives you a backstage pass to the shadowy world of underground music, opening up its racial, cultural, and sexual mix to the scrutiny of many who’d prefer not to acknowledge its existence and relevance.
From Pantera to jazz, from the importance of heavy metal lyrics to watching your buddy’s back, Titanium Punch pulls no punches.
Agnes, an elderly widow, struggles with a failing memory and a troubled past. Claudia, a 30-something nurse, is desperate to end her current relationship and still hang onto her apartment in Toronto. Guy is an ex-teacher whose reputation for seducing schoolboys has forced him out of Montreal. Lili is a young girl bent on going under the knife for unnecessary cosmetic surgery. Katie and her grandfather make an extraordinary discovery while in the woods near their Hamilton home.
These are some of the memorable characters who people Gordon j.h. Leenders’ eloquent new novel To Be Continued . . .. Leenders fashions a series of entertaining, interconnected stories that portray the random collision of people, places, and ideas. He weaves a unique tapestry of imaginative and compelling interactions, characterizing lives as disparate and similar as our own.