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The Power of the Little People is an evocative collection of stories about the Maymaygwesiwak, the little people of Anishinaabe culture. Encounters with Maymaygwesiwak are sometimes beneficial and sometimes troublesome, yet they are always instructive, for the little people are guardians of the earth and of tradition. Their knowledge of medicine and ceremony is profound, and from them all humans can learn to live in agreement with the world.
These ancient stories, originating on the north shore of Lake Huron, were transcribed from Bomgiizhik Isaac Murdoch’s own storytelling. They possess an immediacy and relevance that is timeless. They will weave you in and out of the Anishinaabe sacred blanket of knowledge that covers a people who have lived on the lands in harmony since their creation.
These stories are presented both in English and Anishinaabemowin, and as such the text is a significant contribution to Indigenous language revitalization.
First published as a trilogy in 1986, The Power Plays contain Gossip (1977), Filthy Rich (1979), and The Art of War (1983). Completely revised and updated for this new Talonbooks edition, these three plays showcase both the development and the culmination of Walker’s engagement with the film noir style.
James Hoffman, George Ryga’s biographer, provides a brilliant guide to the reader of this collection, with a compelling reappraisal of Ryga’s fiction as far ahead of its time. The three short novels included here—Hungry Hills, Ballad of a Stonepicker and Night Desk—draw from the same large canvas of rural, depression-era Alberta. They have similar stark prairie settings and a recognizable array of colourful, cantankerous homesteader and dirt farmer characters, all of whom take us in many pleasurable, disturbing and revealing directions, both historical and mythopoetic. This was a period of obstinate survival farming and boisterous, ethnically diverse community building, redolent with the more questionable aspects of colonial ‘settling’ and ‘breaking’ of the land, in a place that was never unsettled or unclaimed to begin with.
Told in a homey vernacular, each of these three tales evokes a time and place that is as ironically as it is emphatically post-colonial. Ryga offers the reader (and re-reader) characters with a rough-hewn energy for survival and self-determination, and finds in them the beginnings of an authentic prairie culture defined by the anti-colonial struggle that so powerfully marks his work.
Thirty or so years ago, architecture changed. A strong desire to explore the artistic and humanistic side of the practice pushed it onto paper and into installations; ‘paper architecture’ became the locus for the avant garde. In recognition of this, the Canada Council for the Arts established the Prix de Rome in Architecture.
During the years the Prix de Rome was in place, from 1987 to 2003, some of Canada’s most important architects weregiven the opportunity to explore a more theoretical and experimental practice. Their projects, however, were not well disseminated and remain unknown to most of the architectural community.
By reproducing the work of each of the Prix de Rome laureates, this book hopes to introduce this important work to a broader artistic community. To contextualize the work and its influence on a generation of architects, each of the documented projects also includes an exploratory text by the laureate who created it and traces the trajectory of that laureate’s career since that time. Critical essays by Gary Michael Dault, Daniel M. Millette and Marco Polo consider the interface between art and architecture that the Prix de Rome has encouraged and explore the issues, ideas and representational methods from contemporary art that influence speculative architectural practice.
Laureates include John Shnier, Jacques Rousseau, Sophie Charlebois, Hal Ingberg, DereckRevington, John McMinn, Hal Ingberg, Anthony Robins, Philip Beesley, Philippe Lupien, Pierre Thibault, Atelier Big City, Peter Yeadon, Jason King and George Yu, Atelier In Situ, and Andrew King. Each project is fully documented with extensive colour photographs and illustrations, and the accompanying text appears in both English and French.
The most marvelous good guys worthy of a spot in the pro wrestling hall of fame
At its core, professional wrestling has always been about the forces of evil trying to undermine everything good — and a red-hot heel needs a valiant hero to battle against, someone fans can root for, identify with, and look up to.
Wrestling heroes like Hulk Hogan, Dusty Rhodes, The Rock, and André the Giant are celebrated worldwide. But in Heroes & Icons, Oliver and Johnson dig deeper to include more than just the household names, telling the stories of forgotten heroes and regional stars, like Tiger Jeet Singh, who has an elementary school named after him, and Whitey Caldwell, whose gravesite still sees flowers from fans 40 years after his passing.
Based on the comprehensive research and numerous in-depth interviews for which their acclaimed Pro Wrestling Hall of Fame series is known, authors Oliver and Johnson lead readers through the 1930s to the present day, as they examine what truly makes a great hero.
The colorful villains, heels, bad guys, and rule breakers worthy of a spot in the pro wrestling hall of fame
In The Pro Wrestling Hall of Fame: The Heels, critically acclaimed authors Greg Oliver and Steven Johnson take readers on an informative and entertaining ride through mat mayhem. With their signature mix of original research, interviews, and anecdotes, they describe the rise and development of wrestling’s bad guys, from riots in small-town arenas in the 1920s to the mega-event pay-per-views of today. The Heels explains how a barrel-chested Milwaukee brewer became wrestling’s first Nazi, then served his country with distinction in World War II, as well as how bleached blond bad guys like the legendary Ric Flair trace their lineage to Gorgeous George — and about the little-known Ohioan that George himself emulated. And of course, Oliver and Johnson’s list of the most influential heels in history is sure to spark debate.
Like its predecessors in the Pro Wrestling Hall of Fame series, The Heels features more than a hundred rarely or never-before-seen photos of wrestling’s most despised characters. From the casual fan to the wrestling historian, anyone interested in the unique world of sports entertainment should have this on their bookshelf.
The dynamic duos worthy of a spot in the pro wrestling hall of fameWhen you put four pro wrestlers in a ring, you double the athleticism, mischief, and entertainment. That’s the equation behind The Pro Wrestling Hall of Fame: The Tag Teams.Through hundreds of extensive interviews with well-known wrestlers, promoters, and managers — a who’s who of wrestling since the ’50s — Tag Teams regales us with tales of pain, measly payoffs, and a trade that was practiced as much for love as for money. Detailed insider information guides the authors’ explanation of how tag team matches actually work — and why, sometimes, they do not. Fans will get to see how their favorites stack up on the list of the top teams of all time. With its impressive collection of rare, historic photos, and fascinating profiles chock-full of little-known facts, as well as humorous anecdotes, this comprehensive and historical look at wrestling’s tag team phenomenon will stand out as a reference source and talking point for years to come.
The Profane Earth is a series of poems exploring man’s helplessness when confronted with the extraordinary dance of death, time, and sexuality. Alternating between dream landscapes and the narrative of daily life, between the animalistic and the rational, The Profane Earth explores the sacred nature of sorrow, decay, and desire. Ollivier Dyens is a writer whose universal poetry puts us in touch with the primal roots of humankind.
Third Place Winner, Fred Cogswell Award For Excellence In Poetry
Finalist, Dorothy Livesay Poetry Prize
In this powerful, intimate collection, a young woman travels between Paris and New York to pursue a career in modelling. Alternating between the world of fashion, where “it’s no longer enough / that the sample size fits,” and the eponymous Program, a place to “discover / what’s underneath,” Jones’s debut collection pulls the reader deep into the realms of psychiatric care and romantic relationships and probes a long tradition of female suffering.
Taking inspiration from New York school poets such as Frank O’Hara, Jones employs an unadorned and at times funny narrative style that also calls to mind the work of Sheila Heti and Sally Rooney. Summoning images from the worlds of fashion, art, and therapy, and exploring the allure of pain and of suffering, The Program is a compelling debut about how we are seen, and how we see ourselves.
Ethie Coulter was born after her father Howard returned from the war in 1945. She never knew him as he was before, never knew that he had been an open, loving man and a devoted husband. When his wife dies in bizarre circumstances, Howard must take on the burden of looking after eleven-year-old Ethie and her two older brothers. Why, Ethie wonders, is he so silent and withdrawn? Howard Coulter was one of two thousand Canadian soldiers sent to the Far East a month before the Japanese attack on Pearl Harbour. Surviving the fierce battle for Hong Kong, he became a POW, moving from camp to notorious camp, watching his friends die of disease, starvation and worse. Yet Howard carries more than the physical and mental scars inflicted by his captors. Something happened in Hong Kong, a secret that he has carried for nearly two decades. Ethie, inquisitive and fearless, will be the one to work her way towards the truth and help her father come to terms with the past.
Poetry begins when the properties of things — and the correspondences among them — reveal themselves through language. Language is the veil that can pierce itself. The poems in The Properties record encounters between desire and the repressed or suppressed interstices of social, economic, political and unconscious forces. They’re alert to correspondences, attentive to the lines of force to which the poet’s family quietly assented in the contested place that is the Northwest Coast of North America.
The Proximity Paradox will show you how to step back from your business to focus your creativity and meet your clients’ needs
“Innovative … It’s a much-needed perspective on how to escape inside-the-box thinking.” — Publishers Weekly
Traditional business structures love stability and predictability. Yet many organizations believe the two essential ingredients for long-term success are creativity and innovation. Kiirsten May and Alex Varricchio, founders of the marketing agency UpHouse, call the relationship between these two opposing expectations the Proximity Paradox™ — the belief that those who are closest to a subject are best qualified to innovate for it when, in reality, intense proximity limits creativity. Instead, people need to create distance from challenges in order to see the best way forward. May and Varricchio believe that until we can separate innovation and execution within ourselves, we will only innovate to the level at which we can execute the idea. To be effective, we need to create distance between our innovation brain and our execution brain.
Unpacking ten common examples of the Proximity Paradox that affect a company’s people, processes, and industry, the authors share some practical ideas to create the distance necessary for your next great idea. An especially valuable book for creatives, and non-creatives in creative industries, but equally applicable to all businesses that depend on innovation, The Proximity Paradox encourages us to ask hard questions about how we work, how our businesses are structured, and why we routinely find our creativity at odds with what’s asked of us as executors and stewards of the bottom line.
The PS Royal William