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The long poem, nowadays, is the talk of various discourses with each other: “A poem is a small painting, a long poem is a mural.”
The second edition of The New Long Poem Anthology is an irreplaceable roadmap of a vital and powerful poetic form, a record of the most seductive and sustained “singing talk” in postmodern Canadian writing. Edited by Sharon Thesen, this collection of long poems; longer works; sequential poems; extended poems; and serial, lengthy or longish poems extend the geography of postmodern Canadian poetry as it was laid out in 1979, exemplifying Michael Ondaatje’s early observation that “the most interesting work being done by poets today can be found within the structure of the long poem.”
With a statement of poetics and short bibliography from each author, the second edition of The New Long Poem Anthology includes work by Anne Carson, Christopher Dewdney, Lisa Robertson, Jeff Derksen, Don McKay, Erin Mouré, Patrick Friesen, Steve McCaffery, George Bowering, Dionne Brand, Louis Dudek, Diana Hartog, Roy Kiyooka, Robert Kroetsch, Daphne Marlatt, David McFadden, Barry McKinnon, bpNichol, Michael Ondaatje, Lola Lemire Tostevin, Fred Wah, Phyllis Webb, Robin Blaser, and Yolande Villemaire.
In post WWII Italy, Passero, the son of a winemaker killed by the Nazis, commits an impetuous act. He kidnaps a young orphaned girl and offers her up in exchange for his own freedom. His actions create a lifelong connection with her culminating in an adulterous affair in Toronto in the 1960s, while he is building a life with another woman. The union produces an illegitimate son named Ethan, who, in time, becomes an artist and inherits the vineyard once belonging to Passero’s family. The vineyard, as the artist discovers, is a place where truth extends from fiction, a place for new roots and shoots, a place where God and art interweave and become interchangeable.
‘The news’ can mean many things, but first and foremost in this collection the news isWe’re having a baby! Starting in the fifth week of his wife’s pregnancy, Rob Taylor wrote a poem every week as they travelled toward their child’s birth. His poems anticipate the astonishing and yet commonplace beginning of a human life, but they also explore how a baby’s arrival streams into both the incessant chatter of the world’s daily news and into that other sort of news that literature carrieswhat Ezra Pound called “news that stays news”.
Finalist for the 2018 Dorothy Livesay Poetry Prize.
Perpetua Collins works for a real troll.
Well, technically a goblin, and it’s not as bad as it sounds. As the administrative assistant, she provides a “human” face for an employment agency specializing in placements for goblins and trolls. It’s probably the most unusual job she could find in Toronto, but she’s grateful for it, having come to the city with $500 in her pocket and no support. Without it, she’d have no choice but to go back to the boring small town and overbearing mother she worked so hard to leave.
But as Perpetua settles into her new job, disturbing questions arise. And no, they’re not about the fact that goblins and trolls exist. She’s fine with that part. What bothers her is that the agency has no visible means of support. How does her boss manage to keep his “clients” out of the public eye? They’ve been part of the city far longer than anyone thinks, and are growing restless under the burden of forced invisibility and financial poverty. What will happen if the veil drops, and humans see?
A mesmerizing blend of Gothic thriller and modern coming-of-age novel, The Night Wanderer is unlike any other vampire story.
Nothing ever happens on the Otter Lake reservation. But when 16-year-old Tiffany discovers her father is renting out her room, she’s deeply upset. Sure, their guest is polite and keeps to himself, but he’s also a little creepy.
Little do Tiffany, her father, or even her astute Granny Ruth suspect the truth. The mysterious Pierre L’Errant is actually a vampire, returning to his tribal home after centuries spent in Europe. But Tiffany has other things on her mind: her new boyfriend is acting weird, disputes with her father are escalating, and her estranged mother is starting a new life with somebody else.
Fed up and heartsick, Tiffany threatens drastic measures and flees into the bush. There, in the midnight woods, a chilling encounter with L’Errant changes everything . . . for both of them.
Desire and deceit, love and loathing – The Nightingales is a novel about best friends.
It’s summer 1989, and as an insufferable heat stalks the city of Toronto, Julie and Alex fall madly in friendship. Alex wants nothing more than languorous nights of gin, pool-hall confidences and loyalty, but Julie wants something else – love. Enter Luc.
Sexy misadventures and labyrinthine passions scorch the night asJulie looks for life in all the wrong places. Entangled in Alex’s affections and jealousies, Julie’s innocence becomes a luxury she can’t afford. Sensual and textured, The Nightingales hits the jackpot on the ante of the female heart.
’Ordinarily, theatre relies on illusion in order to reveal truths; The Noam Chomsky Lectures relies on truths in order to reveal illusions. Following the impetus of Chomsky himself, Brooks and Verdecchia have recognized that mass media, mass spectacle, have trivialized and severed consciousness and conscience, separating both from a communal base. We collectively know little about what is done in our name by our elected governments and the business interests they serve. The Noam Chomsky Lectures assumes not only that we do want to know, that our ‘knowing together’ may change things, but also that it is less painful to know than to not know.’ – Joyce Nelson in her introduction to The Noam Chomsky Lectures
Compulsively confessional and cracking-wise, The Nonnets is an utterly unique alchemy of poetry and comedy.
Aaron Giovanonne’s latest collection is a book-length sequence of ‘nonnets’–nine-line poems that Giovannone handles with ruthless dexterity. Capturing transformations from first dates to goodbye texts, from mama’s boy to unrepentant shoplifter, from post-industrial downtown to eleventh-century Italian monastery, these poems present a kaleidoscopic world that careens wildly between despair and ecstasy.
This gripping novel for young readers begins in 1805, when fifteen-year-old Duncan Scott and his sister Libby lose their parents in a Glasgow cotton mill fire. Their tragedy is compounded when, through one reckless act of grief, the Scott children become fugitives as well as orphans, and must flee Scotland. Across the border in England, Duncan and Libby are betrayed by their travelling companion. In a desperate attempt to save Duncan from the gallows, Libby sacrifices her freedom for her brother’s – a selfless act of courage on the Liverpool docks that sends her to prison and propels Duncan over the storm-swept waters of the Atlantic to Canada. After a year in Montreal, Duncan is enlisted to travel by canoe across the continent to New Caledonia, carrying secret orders for the trader, Simon Fraser. Before he can go home and find Libby, Duncan must join Fraser on a dangerous voyage of discovery to the Pacific Ocean, a journey down what Fraser assumes is the Columbia River but which turns out to be what later will be called the Fraser. Along the way, Duncan faces death, danger and treason, and must somehow find the courage to save his companions, the expedition, and himself.
With The North End Poems, his always vivid new collection, Michael Knox has further honed his lucid, accessible style. In the tradition of The Collected Works of Billy the Kid, Michael Ondaatje’s classic book-length poem, this at once gritty and tender lyric sequence creates a desperate but surprising narrative that’s reminiscent of David Adams Richards at his very best.
Channeling the beliefs, passions, fears, friends and fights of Nick Macfarlane, a young steeltown warehouse worker, Knox creates the kind of hardscrabble, blue collar world that exists everywhere. Benders and punchups, beaters and punchclocks, give The North End Poems the means to explore notions of masculinity in both familial and social environs. Because this is a world largely without the presence of women, Nick’s perspective takes a significant turn when he meets someone from the other side of the tracks — a University student named Carla who challenges him to think about a life beyond the north end and outside of what he thought possible.
“The Northern is both a tender-hearted, contemplative coming-of-age novel and adventure-filled road trip story that brings a unique time in sports history to life.” — Zoe Whittall, author of The Fake and The Best Kind of People
“W.P. Kinsella has company: Jacob Mooney has written another classic Canadian novel about baseball.” — Ben Lindbergh, co-host of Effectively Wild and author of The MVP Machine and The Only Rule Is It Has to Work
It is the summer of 1952 and three men — well, one man and two boys — are on a spiritual and commercial mission. Dispatched from Minnesota to Western Ontario, they have been hired by an upstart Mormon baseball card company to find licensees for their products among the young men filing out Korean War–era rosters in the Northern League, at the bottom-most rung of professional baseball. What the Northern has for them, and the secrets and deceptions they have for each other, will drive their two weeks in Canada into ever-growing chaos.
With a world shaped by the trauma of World War II and the generations of deflated adults and orphaned children left behind by it, The Northern sets out on a clear-eyed and psychologically precise character study taking on grief, fantasy, adolescence, and family. As the narrator for this story of salesmen and ambitious athletes, 12-year-old Chris is a budding acerbic, able to be carried away by the — often empty — hopes of others and put his feet in the ground to stop them.
A novel concerned with sports, labor, growing up, and God, The Northern is a funny and heartbreaking book about the series of disappointments that characterize the progress of growing up.
A Globe 100 Best Book of 2024 • A New Yorker Best Book of 2024 • A Kirkus Most Anticipated Book of Fall 2024
The first history of the notebook, a simple invention that changed the way the world thinks.
We see notebooks everywhere we go. But where did these indispensable implements come from? How did they revolutionize our lives? And how can using a notebook help change the way you think? In this wide-ranging history, Roland Allen reveals how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of Leonardo and Frida Kahlo, Isaac Newton and Marie Curie, and writers from Chaucer to Henry James; shows how Darwin developed his theory of evolution in tiny pocket books and Agatha Christie plotted a hundred murders in scrappy exercise books; and introduces a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers, and mathematicians, all of whom used their notebooks as a space to think—and in doing so, shaped the modern world.
In an age of AI and digital overload, the humble notebook is more relevant than ever. Allen shows how bullet points can combat ADHD, journals can ease PTSD, and patient diaries soften the trauma of reawakening from coma. The everyday act of moving a pen across paper, he finds, can have profound consequences, changing the way we think and feel: making us more creative, more productive—and maybe even happier.