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  • The Night Girl

    The Night Girl

    $26.99

    Perpetua Collins works for a real troll.

    Well, technically a goblin, and it’s not as bad as it sounds. As the administrative assistant, she provides a “human” face for an employment agency specializing in placements for goblins and trolls. It’s probably the most unusual job she could find in Toronto, but she’s grateful for it, having come to the city with $500 in her pocket and no support. Without it, she’d have no choice but to go back to the boring small town and overbearing mother she worked so hard to leave.

    But as Perpetua settles into her new job, disturbing questions arise. And no, they’re not about the fact that goblins and trolls exist. She’s fine with that part. What bothers her is that the agency has no visible means of support. How does her boss manage to keep his “clients” out of the public eye? They’ve been part of the city far longer than anyone thinks, and are growing restless under the burden of forced invisibility and financial poverty. What will happen if the veil drops, and humans see?

  • The Night Wanderer

    The Night Wanderer

    $12.95

    A mesmerizing blend of Gothic thriller and modern coming-of-age novel, The Night Wanderer is unlike any other vampire story.

    Nothing ever happens on the Otter Lake reservation. But when 16-year-old Tiffany discovers her father is renting out her room, she’s deeply upset. Sure, their guest is polite and keeps to himself, but he’s also a little creepy.

    Little do Tiffany, her father, or even her astute Granny Ruth suspect the truth. The mysterious Pierre L’Errant is actually a vampire, returning to his tribal home after centuries spent in Europe. But Tiffany has other things on her mind: her new boyfriend is acting weird, disputes with her father are escalating, and her estranged mother is starting a new life with somebody else.

    Fed up and heartsick, Tiffany threatens drastic measures and flees into the bush. There, in the midnight woods, a chilling encounter with L’Errant changes everything . . . for both of them.

  • The Nightingales

    The Nightingales

    $18.95

    Desire and deceit, love and loathing – The Nightingales is a novel about best friends.

    It’s summer 1989, and as an insufferable heat stalks the city of Toronto, Julie and Alex fall madly in friendship. Alex wants nothing more than languorous nights of gin, pool-hall confidences and loyalty, but Julie wants something else – love. Enter Luc.

    Sexy misadventures and labyrinthine passions scorch the night asJulie looks for life in all the wrong places. Entangled in Alex’s affections and jealousies, Julie’s innocence becomes a luxury she can’t afford. Sensual and textured, The Nightingales hits the jackpot on the ante of the female heart.

  • The Noam Chomsky Lectures

    The Noam Chomsky Lectures

    $15.95

    ’Ordinarily, theatre relies on illusion in order to reveal truths; The Noam Chomsky Lectures relies on truths in order to reveal illusions. Following the impetus of Chomsky himself, Brooks and Verdecchia have recognized that mass media, mass spectacle, have trivialized and severed consciousness and conscience, separating both from a communal base. We collectively know little about what is done in our name by our elected governments and the business interests they serve. The Noam Chomsky Lectures assumes not only that we do want to know, that our ‘knowing together’ may change things, but also that it is less painful to know than to not know.’ – Joyce Nelson in her introduction to The Noam Chomsky Lectures

  • The Nonnets

    The Nonnets

    $18.00

    Compulsively confessional and cracking-wise, The Nonnets is an utterly unique alchemy of poetry and comedy.

    Aaron Giovanonne’s latest collection is a book-length sequence of ‘nonnets’–nine-line poems that Giovannone handles with ruthless dexterity. Capturing transformations from first dates to goodbye texts, from mama’s boy to unrepentant shoplifter, from post-industrial downtown to eleventh-century Italian monastery, these poems present a kaleidoscopic world that careens wildly between despair and ecstasy.

  • The Nor’Wester

    The Nor’Wester

    $11.95

    This gripping novel for young readers begins in 1805, when fifteen-year-old Duncan Scott and his sister Libby lose their parents in a Glasgow cotton mill fire. Their tragedy is compounded when, through one reckless act of grief, the Scott children become fugitives as well as orphans, and must flee Scotland. Across the border in England, Duncan and Libby are betrayed by their travelling companion. In a desperate attempt to save Duncan from the gallows, Libby sacrifices her freedom for her brother’s – a selfless act of courage on the Liverpool docks that sends her to prison and propels Duncan over the storm-swept waters of the Atlantic to Canada. After a year in Montreal, Duncan is enlisted to travel by canoe across the continent to New Caledonia, carrying secret orders for the trader, Simon Fraser. Before he can go home and find Libby, Duncan must join Fraser on a dangerous voyage of discovery to the Pacific Ocean, a journey down what Fraser assumes is the Columbia River but which turns out to be what later will be called the Fraser. Along the way, Duncan faces death, danger and treason, and must somehow find the courage to save his companions, the expedition, and himself.

  • The North End Poems

    The North End Poems

    $16.95

    With The North End Poems, his always vivid new collection, Michael Knox has further honed his lucid, accessible style. In the tradition of The Collected Works of Billy the Kid, Michael Ondaatje’s classic book-length poem, this at once gritty and tender lyric sequence creates a desperate but surprising narrative that’s reminiscent of David Adams Richards at his very best.

    Channeling the beliefs, passions, fears, friends and fights of Nick Macfarlane, a young steeltown warehouse worker, Knox creates the kind of hardscrabble, blue collar world that exists everywhere. Benders and punchups, beaters and punchclocks, give The North End Poems the means to explore notions of masculinity in both familial and social environs. Because this is a world largely without the presence of women, Nick’s perspective takes a significant turn when he meets someone from the other side of the tracks — a University student named Carla who challenges him to think about a life beyond the north end and outside of what he thought possible.

  • The Northern

    The Northern

    $24.95

    The Northern is both a tender-hearted, contemplative coming-of-age novel and adventure-filled road trip story that brings a unique time in sports history to life.” — Zoe Whittall, author of The Fake and The Best Kind of People

    “W.P. Kinsella has company: Jacob Mooney has written another classic Canadian novel about baseball.” — Ben Lindbergh, co-host of Effectively Wild and author of The MVP Machine and The Only Rule Is It Has to Work

    It is the summer of 1952 and three men — well, one man and two boys — are on a spiritual and commercial mission. Dispatched from Minnesota to Western Ontario, they have been hired by an upstart Mormon baseball card company to find licensees for their products among the young men filing out Korean War–era rosters in the Northern League, at the bottom-most rung of professional baseball. What the Northern has for them, and the secrets and deceptions they have for each other, will drive their two weeks in Canada into ever-growing chaos.

    With a world shaped by the trauma of World War II and the generations of deflated adults and orphaned children left behind by it, The Northern sets out on a clear-eyed and psychologically precise character study taking on grief, fantasy, adolescence, and family. As the narrator for this story of salesmen and ambitious athletes, 12-year-old Chris is a budding acerbic, able to be carried away by the — often empty — hopes of others and put his feet in the ground to stop them.

    A novel concerned with sports, labor, growing up, and God, The Northern is a funny and heartbreaking book about the series of disappointments that characterize the progress of growing up.

  • The Notebook

    The Notebook

    $26.95

    A Globe 100 Best Book of 2024 • A New Yorker Best Book of 2024 • A Kirkus Most Anticipated Book of Fall 2024

    The first history of the notebook, a simple invention that changed the way the world thinks.

    We see notebooks everywhere we go. But where did these indispensable implements come from? How did they revolutionize our lives? And how can using a notebook help change the way you think? In this wide-ranging history, Roland Allen reveals how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of Leonardo and Frida Kahlo, Isaac Newton and Marie Curie, and writers from Chaucer to Henry James; shows how Darwin developed his theory of evolution in tiny pocket books and Agatha Christie plotted a hundred murders in scrappy exercise books; and introduces a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers, and mathematicians, all of whom used their notebooks as a space to think—and in doing so, shaped the modern world.

    In an age of AI and digital overload, the humble notebook is more relevant than ever. Allen shows how bullet points can combat ADHD, journals can ease PTSD, and patient diaries soften the trauma of reawakening from coma. The everyday act of moving a pen across paper, he finds, can have profound consequences, changing the way we think and feel: making us more creative, more productive—and maybe even happier.

  • The Nothing Club

    The Nothing Club

    $19.95

    Four delinquent teens are inadvertently pulled into a criminal investigation that challenges their deepest values and misconceptions.

    Poor choices land four outlier teens in summer-time mandatory community service. Deemed good-for-nothing by those who judge, they label themselves The Nothing Club. After inadvertently setting a grass fire with fireworks, Grady is the first to arrive for community service, followed by the walled and tattooed Margaret, the genius Nikki, and the animal-loving Free Throw, who subsequently meet the I-wish-I-were-invisible concession girl, Catherine.

    The teens are supervised by the philanthropic and diabetic widow Mrs. Stafford and her maintenance man, Reg – a non-judgmental mentor with an unconventional approach to rehabilitation. But when a small child and Catherine go missing Reg is the prime suspect. The teens are determined to exonerate him and find their missing friend but their well-meaning efforts lead them further into the activities similar to those that landed them in community service in the first place.

    Fast-paced and energetic, the novel is told from 15-year-old Grady’s humorous, often self-deprecating and sometimes-insightful, perspective.

    The teens’ experiences pave the way for their personal transformations and unlikely, yet profound, friendships. The novel explores the relationship between trauma and self-forgiveness and the multiple ways that people engage in faith and spirituality.

  • The Nothing That Is

    The Nothing That Is

    $20.00

    Rather than making “something” out of “nothing,” what follows is an endeavour to express the potential of language and thought to encounter what is infinitely beyond both yet to be imagined.

    In The Nothing That Is, Johanna Skibsrud gathers essays about the very concept of “nothing.” Addressing a broad range of topics—including false atrocity tales, so-called fake news, high-wire acts, and telepathy, as well as responses to works by John Ashbery, Virginia Woolf, Anne Carson, and more—these essays seek to decentre our relationship to both the “givenness” of history and to a predictive or probable model of the future.

    The Nothing That Is explores ways in which poetic language can activate the possibilities replete within our every moment. Skibsrud reveals that within every encounter between a speaking “I” and what exceeds subjectivity, there is a listening “Other,” be it community or the objective world.

  • The November Optimist

    The November Optimist

    $24.95

    The November Optimist is almost a love story. Combining fiction, observation and anecdote, its male narrator conjures a dialogue with a woman–his imagined counterpart, his willing or unwilling muse who sometimes lends insight, sometimes remains contrary and elusive. Full of jaunty humanity and black humour, our narrator registers ironies in a light-hearted manner when bemusements arise from his fully engaged citizen-walkabouts and caffeine fantasies. Ordinary events (driving and parking, walking and watching) are transformed by minute representation into something of almost surreal importance. The conversation extends beyond the woman to the city itself, to rain and seasonal change, to books and the escape they offer, the ways they inform what is possible and what is daily. Clouds and quays, neighbours and strangers absorb our narrator, as does fast time in both his city and in himself in this flâneur’s look around.

  • The Nuttalls

    The Nuttalls

    $16.95

    Living in relative seclusion, Ev and Ec rely on the kindness of strangers as they struggle with their own internal and external problems. Ev not only suffers from agoraphobia, she believes she is dying from a fatal degenerative disease. Ec, who is obsessed with his eleventh toe (which he has named Toto), is grieving over his estranged fiancée who left him at the altar. Although Ev declares that hell hath no fury like a mother’s love, the Nuttalls prove that sometimes family can be your worst enemy.

  • The Obese Christ

    The Obese Christ

    $14.95

    Edgar, a timid, asocial thirty-something, witnesses the brutal rape of a young woman and subsequently bears the unconscious victim home. Haunted by the death of his overbearing mother, he pledges to act as the mysterious woman’s saviour. Gothic and darkly humorous, The Obese Christ explores the nebulous divide between Good and Evil, while demonstrating a powerful mastery of suspense.

  • The Obituary

    The Obituary

    $23.95

    Shortlisted for the Grand Prix du livre de Montreal

    Rosine is surrounded by ghosts. Ghosts of family. Ghosts of past lovers. Ghosts of an old Montreal and its politics. Ghosts of the Montreal quarry workers who, in the 1880s, frequented the Crystal Palace gardens, upon whose ruins her Mile-End triplex sits. Her dead maternal family is there, too, with their restlessness, their stories, their forgotten indigenous ancestry, their little crimes and glories. There’s even the ghost of an ancient Parisian gendarme lurking in the dark stairwell, peering through her keyhole.

    Rosine herself may be a ghost, her voice splintered – sometimes a prurient fly buzzing over the action, sometimes a politically correct historian, a woman perpetually travelling on a bus or lying in bed – and so too is our understanding of narrative. In offering up a kaleidoscopic view of Rosine and her city, The Obituary fractures our expectations of what a novel should be ‐ allowing the history of assimilation, so violent in the West and so often sidelined by the French–English conflicts of Montreal, to burble up and infect the very language we use.

    Though a mystery, possibly involving murder, The Obituary is less a whodunnit than an investigation of who speaks when we speak.

    ‘A beautiful, challenging poetic novel that is absolutely stunning.’

    Vallum

    ‘Even the understatements are compelling … though [Scott] balks at being called experimental, this ain’t your grandmother’s etcetera.’

    Globe and Mail

    The Obituary pushes narrative into uncharted territory. The text possesses a brilliant essence of time, place and flight that pulls the reader in, holds them close and urges them to read between the lines, the impressions, the moments.’

    Matrix Magazine

  • The Obvious Flap

    The Obvious Flap

    $18.00

    what if the rain
    referred to something else?
    and bowling
    and shoes
    were done with the mouth?

    Sometimes language, thoughts, and emotions are a fixed structure like a warehouse. Sometimes they are fog, waves, light, or music. This is LSE: Language as a second English. English as a grammar of ghosts. Words as the snowfall of ideas.

    The Obvious Flap is a musical, poetic flux of recurring and recursive images exploring language’s luminous fringes of language. The text weaves a variety of thematic threads of humour, literary allusions, and narrative into a fabric that spreads into an open, proprioceptive linguistic environment. Gary Barwin and Gregory Betts have concocted a collaborative jam session for multiple larynxes and have made an obvious flap as they have fallen through the mirror into Plunderland.

    not everyone is a poet
    my dog for instance.