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‘Spaz’ introduces Walter Finch, an ungainly kid who survives his cloying suburban childhood to make it only as far as the local mall, where he rises through the ranks to become manager of a shoe store. Unlike his other childhood friends, who either flee suburbia or remain as resigned fixtures, Walter is content with his lot and finds the shoe store a perfect environment in which to pursue his grander ambitions. As he delves further into his passion for shoe design, alone in his apartment at night, Walter comes to believe that if he can design the perfect woman’s shoe, he will ultimately find the perfect foot to fit it. He becomes convinced that this path will lead him to his princess. His mission becomes all-consuming and plunges Walter into a separate reality: his own fairytale. As things spin out of , Walter’s eventual salvation arrives in an unlikely form, should he choose to recognize and accept it. ‘Spaz’ is a skewed spin on the tale of Cinderella, a complementary follow-up to Bonnie Bowman’s first novel, ‘Skin’, with its elements of ‘Beauty and the Beast’. Shoes figure prominently in this novel, and the protagonist views them as both his nemesis and his salvation. They begin his story, he believes they will end it, and they do. Shoes represent every step of his journey.
” ‘Spaz’ really is terrific. Bowman demystifies the aberrant. As in her debut novel, ‘Skin’ (which I loved when I read it a decade ago), her themes are ugliness and beauty and how the bodyis the engine for desire. If that makes ‘Spaz’ seem too serious, don’t worry. It’s jolly fun.” – Uptown Magazine (Winnipeg)
“In this sly story of a misfit visionary, Bowman assembles a beguiling cast of characters, striking a perfect balance between the completely outrageous and the completely true-to-life. This is a novel that never stops entertaining.” – Lynn Coady author of ‘The Antagonist’ and ‘Mean Boy’
Widely noted for the popularity of his dynamic performances, Michael McClure has been celebrated since his first poetry event. At twenty-two years old, in San Francisco’s legendary Six Gallery, McClure, Gary Snyder and Allen Ginsberg gave their first poetry reading—Ginsberg read “Howl” that night. McClure’s writing followed his deepening environmental awareness and biological studies, and he became an outspoken advocate, through his essays, music, theatre and novels, for the protection of all living beings.
When McClure’s Specks was first published in 1985 by Talonbooks, it was a revelation in terms of its transcending the proprioceptive poetic methodology of Charles Olson and entering an Aristotelian realm of metaphysical questions that alchemically combined matters both scientific and mystical. In this much-anticipated return, with incisive and bombastic projective verse, McClure’s stance in the face of futurity is even more topical, as the senses of the physical-poetic body explore its properties, powers and limitations, expanding forth as the benevolent love child of its own consciousness.
Specks assumes the form of a blastula, offering a poetic model of embryonic development that arises from the cellular division known as “cleavage.” Specks presents groupings of ideas that mimic and challenge one another in a deep biological state. With mind aglow in recognition of muscular imagination and the intelligence of the sensorium in all its unapologetic tonality, McClure’s luminous journey leaps with the grace of Muhammad Ali and Fred Astaire, and tempts the reader into the mysterious abyss of dark energy that Federico García Lorca calls duende.
2006 marked the 400th anniversary of a major theatrical event in the history of North American drama. The Theatre of Neptune in New France by lawyer, poet and historian Marc Lescarbot was a masque of welcome performed on the Bay of Fundy by members of the tiny French colony of Port Royal on November 14, 1606. It celebrated the return of the ship bearing the Sieur de Poutrincourt and navigator-explorer Samuel de Champlain from their travels along the coastline as far south as Cape Cod in search of a more temperate site for the colony.
It is a paean to empire, a thanksgiving for survival and an extraordinary theatrical spectacle in a “new” world peopled by Native inhabitants who are represented in it as both characters and audience. Arguably the first American play, it has also been called “a significant entry-point of Western cultural hegemony,” sparking political activists to disrupt the re-enactment planned for its four hundredth anniversary celebration.
This new edition includes the original French script along with its long out-of-print English translations by American historical preservationist Harriette Taber Richardson and Canadian scholars Eugene and Renate Benson, as well as Ben Jonson’s The Masque of Blackness (1605), an illustrative contemporary English imperial spectacle. The extensive historical and critical introduction and bibliography are provided by Jerry Wasserman, Professor of Theatre at the University of British Columbia.
A’isha Nasir is a Nigerian teenager who has been charged with adultery and sentenced to death. Sophie MacNeil is an ambitious young Canadian journalist who meets A’isha and writes an impassioned article about her plight. But when the article sets off waves of outrage and violence, Sophie is forced to come to terms with the naivete with which she approached the story. Who can — and should — tell a story?
Speechless is a stunning novel of justice, witness, and courage. In luminous prose, Simpson explores the power of words, our responsibility for them, and the ways they affect others in matters of life and death.
Hey, if Dave Barry thinks Speed Bump is funny, who are we to argue? Syndicated to over 250 newspapers worldwide, including the Globe and Mail, Washington Post, New York Daily News, and Detroit Free Press, Coverly’s well-drawn, thoughtful cartoons have a large, loyal following of readers. Speed Bump: Cartoons for Idea People is a collection that you’re likely to read over and over, and share with others.
This compilation covers a wide variety of topics ranging from relationships to health and from work to kids — with a healthy dose of aliens and philosophy thrown in for good measure. Included are chapter introductions written by Coverly, dozens of full-page color pullouts, and oddball segues, such as drink recipes and caption contests.
Spells is a violent coming-of-age story set in suburban Canada in the 1970’s. Andy Loch, a chubby 14-year-old, is obsessed with witchcraft and the occult. Convinced that occult forces curse his family, and that he himself possesses supernatural abilities, the boy dabbles in black magic in a desperate effort to connect with his remote father. Andy’s fascination with the occult peaks during “Tut-mania,” the craze sparked by the North American tour of Tutankhamun’s burial treasures. As Andy begins a macabre road trip from his small hometown to Toronto to see the exhibition, his world and his sanity spiral out of control.
As Canada was in the grips of the worst pandemic in a century, Canadian media struggled to tell the story. Newsrooms, already run on threadbare budgets, struggled to make broader connections that could allow their audience to better understand what was really happening, and why. Politicians and public health officials were mostly given the benefit of the doubt that what they said was true and that they acted in good faith.
This book documents each month of the first year of the pandemic and examines the issues that emerged, from racialized workers to residential care to policing. It demonstrates how politicians and uncritical media shaped the popular understanding of these issues and helped to justify the maintenance of a status quo that created the worst ravages of the crisis. Spin Doctors argues alternative ways in which Canadians should understand the big themes of the crisis and create the necessary knowledge to demand large-scale change.
In her second collection of poems, K.I. Press reflects on a great love of books and fictional characters, and of reading, printing and typography. Her poetry takes existing texts to thrilling heights, bringing Alice in Wonderland alongside Jane Eyre and the Bible. Readers will delight in the caustic silliness of poems like “Slushpile” and “Library,” and in the psychological depth and tragedy of the “Anne and Jane” sequence.
The act of reading and the imaginative process provide the foreground of Spine. Reading is at once indulgent and sharply necessary. One poem tells of books who take on the physical character of their genre. In another we meet a reader of Proust who finds herself unable to leave her reading, and in another the sense of abandonment that comes during a sabbatical from reading, when “cats no longer sat in my lap, birds sang only when trying to wake me.”
Press’s fascination with reading opens onto a realm where fictional and historical characters expand beyond their original texts. The “Anne and Jane” sequence reexamines the heroine’s position in two well-known novels. In “Joanna” the poet provides a vivid characterization of typographer Eric Gill and his home life, from the perspective of his daughter Joan. “The Letters” are fiery variations on the biblical letters from Paul to several of the early churches. Here Press combines modern details and a new level of fervency to recreate the impatience and overwhelming tenderness of this apostle.
The landscape and populace of this collection take their cues from contemporary geography and from styles reminiscent of other periods. Throughout Spine, Press demonstrates a deftness for shifting between contexts, making Jane Eyre a function of contemporary female experience and placing mementos of the twenty-first century inside the Bible.
This book is a Smyth-sewn paperback with cover flaps. The text was typeset by Andrew Steeves in Eric Gill’s Joanna types and printed on Rolland Zephyr Laid paper. The cover is printed letterpress on Fraser Mosaic stock.
Steve Venright, the true heir to the literary legacy of Henri Michau, Christopher Dewdney and Jorge Luis Borges, is the only surrealist ever to come from Sarnia, Ontario. Spiral Agitator, his fourth book, is a sumptuous assortment of prose poems and visual art from beyond the Turbulated Curtain.
Skye Rayburn, a somewhat eccentric but well-respected veterinarian, always had a troubled relationship with her daughter Moira. When Moira is killed in a car accident, Skye has no choice but to take in her two-year-old grandson Duncan. Maybe this time she will “get it right.” Over the years, Skye creates a diary: Life Lessons for Duncan. This diary, a surreal blend of fact and fiction, catalogues human and animal characteristics?their similarities and differences, as well as their complex interdependencies, which she hopes will help Duncan understand his now-homeless father, his mother’s death and her own heartbreaking secrets. As her story unfolds we learn how her life choices have, at times, contradicted her alleged love of c hildren and animals. In the summer of 2011, Skye, now 91, finds herself alone when Duncan is invited to show his art at the Edinburgh Festival. Skye must make peace with what she’s done and Duncan must to come to terms with who he is.
Spirit of the West
A brand-new edition revised by the author of Edward Willett’;s multiple-award-winning young adult fantasy.
Amarynth is a spirit singer gifted-or cursed as she sometimes thinks-with the ability to lead the spirits of the dead from the Lower World through the Between World to the Gate of the Upper World and the Light that lies beyond it.
While she is still an apprentice her grandfather and tutor dies slain by a mysterious Beast in the Between World that is blocking access to the Gate. Without a Spirit Singer her village cannot survive so Amarynth embarks on a hazardous quest to find out what the creature is how it can be defeated and how she can become a full-fledged Spirit Singer — a quest that takes her not only from her tiny seacoast home to the great city of Havenheart and the haunted mountains of the south but across the even more rugged terrain of her own soul.
Awards
Winner of a 2002 Saskatchewan Book Award
Winner of a 2002 Dream Realm Award
Winner of a 2002 EPPIE Award
In this companion volume to their collaboration An Old Man’s Winter Night, Tom Dawe and Veselina Tomova present a fascinating, tantalizing, and chilling collection of fairy lore. No benign tooth fairies here; these fairies are amoral, tricky, dangerous, and beguiling.
A young school teacher learns about strange lights in a foreboding marsh; a nurse in a remote outport visits the baby she delivered just weeks before to find a devastating change; a woman meets a mysterious funeral procession late one evening; a musician happens upon a group of strange little people; a girl is entranced by a strange green butterfly. The pages of Spirited Away are populated by those who wander onto fairy paths or fall under the spell of mysterious music; by the fairy-led?people lost in surroundings long familiar; by changelings; by people who stray onto fairy turf, and experience unnerving events.
These literary renderings of stories and anecdotes Dawe has collected across the province offer an accessible and engaging introduction to one of Newfoundland and Labrador’s most powerful and peculiar folk traditions. Tomova’s darkly poetic wood-cut illustrations plumb the fascinating heart of these strange and affecting tales.
In this companion volume to their collaboration An Old Man’s Winter Night, Tom Dawe and Veselina Tomova present a fascinating, tantalizing, and chilling collection of fairy lore. No benign tooth fairies here; these fairies are amoral, tricky, dangerous, and beguiling.
A young school teacher learns about strange lights in a foreboding marsh; a nurse in a remote outport visits the baby she delivered just weeks before to find a devastating change; a woman meets a mysterious funeral procession late one evening; a musician happens upon a group of strange little people; a girl is entranced by a strange green butterfly. The pages of Spirited Away are populated by those who wander onto fairy paths or fall under the spell of mysterious music; by the fairy-led—people lost in surroundings long familiar; by changelings; by people who stray onto fairy turf, and experience unnerving events.
These literary renderings of stories and anecdotes Dawe has collected across the province offer an accessible and engaging introduction to one of Newfoundland and Labrador’s most powerful and peculiar folk traditions. Tomova’s darkly poetic wood-cut illustrations plumb the fascinating heart of these strange and affecting tales.