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Carefully edited for balance and inclusiveness, Section Lines is an ideal introduction to the literature of Manitoba. Includes George Amabile, Sandra Birdsell, Di Brandt, Lois Braun, Patrick Friesen, Margaret Laurence, Dorothy Livesay, Carol Shields, W.D. Valgardson and Armin Wiebe.
This book continues the ideas set forth in It’s Attachment, A New Way of Understanding Yourself and Your Relationships published by Guernica Editions. The last chapter in the book focused on how one’s adult attachment influences his/her parenting of children. This book will expand on the topic, exploring the 4 categories of adult attachment and how each category influences one’s parenting. The book will help a parent determine his or her Adult Attachment, understand the challenges for parenting based on their particular attachment and then offer guidelines on how to change parenting patterns, again based on the category of attachment of the parent.
Bob is on the road. Bob is on the run. But from what, or whom, is she running? Follow Bob as she hops from car to car telling her story to unsuspecting drivers as she tries to put her life in the rear-view mirror. Will she make it to her destination? And what will she find when she gets there? Find out in the critically adored See Bob Run.
In Wild Abandon we are introduced to Steve, a man alone in the world. Steve is acerbic, opinionated, and desperate to figure himself out. As he recounts his life story, we follow Steve out the door of his strict Catholic home, through diners and bars and parks as we hear the tales that made the man. Wild Abandon is a story about running away, and about how to find your way home again.
In See What I’m Saying? wood engraver Jim Westergard puts his artistic talents-and his wicked sense of humour-into play with equal effect, offering a series of visual interpretations of some of the more quirky words and phrases that pepper the English language.
Her name is Vanessa and she’s pissed off with getting old. Forced out of her high fashion job in Toronto, Vanessa freewheels into the rapid destruction of her long and comfortable marriage which in turn sends her on a comical retreat to a holistic campus on a far-flung island. There she grapples with being a single, childless woman closing in on sixty who only now realizes that she never finished breaking up with the wild bass player she met in Victoria decades earlier. Forced to confront her past, we see Vanessa as a twelve-year-old playing with crayfish in the ravine while her parents’ marriage breaks up and she secretly crushes on the only kid of colour at school, and again as a young teacher in training smitten with one of her students. Then, when she’s sixty, Vanessa dates a black man, but has no clue how to be about it, while her ex, in his stained windbreaker and soiled sneakers, is happy to find his match in a Melissa McCarthy double who wears T-shirts with smutty slogans. And finally we meet Vanessa’s Aunt Marion who, at 103, still has tricks to make her life more interesting. Intelligent and funny, timeless and tragic, See You Later Maybe Never gets to the heart of what it means to be seen as old in a strange new world.
In a climate changed future, Canada is thought to be a promised land. But in southern Ontario, the promise and the land are exhausted: industrialization has led to widespread destruction, desertification and food insecurity. So when Utopic Robotics promises growth and presents a community with a swarm of automated beetles that will revitalize the land and rebuild utopia, community members rally behind the corporation and its message of hope. But technological solutions often come with secret risks.
This collection of illustrated poems explores those risks inherent in utopia and the idea that through science alone we can solve our environmental problems. Through femme and queer perspectives, Smith lays bare the social implications of a technological savior, and creates a blueprint for co-opting technology in the name of community and connection.
Seed Catalogue’s first publication in 1977 changed the shape of prairie writing when Robert Kroetsch claimed a personal mythology and language grounded in the prairies. A seminal work of prairie literature, it began a new era in Canadian writing and new excitement for the possibilities of poetry in the West.”No other book of recent poetry, and few in fiction, sets out with more wit and precision the connections of place and poetry.”–The Globe and Mail
Seeds presents an intelligent portrait of farming and scientific communities in conflict. Part courtroom drama and part social satire, Seeds documents the 2004 Supreme Court of Canada showdown between Saskatchewan farmer Percy Schmeiser and biotech multinational Monsanto Inc. In question is the legitimacy of patenting genetically modified food crops. The play takes us back to the seminal moment when a single farmer stood up to international agribusiness and almost won. Large ensemble cast.
Seeing Evangeline
Seeing Is Believing is a history of midway attractions and the showmen who have presented them on American midways from the 1870s to World War II. Find out who manufactured the Polly-Moo-Zuke, the Two-Headed Giant, and the Devil Fish. Hear showmen’s stories of hoochie coochie dancing bears, monkeys racing miniature racecars, and the strange people who made a living eating snakes.
See war criminals, wax outlaws, and papier mâché torture victims. Learn about illusion on the midway and how “free” Iron Lung and Wildlife shows were anything but; who suspected you had to pay to leave?
Hear the barker say:
Come in! Trained fleas, people exhibited in ice, and girls that change into gorillas are all inside!
Under canvas, the hottest black nightclub acts perform for you in black revue shows.
Many attractions are alive. Hundreds more are dead, stuffed, or mummified. Never has so much been on show for so little a price! Attractions you may never see again …
Take a twisted journey with the last of America’s real showmen, from an age when performers earned every nickel of your 25 cents.
A vivid and sensitive poetry-portrait of a pioneering woman photographer and the British Columbia forests she captured on film. Mattie Gunterman (1872-1945) is a fascinating character, capable of walking from Seattle to Beaton, BC, running a full camp-kitchen, caring for her children and taking fascinating portraits of a British Columbia that has all but vanished, both the people and the trees. In thoughtful and elegantly written poems, Catherine Owen traces the life of this remarkable woman, contrasting both modern life and the modern environment with what Mattie would have encountered. Part biography, part environmental elegy, Seeing Lessons leaves readers seeing the world in a different light.
Nominated for the Manuela Dias Book Design of the Year Award (Manitoba Writing and Publishing Awards).”Dennis Cooley’s deft-and-epic re-imagining of the Dracula ‘film noir’ reveals a Romantic-rhapsodic Count, a man as frenzied as Byron and as philosophical/ funny as Borges. In this chic, violent, sexy narrative, Cooley seizes poetry by the throat, hypnotizing its fans/ fanatics with his audacious, dazzling, and dastardly wordplay–part e.e. cummings, part Dennis Lee, and all excellent. seeing red is bloody brilliant.”–George Elliot Clarke, author of Execution Poems
George Amabile’s fourteenth book and newest collection of poetry, Seeing Things, is a poetic journey through clarity and distortion, presence and memory, grief and wonder. Structured in three movements, Seeing Things probes what lies beneath the visible world. Whether contemplating the current political climate, examining mundane objects, or reflecting on past experiences, this collection traces the current of the river of life and the invisible forces and laws that poet and reader alike will never understand. From quiet elegies to fierce political commentary, from meditative stillness to the surreal, Seeing Things celebrates the fragile, persistent beauty of looking closer.