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Revised and expanded for the 2010 Olympics.
It’s been said that Vancouver is a little superficial. Observers point to her great bones, pretty face, and fine outerwear of mountains, gardens, trees and water. But there’s more to this Pacific coast city than good looks.
Vancouver has character, warmth, brains and style — even some spunk. Consider funky, former-industrial Yaletown, where restaurants and tasting bars serve locally sourced and seasonal cuisine in an ultra-chic atmosphere, at prices so modest they’ll shock the knowing American. Or visit the dramatic Museum of Anthropology, with its historic aboriginal totem poles still standing tall in the Great Hall.
This revised and expanded edition of Secret Vancouver, just in time for the Vancouver 2010 Olympics, includes even more secret sites, restaurants, bars, patios, bookstores, yoga classes, and other off-the-beaten-path finds. Where can you get good wireless internet? Where can you relax with a drink and the best ocean views?
Whether you are a long-time local or casual vacationer, let Secret Vancouver introduce you to the sights, sensations and stories you’d never think to look for.
The short stories and artwork included in this collection focus on the distorted and rearranged truths that we tell ourselves and others. What emerges from these pages is that loneliness is often the catalyst for how we reject or construct reality. In these stories, different considerations of loneliness are explored, and we get a sense of the solitude each one of us knows. Compelling and evocative, the insightful writing that comprises this Fiction Annual captures the power that secrets and lies have in both the creation and destruction of the lives we build. By virtue of the mechanisms we rely on to elude, deflect and deny, we can find ourselves very alone in a world of our own design.
Emma Galway’s suicide has haunted the Meredith Island for fifty years.
Back on the island to lay her grandmother to rest, Kate can’t avoid reflecting on the death of her aunt. Learning that her late mother had believed Emma was murdered and had conducted her own investigation, she decides to track down her aunt’s killer. With the help of her neighbour, impetuous and hedonistic sculptor Siobhan Fitzgerald, Kate picks up where her mother had left off. When the two women become the subject of threatening notes and violent incidents, it’s clear that one of their fellow islanders is warning them off. As they begin to look into Emma’s connection to the Sutherlands, a prominent Meredith Island family, another islander dies under suspicious circumstances, forcing Kate and Siobhan to confront the likelihood that Emma’s killer is still on the island.
Cumulus
These are the carriers.
Their large, mild bodies make us think
of domesticity, of milk. Mammalian
they hold the rain in their bellies, a generous
temperament. They too are susceptible
to time, but more graceful than us.
Unafraid, they will let go
when they must. They breathe
more deeply and know something
of sadness. Their bodies are sympathetic.
Rain is what they know best and least.
Sue Sinclair’s poems speak from that precise place where our perception of the world and our capacity for language meet and embrace, where our sense of experience goes to get sharpened and refreshed. That experience might involve the inner lives of clouds, the flourishing and passing of a tulip, the evocative scent of wolf willow, or the intricate arts of Bach and Virginia Woolf. These poems are deft, musical, and quick in the moment, alive to the sensuous surface and the meditative depth, their antennae fully extended.
Carefully edited for balance and inclusiveness, Section Lines is an ideal introduction to the literature of Manitoba. Includes George Amabile, Sandra Birdsell, Di Brandt, Lois Braun, Patrick Friesen, Margaret Laurence, Dorothy Livesay, Carol Shields, W.D. Valgardson and Armin Wiebe.
This book continues the ideas set forth in It’s Attachment, A New Way of Understanding Yourself and Your Relationships published by Guernica Editions. The last chapter in the book focused on how one’s adult attachment influences his/her parenting of children. This book will expand on the topic, exploring the 4 categories of adult attachment and how each category influences one’s parenting. The book will help a parent determine his or her Adult Attachment, understand the challenges for parenting based on their particular attachment and then offer guidelines on how to change parenting patterns, again based on the category of attachment of the parent.
Bob is on the road. Bob is on the run. But from what, or whom, is she running? Follow Bob as she hops from car to car telling her story to unsuspecting drivers as she tries to put her life in the rear-view mirror. Will she make it to her destination? And what will she find when she gets there? Find out in the critically adored See Bob Run.
In Wild Abandon we are introduced to Steve, a man alone in the world. Steve is acerbic, opinionated, and desperate to figure himself out. As he recounts his life story, we follow Steve out the door of his strict Catholic home, through diners and bars and parks as we hear the tales that made the man. Wild Abandon is a story about running away, and about how to find your way home again.
In See What I’m Saying? wood engraver Jim Westergard puts his artistic talents-and his wicked sense of humour-into play with equal effect, offering a series of visual interpretations of some of the more quirky words and phrases that pepper the English language.
Her name is Vanessa and she’s pissed off with getting old. Forced out of her high fashion job in Toronto, Vanessa freewheels into the rapid destruction of her long and comfortable marriage which in turn sends her on a comical retreat to a holistic campus on a far-flung island. There she grapples with being a single, childless woman closing in on sixty who only now realizes that she never finished breaking up with the wild bass player she met in Victoria decades earlier. Forced to confront her past, we see Vanessa as a twelve-year-old playing with crayfish in the ravine while her parents’ marriage breaks up and she secretly crushes on the only kid of colour at school, and again as a young teacher in training smitten with one of her students. Then, when she’s sixty, Vanessa dates a black man, but has no clue how to be about it, while her ex, in his stained windbreaker and soiled sneakers, is happy to find his match in a Melissa McCarthy double who wears T-shirts with smutty slogans. And finally we meet Vanessa’s Aunt Marion who, at 103, still has tricks to make her life more interesting. Intelligent and funny, timeless and tragic, See You Later Maybe Never gets to the heart of what it means to be seen as old in a strange new world.
In a climate changed future, Canada is thought to be a promised land. But in southern Ontario, the promise and the land are exhausted: industrialization has led to widespread destruction, desertification and food insecurity. So when Utopic Robotics promises growth and presents a community with a swarm of automated beetles that will revitalize the land and rebuild utopia, community members rally behind the corporation and its message of hope. But technological solutions often come with secret risks.
This collection of illustrated poems explores those risks inherent in utopia and the idea that through science alone we can solve our environmental problems. Through femme and queer perspectives, Smith lays bare the social implications of a technological savior, and creates a blueprint for co-opting technology in the name of community and connection.
Seed Catalogue’s first publication in 1977 changed the shape of prairie writing when Robert Kroetsch claimed a personal mythology and language grounded in the prairies. A seminal work of prairie literature, it began a new era in Canadian writing and new excitement for the possibilities of poetry in the West.”No other book of recent poetry, and few in fiction, sets out with more wit and precision the connections of place and poetry.”–The Globe and Mail
Seeds presents an intelligent portrait of farming and scientific communities in conflict. Part courtroom drama and part social satire, Seeds documents the 2004 Supreme Court of Canada showdown between Saskatchewan farmer Percy Schmeiser and biotech multinational Monsanto Inc. In question is the legitimacy of patenting genetically modified food crops. The play takes us back to the seminal moment when a single farmer stood up to international agribusiness and almost won. Large ensemble cast.
Seeing Evangeline
Seeing Is Believing is a history of midway attractions and the showmen who have presented them on American midways from the 1870s to World War II. Find out who manufactured the Polly-Moo-Zuke, the Two-Headed Giant, and the Devil Fish. Hear showmen’s stories of hoochie coochie dancing bears, monkeys racing miniature racecars, and the strange people who made a living eating snakes.
See war criminals, wax outlaws, and papier mâché torture victims. Learn about illusion on the midway and how “free” Iron Lung and Wildlife shows were anything but; who suspected you had to pay to leave?
Hear the barker say:
Come in! Trained fleas, people exhibited in ice, and girls that change into gorillas are all inside!
Under canvas, the hottest black nightclub acts perform for you in black revue shows.
Many attractions are alive. Hundreds more are dead, stuffed, or mummified. Never has so much been on show for so little a price! Attractions you may never see again …
Take a twisted journey with the last of America’s real showmen, from an age when performers earned every nickel of your 25 cents.