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Giving his characters life in a whirlwind of words, Daniel MacIvor showcases his talents as a writer and performer in two of his most celebrated solo shows. Published here for the first time in their newly revised scripts, House and Here Lies Henry seethe with anger and soothe with comedy.In House, Victor drags his audience through his life, his fantasies, his desires, and his recent push to the edge. Here Lies Henry is a story about a man alone on a room with a mission to tell you something you don’t already know.
My Narrator
Imagine what would happen if that little voice inside your head—the one that tells you how to behave and what choices to make—suddenly took on a life of its own? For Lacy and Miles, love is what happens, and with hilarious results.
The Death of Me
When John bargains with the Angel of Death for a second chance at life, he quickly discovers that fixing the mistakes of your past is difficult, and that perhaps his destiny is not yet etched in stone.
Only by Blood is a novel of the search for roots, mother-daughter love, and family reconciliation. A Polish woman receives puzzling news from her mother just before she dies. The novel weaves together the story of Mania a devout, Polish Christian doctor and her mother Krystyna. The two are exceptionally close, as Mania has never known her father. However, in spite of their closeness, Krystyna has always refused to tell Mania about their family or the time they spent together when Mania was small during the war. Their story is mainly told in the present as Mania deals with her mother’s aging, her death, and her final words, “Find them … make it right.” She wants to fulfill her mother’s last wishes, but has little idea of where to start. Never does she suspect that her search will take her across Poland, back in time and over the ocean. Spanning over sixty years, this story tells about the lengths to which mothers will go in order to save their daughters and the secrets they will keep to protect them from pain. Set in the broader context of the fraught relationship of Poles and Jews during and after the Second World War, it depicts the circumstances that made some ordinary people behave heroically while others betrayed their friends and neighbours.
Only Drunks and Children Tell the Truth is the emotional story of a woman’s struggle to acknowledge her birth family. Grace, a Native girl adopted by a White family, is asked by her birth sister to return to the Reserve for their mother’s funeral. Afraid of opening old wounds, Grace must find a place where the culture of her past can feed the truth of her present.
The Only Good Indian is part lecture, part meditation, and part threat. Or maybe a sacrifice. Each incarnation of The Only Good Indian recruits a new artist to step into the radical headspace of a suicide bomber. In turn, each performer straps themselves into a suicide vest — and struggles to rationalize to the audience such an “irrational” decision. It dissects where our similarities begin and where they end, forcing both the performer and the audience to ask themselves: what would I die for? Blending political theory with dark satire, authors Donna-Michelle St. Bernard, Tom Arthur Davis, Adele Noronha, Jivesh Parasram, and Justin Shore take you on a wild ride through their genealogical relationships to colonization, occupation, otherness, and indigeneity.
Shortlisted for the Sixth Annual Rakuten Kobo Emerging Writer Prize – Literary Fiction Category!Niall Howell’s Only Pretty Damned is a taut noir that takes you behind the big top, revealing rough and tumble characters, murderous plots, and crooked schemes designed to keep Rowland’s World Class Circus afloat for another season. When Toby, former trapeze artist turned disgruntled clown, begins seeing Gloria, a young and beautiful dancer longing for a bigger role under the spotlight, his hardboiled past resurfaces. Can he live without Genevieve, his ex-trapeze partner and lover? What ruthless actions will he take to regain his position as the headlining act? And will Toby’s past repeat itself as he tries to untangle the ropes that bind him and take a leap to roaring applause?
Only the Sea Keeps
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This book concentrates on the electric lines of the part of Southern Ontario adjacent to the Grand River (plus a corporate outpost at Woodstock). Naturally fertile and prosperous, this area attracted early settlement which coalesced around two points: the head of river navigation at Brantford, and the waterpower sites at and north of Galt. The latter gave rise to a densely-settled triangle bounded by Galt (which later, with Preston and Hespeler, was incorporated into today’s City of Cambridge), Waterloo and Guelph, with outliers to the north at the Elmira and Fergus areas. Such conditions were ideal for the development of local railway transportation which appeared as expected: horsecar lines were built at an early date in Brantford and Berlin/Waterloo, and the Galt Preston & Hespeler was one of the first electric interurban lines in Canada. The vitality of the lines, particularly those in the northerly triangle, was thus established, and it continued for many years. The transformation of the GP&H into the Grand River Railway in the early 1920s was the most complete reconstruction in Canadian electric railway transit history. The book tells the story of the area’s streetcars, trolley coaches and interurban railways that provided both local and inter-city passenger, freight and express delivery services to communities such as Guelph, Kitchener-Waterloo, Hespeler, Galt, Preston, Brantford, Woodstock, Ingersoll, Port Dover and many more. It explains how the individual railways began, the politics and economics that impacted their development, their rise and eventual decline. Profusely-illustrated with many rare photos, the book features over 200 images, about 50 of them in superb colour. About a dozen maps provide details on where the lines ran, and an equipment list delivers details on the various companies’ rolling stock.
From the 1920s to 1952, George and Else Seel lived about sixty kilometres south of Burns Lake near the small farming settlement of Wistaria on the western shore of Ootsa Lake. Like many early twentieth century settlers who migrated to BC’s Central Interior, the Seels came in search of opportunity and prosperity, but the harsh environment posed challenges they could not have imagined. The community was remote and the winters were long, but eventually, along with their fellow settlers, they learned how to live and thrive in this new world. They developed a close connection to the land; helped each other in times of need; and established collaborative relationships with the First Nations people who lived around them.
The couple and their family lived at Ootsa Lake through the prosperity of the late 1920s; subsisted during the Depression of the 1930s; and experienced a rejuvenation during World War II and its aftermath. George died in 1950, but Else remained until 1952, when their property was flooded by the Nechako Reservoir as part of the Alcan project and she was uprooted, like many of the Ootsa Lake settlers and Cheslatta First Nations people.
George had spent his life as a prospector and trapper and Else as a published writer. Together they documented a rich story of pioneer life in a small Northern BC community before the demand for hydro power changed their life and the valley forever.
David Hickey’s sophomore collection of poetry, Open Air Bindery, builds upon the myriad strengths of his first collection to offer a tightly fantastic collection of songs, stories and covenants ranging across everything from art and astronomy to snowflakes and suburbia, each poem a small instance of colliding light, playful and humorous and profound. These poems, like the flakes in Hickey’s poem sequence “Snowflake Photography,” take their “time/ Covering the roadside trees in forms of (their) careful willing … gesturing down to earth, unveiling new shapes/ for all that (they) find/ here in the oldest of botanies.”