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A poetic collage of art in the modern world: from Rilkean elegies for an iPhone to a meditation on Melville’s classic
Jonathan Ball’s fourth poetry book, the first in seven years, swirls chaos and confession together. At the book’s heart is a question: Why create art? A series of poetic sequences torment themselves over this question, offering few answers and taking fewer prisoners. Loose sonnets that consider the artistic creations of Leatherface, monster-killer from The Texas Chain Saw Massacre, sit alongside Rilkean elegies for an iPhone. Surreal meditations on the collage work of Guy Maddin are followed by all of the lines from Melville’s Moby-Dick that mention “salt.” Politicians and painters jostle while absurdist humour crashes into stark admissions of vulnerability in the wake of having children. A startling diversity of styles and subjects feed into the maelstrom of The National Gallery, and its dark currents will draw you in to drown.
A celebration of Nicolas Cage — the man and the memeNicolas Cage: leading man or character actor? Action hero or goofball comedian? Internet joke or one of the greatest actors of his generation? Beyond the gif bait and easy punchline, Nicolas Cage continually frustrates easy categorization or understanding. In National Treasure, pop culture writer Lindsay Gibb studies Nicolas Cage’s acting style and makes sense of the trajectory of his eclectic career. In the process, Gibb debunks the common claim that Cage makes bad choices.While his selection of roles is seemingly inscrutable, Cage challenges critics and audiences alike by refusing to be predictable or to conform to the Hollywood approach to acting. Much like one of his mentors, David Lynch, Cage aims for art in movie-making. Is there a method to his madness? Is he in on the joke? In this clear-eyed and well-argued volume of the Pop Classics series, Gibb answers both questions with a resounding hell yes.About the Pop Classics SeriesShort books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters.
?In the 1950s, in Las Vegas, a businessmen’s conglomerate dominating a $25 million-a-year sports industry hid their illegal practices from the U.S. Department of Justice until they were caught. The sport that privileged cold hard cash over honest competition was professional wrestling, and the conspirators were members of the famed National Wrestling Alliance.
National Wrestling Alliance: The Untold Story of the Monopoly that Strangled Pro Wrestling examines the NWA promoters’ overwhelming success, and the relationships to influential politicians and writers that protected their financial interests for over 50 years. Breaking the façade of sports production, it shows how promoters actually twisted arms to edge out their opponents.
Hornbaker documents the life of the NWA, from its humble beginnings in the Midwest after World War II, to its worldwide expansion. He chronicles the Department of Justice’s investigation, providing sports fans with a never-before-told side of wrestling’s legacy.
The most noteworthy exploits of the National Wrestling Alliance were behind locked doors. Now, the conspiracies of a century-old brand of entertainment will finally be revealed.
The poems in Naturalism, an Annotated Bibliography survey the totemic elements of rural life, a world where wells go dry, rains flood brooks and basements, and maintenance only ever slows the inevitable decline. But there’s resilience as well, in garlic scapes, rosehips, winter birds, old houses and books, and love. Goodfellow’s spare style and sensitivity to the way people, objects, and places fuse together through time give these poems the surefootedness of a thing rooted in the earth.
Nature is us and we are nature. Nature is out to kill us. Nature is heterosexual. Nature is gay. Nature is masculine. Nature is a woman. Nature is natural. Nature is culture. Nature is the nature of reality. Nature is a metaphor. Nature is like money. Nature is calling. Language is our nature. Few ideas today are as charged or subject to as many contradictory inflections as is nature.
To anchor its compositional investigations into its own material, Mark Truscott’s Nature considers the difficulties of this overdetermined concept and asks – without recourse to nostalgia, sanctimony, or moralism – what kind of space it might meaningfully create or occupy.
An insightful and clever companion to the urban fantasy phenomenon, now a Freeform TV series Shadowhunters
Navigating the Shadow Worldtakes readers deep into the rich universe of Cassandra Clare’s New York Times–bestselling Shadowhunter Chronicles. With intelligent but accessible explorations of each volume of the Mortal Instruments and Infernal Devices series, Liv Spencer delivers the next best thing to a Shadowhunter’s Codex with commentary on the books as well as the references to folklore, legends, and literature. Spencer also recounts Cassandra Clare’s journey, from journalist and fan fiction writer to superstar author; explores the cast and crew who brought the first book to life in the film The Mortal Instruments: City of Bones; and delves into the TMI fandom, a passionate community that is anything but mundane.
From the Clave to Chairman Meow, demon pox to dastardly ducks, Navigating the Shadow World is your very own insight rune.
Broken hymns. Desperate prayers. Tales of first heroes. Stories of the street. The poems in Steve Meagher’s first book, Navy Blue, walk the middle ground between sorrow and salvation, tackling themes of devotion, regret, innocence lost and mortality through an array of dark landscapes and narratives of the dispossessed. Written in sharp and urgent language with undercurrents of raw emotion, this book marks the arrival of a brave and original new voice in Canadian poetry.
Nde? S???? Wet?a?a?: Northern Indigenous Voices on Land, Life & Artis a collection of essays, interviews, short stories, and poetry written by emerging and established northern Indigenous writers and artists. Centered on land, cultural practice and northern life, this ground-breaking collection shares wealth of Dene (Gwich?in, Sahtú, Dehcho, T???ch?, Saysi, Kaska, Dënes??iné, W?ìl?ìdeh) Inuit, Alutiiq, Inuvialuit, Métis, Nêhiyawak (Cree), Northern Tutchone, and Tanana Athabascan creative brilliance. Nde? S???? Wet?a?a? holds up the voices of women and Two-Spirit and Queer writers to create a chorus of voices reflecting a deep love of Indigenous cultures, languages, homelands, and the north.
The book includes a series of pieces and interviews from established northern artists and musicians including Leela Gilday, Randy Baillargeon (lead singer for the W?ìl?ìdeh Drummers), Inuit sisters, song-writers and throat singers Tiffany Ayalik and Inuksuk Mackay of Piqsiq, Two-Spirit Vuntut Gwitchin visual artist Jeneen Frei Njootli, Nunavik singer-songwriters Elisapie and Beatrice Deere and visual artist Camille Georgeson-Usher. Nde? S???? Wet?a?a? also includes writing from well-known northern writers Siku Allooloo, T?áncháy Redvers (Fireweed), Antione Mountain (From Bear Rock Mountain), Glen Coulthard (Red Skin, White Masks), Kat??à Lafferty (Northern Wildflower, Land-Water-Sky, and Lianne Marie Leda Charlie, in amongst the best emerging writers in the north.
“Stoltenberg’s elegant prose makes each scene . . . so engaging that it gives plot a bad name.”—John Self, Guardian
For her entire life, Karin has fled anything and anyone that tries to possess her. Her job demands little, she mostly socializes with men she meets online, and she’s rarely in touch with Helene, her adult daughter. But when Helene’s marriage is threatened, she turns, uncharacteristically, to her mother for commiseration, and a long weekend away in London. As the two women embark on their uneasy companionship, Karin’s past, and the origins of her studied detachments, are cast in a new light, and she can no longer ignore their effects—on not only herself and her own relationships, but on her daughter’s as well.
An unnerving, closely observed study of character—and the choices we do and do not make—Near Distance introduces Hanna Stoltenberg as a writer of piercing insight and startling lucidity.
Fans of A Prayer for Owen Meany and One Flew Over The Cuckoo’s Nest will love this clever, fast-paced and enjoyable thriller. Like a modern-day Joan of Arc, Amelia Fisher attempts to carve out a ‘normal life’, showing us how mythic the idea of ‘normal’ really is. With a poetic genius for a father, an obsessed body builder for a mother, and an enchantingly eccentric group seeking the help of an unorthodox therapist, what could possibly go wrong? A chance discovery propels Amelia and fellow therapy attendee, Mike, with whom she is in love, into a life-threatening situation instigated by the crazed doctor’s own dark secret but Amelia’s psychosis saves the day. Told with warmth, humor and populated with vividly original characters, this sprint-paced novel has it all, from restraining orders to sex in office bathrooms, and a nail-biting ending. A novel about an unusual family, expected social norms and the twists and turns of getting it all slightly wrong, the consequences of which prove fatal for some.
Nearly Terminal resonates with a sense of foreboding at what may be seen as the social collapse of the individual self in a society that is being ‘whitened out.’ Incorporating and intertwining aspects of the personal love relationship with a sense of a self under scrutiny, by itself and an imagined Other, the focus becomes one of loss, solitude, and the existential sense of being in a vast universe that is defined by traces of life increasingly lived as forms of abstraction within a virtual, disembodied reality. With a younger audience in mind, with poetic diction that is not afraid to be bold and experimental in its statements and claims, and with a delicate use of techniques evoking lacunae and erasure to convey the unanswerability of some basic existential questions, Eleni Zisimatos presents a bleak and uncertain view of the world.
Poems that look at our little world from space
In Nebulas, Meghan Kemp-Gee positions these giant clouds of glowing space dust, often the ‘nursery’ where new stars and planets are born, in an interconnected web of lyric form. As dazzling masses of matter and energy, fleeting, exploding and collapsing, creating connection across incomprehensible distances, these poems use constellations and light-years to reconfigure how art, mortality, loss, death, and afterlives are miraculous echoes and patterns in a gorgeous, chaotic universe.
Included in this dazzling collection are an extraterrestrial fox who works at a gas station, meditations about living across from a hospital during the Omicron surge, weathering climate disasters in North Vancouver, strange deep-sea ecosystems, conversations with a space-god who may be Walt Whitman, and multiple retellings of a Zen koan about tigers and strawberries. Here, respiration and repetition – literally, verse – acts as an outstanding formal feature, a way of creating connections and shared breath across spacetime.
Necromantic is a love story disguised as a supernatural action thriller, proving that not even death is enough to stop true love.
Jesse is a spook. Her latest foreign mission has landed her in a death trap. She saw something she wasn’t supposed to and now her “assignment”, a Warlord, wants her dead. Jesse learns from her boyfriend, Blake, that the warlord knows he is bound for Hell when he dies and his philosophy is it’s best to rule Hell than just be there to suffer. The Warlord has turned to necromancy to build an army of souls to take Hell. Will Jesse and Blake be able to stop him? Or will they join the Warlord’s ranks of hell-bound souls…
Memory–how we retrieve and replenish it–is at the heart of Nectarine, Chad Campbell‘s visionary second collection. Figures, cities, and landscapes from the author’s life shift in and out of these dreamlike poems that explore the “unaccountable, uncountable” ways in which our past keeps speaking to us: through objects, through paintings, through colours, and through the spectre of places that map themselves over the places we live in. Subtle, unsettling, compressed, and full of incandescently beautiful language, Nectarine is about lost things, stranded moments, and traces preserved in time like “a glass of frozen nectarine halves / on a table made of ice.”