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In Moving Day , his impressive second collection of poetry, Terence Young bookends the fantastical with a series of lingering glances into his rear-view mirror and a few knowing observations on the journey so far. His subjects are those of every day: love, marriage, children, the inevitability of change. Some poems touch on the dreamy qualities of memory, its tendency to slip into the magical, and still others turn a quirky eye onto child-rearing, education, home repair. In Young?s spirited poetry, the world can be both a dear and deceptive place. His is a landscape of conjecture about what is really going on, about the kind of doubt that is at its strongest when we first wake up and our dreams are still with us. In his world, an ordinary house can rise from its foundations and float over the horizon, taking its awe-struck, astonished occupants with it.
Moving the Centre explores the work of two theatre artists who dare, fumble, and persist in bringing audiences into a space where we can all listen differently. The two plays it includes — Small Axe and Freedom Singer — lean into the problems and possibilities of verbatim theatre to engage questions of justice and identity and the complex history all around us. Originally developed and produced by Toronto’s socially engaged theatre company Project: Humanity, these plays explore the power of recorded “real-life” encounters as a way for artists and the public to re-examine our defining narratives.
Small Axe charts the quest of a queer white playwright, Andrew Kushnir, who – because of an unsettling moment with a friend – feels a pull towards investigating homophobia in Jamaica. What starts as an artist researching an injustice to which he feels some kinship, evolves into a startling excavation of self and the stories we claim of others. To whom does an injustice “belong”? Through a constellation of exchanges – with activists, refugees, priests and ministers, journalists, fellow artists, Pride Festival revellers, and many Black queer people, Small Axe invites us to sit with our differences in order to discover how intricately connected we are.
Freedom Singer is a musical/verbatim theatre hybrid, constructed from hard-won archival material and family lore, documenting playwright Khari Wendell McClelland’s search for his ancestral grandmother Kizzy and the songs she may have sung during her escape through the Underground Railroad. For him, the “songs are like maps” leading back to the past, the enduring impacts of slavery and our capacity to lovingly reunite with denied histories.
With an opening essay by Kushnir and a concluding essay by McClelland, the book’s literal centre (between the plays) is a verbatim dialogue where the two discuss the white gaze vs. Black “looking back,” theatre-as-a-practice, and how centring caring and equitable relationships is what can make this kind of challenging theatre more ethical, more viable, and more truthful. Governor General Literary Award-winning poet Cecily Nicholson provides a powerful foreword.
Winner, Toronto Book Awards
Moving the Museum documents the reopening of the J.S. McLean Centre for Indigenous & Canadian Art with a renewed focus on the AGO’s Indigenous art collection. The volume reflects the nation-to-nation treaty relationship that is the foundation of Canada, asking questions, discovering truths, and leading conversations that address the weight of history and colonialism.
Lavishly illustrated with more than 100 reproductions, Moving the Museum: Indigenous + Canadian Art at the AGO features the work of First Nations artists — including Carl Beam, Rebecca Belmore, and Kent Monkman — along with work by Inuit artists like Shuvinai Ashoona and Annie Pootoogook. Canadian artists include Lawren Harris, Kazuo Nakamura, Joyce Wieland, and many others. Drawing from stories about our origins and identities, the featured artists and essayists invite readers to engage with issues of land, water, transformation, and sovereignty and to contemplate the historic and future representation of Indigenous and Canadian art in museums.
Following her critically acclaimed first collection of poetry, What Fox Knew, poet Mary Barnesb sophomore collection, Moving Upstream reveals a tempered grace. Barnes brings her Ojibwe roots to the fore and elegantly coaxes out the seemingly quiet world we often take for granted. In this masterful new collection, we are transported to place and time, to the heart and soul of the poetbs love for the natural world.
An award-winning poet’s day-book of poems, where both bounty and loss are tenderly assigned value.
Marlene Cookshaw, in her first collection of poetry in more than a decade, invites her readers to partake in a long-anticipated harvest that comes in many forms. Whether she’s haying June-high grasses, relishing a neighbour’s gift of new potatoes with her husband, logging fragments of poetry she’s read in a notebook, or honouring the deaths of her parents, Cookshaw works an open field. Through this pastorale wander dogs, horses, chickens, and donkeys in counterpoint to farm labourers and long-time residents who share in her abiding connection to the land they mutually watch over and tend. The power grid may fail while every monthly expense is brought to account, but observation as careful and particular as Cookshaw’s more than weighs the seasons that it seeks to bring into balance.
Each day
I plan how the next will differ,
will more resemble what
I want a life to be.
“These poems can confront quotidian life in plainspoken language because, like an extraordinary pencil drawing, there is so much subtle cross-hatching and shading. Cookshaw observes her mother’s death, for example, both directly and aslant, half turning away, as if unsure which is the more truthful. Mowing requires that you sit and visit for a good long while.” –Ross Leckie
Mr. & Mrs. G.G. takes a bemused look at Adrienne Clarkson and John Ralston Saul, Canada’s first mixed-race vice-regal couple. From the chronicling of Clarkson’s rags-to-riches career to intriguing analyses of Saul’s male adventure novels, author Frank Davey provides a fascinating portrait of one of Canada’s most conventionally unconventional couples.
When he decides to visit his cousin Georgie, Mr. Beagle is not looking for a new mystery to solve?but he finds one nonetheless. Books have been going missing in the neighborhood, and not just any books?storybooks. Of course, Mr. Beagle?s keen nose and sharp eyes help him find the answer.
In this delightful picture book, Lori Doody has her quirky canine sleuth solve a new puzzle and celebrates the importance of stories in the lives of us all.
Someone is snatching snacks on Signal Hill! Can Mr. Beagle suss out who? While taking a hike up Signal Hill, Mr. Beagle soon realizes that people?s picnics are being plundered! Who could the culprit be? With his nose for clues and a handy pair of binoculars, he solves the puzzle, and finds a way to encourage community and collaboration. Lori Doody?s quirky canine detective is back with another fun and charming picture-book mystery?the third in her on-going Mr. Beagle series.
When Mr. Beagle moves to Rabbittown, his new neighbors aren?t sure what to make of him. Everyone else is a rabbit, after all. But then mittens start to go missing, and no one knows where they might be. Who better than Mr. Beagle to sniff out the culprit!
With quirky, charming illustrations and sweet, simple text, Mr. Beagle Goes to Rabbittown celebrates how one finds a space in a new place, and the warm embrace of community.
Winner, Margaret Laurence Award for Fiction
Shortlisted, McNally Robinson Book of the Year and Relit Award (Novel)
Award-winning author Margaret Sweatman has proven herself a virtuoso writer of historical fiction. Yet nothing she has written can prepare you for Mr. Jones.
Emmett Jones is adrift. Having firebombed civilians as a pilot during World War II, Emmett searches for something to cling to when life loses focus. Post-war, he becomes compulsively drawn to John Norfield, a former POW who has found his focus in communism.
Set in a time of rampant paranoia, Mr. Jones peels back the veneer of Canadian politics to reveal a nation willing to sacrifice its own. It is a fearful time, a time of “peace” at the onset of the nuclear age.
Emmett’s existence comes under scrutiny. His relationship with Norfield makes him a target of security forces. His marriage, his job, even his child are the target of investigation. And as the nuclear arms race heats up, Mr. Jones sets himself on a path that will risk the lives of everyone he holds dear.
Evoking the classic works of le Carré and Greene, Sweatman’s novel is a shattering exploration of a past where world governments threaten annihilation while training housewives in the proper techniques for sweeping up radioactive dust.
In Mr. Sapiens, Jesse Patrick Ferguson’s third collection of poems, the composer of Harmonics and the architect of Dirty Semiotics now wears the hats of raconteur, portrait artist, correspondent and naturalist. In this astonishing variety of voices, Ferguson tells us of fighter pilots made redundant by unmanned drones, the secrets hidden in great works of art, a local plague of garden slugs and the stability of the Earth’s core. Mr. Sapiens is a chameleon, a master of disguise, the consummate Everyman. Ferguson’s subtle poems catch us with our guard down and change the world before our eyes.
R.U. Singh has always known he is destined to live the life of an English country squire. After a few false starts, in Bombay, Thunder Bay, and Toronto, he settles into a comfortable existence as a small-town Ontario lawyer, much solicited for the diversity he lends committees and conclaves. But–lest he forget–he is accepted only at the whim of his woman in white, a commanding university administrator, and by her whim can also fall. Mr. Singh Among the Fugitives sends up the multicultural aspirations of Canadian identity, pokes fun at our glitterati, and, tongue firmly in cheek, issues a warning: be careful who you pretend to be.
Lori Cayer’s poetry collection Mrs Romanov reveals the unexpectedly quotidian concerns of Alexandra Feodorovna, the last tsarina of Imperial Russia.
“Women are at last beginning to talk about their bodies, not only among themselves, but also in print. When I began writing Mrs. Blood … this was not the case. So many women have come up to me and said, ‘Yes, I’ve been through that too—a messy miscarriage, a still birth, a bad abortion—but I never really talked about it—the pain, the fear, the futility of it all.’” Mrs. Blood is Audrey Thomas’ first novel—woman from the inside.
An inside peek at the life of a MuchMusic VJ … When you think of urban pop culture icons at “the nation’s music station”over the past decade, only one name comes to mind: master T. “T” has been an employee at Much since their doors opened in 1984 (in 1990 he hit the air full-time as a VJ) and in that time he’s helped fuel the growth of urban music in Canada and become world renowned for his relaxed, well-researched style of interviewing. So much so that musical artists such as Shaggy, Eminem, and the Spice Girls have specifically requested that Master T be their host for high-profile much interview segments.
This part-Much-retrospective, part-autobiography will provide a behind-the-scenes peek at the bejewelled, dreadlocked wonder as he rubs shoulders with A-list celebrities from Barry White and the Backstreet Boys to Mary J. Blige and Madonna during his intimate interview sessions. Much Master T fuses together stories of his life migrating from England to Kitchener, Ontario, becoming a pitchman for the hugely successful Dance Mix CDs, his views on diversity on Canadian tv, and how he helped usher in Much’s unconventional style of political reportage. Included are never-before-told stories of having his head pulled into Scary Spice’s cleavage, interviewing Tupac just days before his murder, and coercing a very pregnant Lauryn Hill-on-sabbatical to perform an exclusive gig at his MuchMusic goodbye blocko party.