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His father dead, approaching forty, Jeff Mott is drifting across China, because he wants to learn the language. The Chinese agree that his Mandarin is pretty good, but only want to speak English with him. He starts teaching in a small town north of Beijing, and meets a young woman, Wang Bian Fu, and falls in love; however, as they get to know each other, Bian Fu’s family life and emotions seem increasingly more complex and disturbing—there is more to her than he can handle, he senses, something hidden. Their relationship becomes dominated by the walls and back alleys of Beijing, where they find humiliations, surprising differences, and barriers. They become engaged.
In the midst of this, he also mixes with other expatriates where he teaches, and comes to find that there are many ways of being the foreigner in China, the outsider, not all of them savoury. As he teaches his students English, his students teach him that there is much more to being Chinese than language. Classroom spies, things you don’t say, peasants, villages. Above all, there are manners and rules. He begins to miss his young daughter, Melissa.
And then he learns the truth about his Chinese fiancée, a truth concealed behind her considerable deception.
Jeff, his heart divided, has to make a choice, and flies back to Canada, promising to return. Bian Fu promises to solve the barriers to their marriage “in a Chinese way.”
Separated, the lovers continue to plan, through their heated and awkward, long-distance telephone calls, and through the Chinese characters, the ancient poems and proverbs, mangled in Jeff’s fumbling words. As they head towards marriage, Jeff wonders, is it Bian Fu that he loves? or China? or is it that he has imagined both of them as he wishes, not as they are? As Confucius says near the end of the novel, “It is not that I do not love you, it is just that your house is so far away.”
Poignant and ironic, and searchingly funny, It is Just That Your House is So Far Away delivers a Beijing love story and a vision of 1990s China on the edge of globalism.
When Margaret learns of the death of her former husband, she recalls their earliest days together as Ph.D. candidates, beginning a journey through her past. Told through the sensations of Wallace Stevens’s poem “Thirteen Ways of Looking at a Blackbird,” the subject of her uncompleted thesis, Margaret evokes beautiful, ordinary and painful sexual memories from before, after and during their marriage. Stevens, a guiding voice in her head for twenty-five years, cajoles Margaret into unearthing the reasons she never became the poet, scholar, wife or mother she thought she would be. Bold and poetic, It is Solved by Walking is an intimate portrait of a writer making her way back to poetry one step at a time.
Here’s some poems for when you’re confused or pretending you’re not. Poems for when you want to laugh or cry or laugh until you cry or cry until you laugh. Poems for when you’re fine or “fine” or when you yell FINE and walk away. Here’s some poems for you to come back to and some poems you can take with you. Poems about life and ghouls and parenting and love and regret and freaking out. Here’s some poems with question marks and exclamation points. Poems about a long time ago and tomorrow and the sci-fi future. Poems to turn shrugs into hugs and vice versa. Here’s some poems to just sit back and enjoy the ride with, but please keep your hands and feet inside the book at all times.
It Takes a Village: Spinning the Collective Yarn reflects on the collaborative process through which we discover our singular stories. It argues that sharing oral traditions is the best means to blaze pathways to performance.
Every day we tell stories, and listen to them, in countless exchanges with people in all walks of life. Not all of the stories we tell are ours. Our stories are raised up from the communities that are our people, and they are added to the words that end up making us who we are. How do we find the ones that let us land here and now?
Peter Balkwill’s It Takes a Village: Spinning the Collective Yarn is the 2023 Pratt Lecture, the oldest public lecture at Memorial University of Newfoundland and Labrador. The Pratt Lectures were established in 1968 to commemorate the legacy of E. J. Pratt. Over the years, the series has hosted world-renowned authors and scholars, including Northrop Frye, Seamus Heaney, Helen Vendler, Mary Dalton, George Elliott Clarke, and Dionne Brand.
“My parents were slaves in New York State. My master’s sons-in-law … came into the garden where my sister and I were playing among the currant bushes, tied their handkerchiefs over our mouths, carried us to a vessel, put us in the hold, and sailed up the river. I know not how far nor how long — it was dark there all the time.”
Sophia Burthen’s account of her arrival as an enslaved person into what is now Canada sometime in the late 18th century, was recorded by Benjamin Drew in 1855. In It Was Dark There All the Time, writer and curator Andrew Hunter builds on the testimony of Drew’s interview to piece together Burthen’s life, while reckoning with the legacy of whiteness and colonialism in the recording of her story. In so doing, Hunter demonstrates the role that the slave trade played in pre-Confederation Canada and its continuing impact on contemporary Canadian society.
Evocatively written with sharp, incisive observations and illustrated with archival images and contemporary works of art, It Was Dark There All the Time offers a necessary correction to the prevailing perception of Canada as a place unsullied by slavery and its legacy.
How do we make sense of our relationships — successes and failures, preferences and challenges, past and present. And after we make sense of them all — what do we do to increase the successes that we are striving to attain. In It’s Attachment, Kussin offers us a comprehensive overview of this dominant theory of human development and relationships in a way that gives us both understanding and practical ideas for constructive changes. She shows us the central features of the main attachment patterns that are present throughout childhood and adulthood as well as clear suggestions for how we might identify what pattern characterizes our own life. From there, her book provides practical insights into how our attachment pattern is central in our choosing a partner and being a parent. It also explores how we might change our pattern toward one that provides the greatest likelihood for developing an autonomous sense of self and satisfying reciprocal relationships.
In this, her fourth book of poetry, one of Canada’s best-loved poets takes on one of the most compelling divas of our time. In sixty-one audacious poems, Jeanette Lynes re-imagines and reanimates the peripatetic art, life, and times of Dusty Springfield.
Alternating between playful irreverence and profound compassion, It’s Hard Being Queen paints a compulsively readable portrait of an extraordinary life. Each page is infused with wit, drama, and, of course, music. Jeanette Lynes not only steps into the icon’s shoes—she lives in her skin.
It’s Time Now trains readers to uncover and overcome their life barriers — it’s a personal coaching/training program. Unlike many such programs, the self-paced structure of this book allows readers to move through the exercises at their own speed. And the book is action-focused; the aim to help people move into doing something different. Readers are able to identify the changes necessary and develop realistic plans for moving through those changes. The book is based on years of the author’s experience, from both her role as a coach and a training facilitator. The table of contents highlights the specific areas: The Past Is the Past, The Future Is Now, What’s Most Important to You?, Taking Responsibility, Finding Your Voice, Letting Go, Action! Action!, Resisting Resistance, “Be It Resolved,” Profiles in Courage, and Ultimate Rewards.
The persistence of misconceptions about Italian-Canadian food culture raises many questions for us. Are we gluttonous, inebriate and too loud? Do we force-feed guests? Are we in fact food-obsessed? How many grains of truth can a stereotype hold? We had to know, so we asked articulate and thoughtful Italian-Canadian writers and simpatico friends from British Columbia to Newfoundland. The responses were surprising, thoughtful, entertaining and often touching, making my co-editor, Delia De Santis, and I very glad we asked, as every piece which streamed over the internet’s ether was a gift and a joy to read. And the result is Italian Canadians at Table, a passionate literary feast of poetry and prose.
Winner, 2021 Melva J. Dwyer Award
Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century.
A meticulous draughtsman who worked with graphite and coloured pencil, Itee depicted buildings in Kinngait that incorporated a perspectival view, a relatively recent practice influenced by his training as a carpenter and his interest in photography. His portraits of acquaintances and family members similarly bear witness to the contemporary North. Whether he depicts them at work or resting, his subjects are engaged in a range of activities from preparing carcasses brought in from hunting to playing music or contemplating the landscape of the North.
Itee was also an inventive landscapist. Many of his finest Arctic scenes emphasize the open horizon that separates land from sky and the ever-shifting colours of the Arctic. Rendering the variable light of the landscape with precision, he brought a level of attention that contributed, over time, to his style.
Featuring more than 100 images and essays by curators, art historians, and contemporary artists, Itee Pootoogook: Hymns to Silence celebrates the creative spirit of an innovative artist. It is the first publication devoted exclusively to his art.
In writing Itineraries, Philip Resnick has focused on a number of influences and currents that have shaped his intellectual life. It begins with his early years, growing up Jewish in Montreal and his subsequent break with organized religion. This is followed by his encounters with nationalism – Québécois, Canadian, Catalan, and that of a number of other states with majority and minority nationalities within their borders. There is an ongoing commitment to and series of reflections on socialism and on the left. How poetry became his second calling is crucial in his intellectual development. He explores the challenges to democracy and its evolving fortunes from antiquity to our own day. The subject of Canadian identity – multinational, European-influenced, North American in character – is a major strand to the development of his thinking. Itineraries also offers meditations on key political developments over the past forty years and, in a more personal way, on the passage of time. In concluding this memoir, he asks the question that any of us looking back on our lives will have been prone to ask: What was it all about?
A pioneer of sound, visual, and performance poetry, bill bissett composes his poems as scripts for pure performance and has consistently since the 1960s worked to extend the boundaries of language and visual image, honing a synthesis of the two in the medium of concrete poetry. bissett’s latest collection since the monumental breth (Talonbooks, 2019), its th sailors life / still in treatment is, using the poet’s own words, “an epik poetik novel uv langwage n speech” confronting “thos controlling effekts on us” and about “acceptans uv loss greef separaysyuns charaktrs in serch uv self liberaysyun n societal equalitee n all th forces against that path.” Eschewing the artificial hierarchies of meaning and the privileging of things (“proper” nouns) over actions imposed on language by capital letters; the metric limitations imposed on the possibilities of expression by punctuation; and the illusion of formal transparency imposed on the written word by standard (rather than phonetic) spelling, bissett’s expressive assemblages in this collection are “like walking thru sum fne lines.” The poems in this collection are coupled with stunning illustrations by the author.