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A Map of Rain Days invites us into the liminal between the nights and the too-bright days.
The author navigates a life felt full on, inhabiting all its beauty and shadows the slap-tumble
of sex, the mean streets of the suburbs,
the swill and gore
of youth. Interwoven into this life are the realities of racism, addiction, suicide, rape, and death. And then clarity ensues.
A Matter of Gravity is about the forces that draw two men together. Hermann, an embalmer and doctor’s son, devotes himself to the dead to mask his disappointment that, unlike his father, he cannot cure the living. Hu is an ailing pianist who dwells in memories of past glory. Hermann displaces his drive for perfection and order onto his elderly neighbours. Hu, ashamed of his lame, knobbed hands, rarely leaves his airless room. Hermann contends he is eternally separated from the world by a “permanent cushion of air” that keeps him wavering between two women and hovering above humanity. Hu is bound to a nightmarish reality, shuffling between emphysema, rheumatoid arthritis, and Parkinson’s disease.
When a mysterious manuscript, possibly written by one of Hermann’s centenarian neighbours, connects one man’s routine with the other’s, an extended afternoon at the park eventually leads back to Hu’s piano. This marks the beginning of the men’s tenuous relationship, which, while healing in nature, is made more fragile by the pianist’s heightened mortality.
A Matter of Gravity is a sensitive, delicate, and humorous novel that unfolds in liminal spaces: between life and death, youth and age, earth and sky. By the end of the final, transformative meeting between Hermann and Hu, Vachon gently broaches the question that paralyzes each man and the people whom they love: When faced with terminal illness, how do we embrace the unsatisfactory life we leave behind?
Will Crosswell’s decision to pursue acting shattered his father’s dream of him being a useful adult. When we first meet the young Will he is a wolf in wolf’s clothing. But in the ensuing years, from relationships to the theatre, his life has become one shipwreck after another. Dumped by his fiancée and desperate to pay the rent, he finds himself taking a job on the bottom rung of the Great Chain of Being – a telemarketer. The satire becomes serious when Will hits rock bottom. After a life-altering AA encounter with an unconventional minister, Will enrolls in divinity school and has to survive his most challenging escapade yet – a forty day fast in a Newfoundland outport in the middle of the frozen winter. As he struggles to keep from freezing and starving to death, he is confronted by a series of strange events, not the least of which is an encounter with Billy Blight, a bigger-than-life Newfoundlander headed for perdition. Funny, surprising, outrageous, and moving, A Matter of Will is the tale of a middle-age maybe minister and his journey to find a mighty purpose.
This is a unique novel of old China, the traditional landscapeof mountains and rivers without end, and life in an imperial city rife with plots, intrigues, culture, sensuality and wealth.
Li Wen, a landscape painter of the Song Dynasty (960-1279 AD), is on a journey to deliver a message to the Chinese Emperor. His teacher has instructed him to paint four landscapes, one for each season, during the year it will take him to travel across China to the Emperor’s Court where he is to present the paintings to the Emperor as a long-life gift. A series of gripping adventures befall Li Wen on his journey, including burial in an ancient tomb and a snowstorm that nearly ends his quest.
A Migrant Heart is about departures and arrivals, uprooting and attachment, resettling and returning. Denis Sampson left Ireland as a student, leaving behind the farming countryside of his childhood, the city of Dublin where he was educated, and the history and culture of his native country. He arrived in the cosmopolitan city of Montreal and discovered he was not the only one in search of a new life; and then that search became his life. He also discovered many different ways to return to Ireland, until slowly, what was painfully forced apart was rejoined in a life lived in two places and cultures.
It’s time to make every moment count.
Sixteen-year-olds Pria and Theo—or as they know each other online, the aspiring opera singer PriaSoprano and outer-space aficionado Eagle19—have decided to have sex. There’s just one catch… they both have life-threatening genetic disorders that may cause them to explode from one another’s touch. But they won’t know what will happen until they try. Sick of being told what to do their whole lives, they rebel against their reality and meet at a motel. But while Pria is more or less accepting of her fate, Theo has hopes for the future, and what was planned as a simple meeting becomes much more intimate as they open up about their experiences. The fate of their lives comes down to one decision…
This teen romance space opera explores our willingness to live, what it means to belong, and the necessity of emotional and physical relationships.
In this Newfoundland “Twelve Days of Christmas,” Chris Moose loves to go mummering. But everyone, from 2 giggling geese to 12 blushing beavers, see through his festive costume. With bobbles, lights and garlands, Chris’ disguise grows more and more elaborate until he begins to wonder if he will ever find a way to keep his true identity from his friends!
Iconic political speeches are some of the best remembered and most repeated passages in contemporary English language. Especially in the United States of America, what child doesn’t know Abraham Lincoln’s “Fourscore and seven years ago…” or Roosevelt’s “The only thing we have to fear…”?
Taking as its source text Barack Obama’s campaign speech from March 18, 2008, A More Perfect [ by Jimmy McInnes acts as a poetic translation of the rhetorical devices often used in political speeches. Like poetry, the campaign speech depends heavily upon the manipulation of language–the ways in which words are able to strategically twist intention and distract the eye. McInnes’s poetry exposes the inner workings of the political speech, as a genre of text as premeditated as any work of poetry or fiction.
A More Perfect [ blends both political and formal linguistic concerns, garnering comparisons to Jena Osman’s Corporate Relations and Alice Oswald’s Memorial in their negotiation of source texts. Readers with an interest in language, linguistics, and rhetoric, and those with a particular interest in political themes and formal innovation, will relish this entertaining and culturally poignant read.
Confirmed bachelor and professional art authenticator Leonard Anderson, long the protégé of aged and wealthy Luella Pryce, is so in love with her early Cartwright paintings that he cannot wait to receive them—as he has been led to believe—in her will. He removes them for cleaning, has them copied, returns the forgeries to Luella and keeps the originals. Then Luella drops a bomb: she tells Leonard she plans to donate her collection to the local gallery on the Caribbean island of St. Napoli on her death.
Fearing exposure, as Luella is in poor health, yet spurning any notion of switching the paintings back, Leonard conspires with his wicked nephew Tibor to destroy the fakes by burning down Luella’s house while she is away at a gala. But Luella never makes it to the gala. Asleep in her bathtub, she burns along with her house. Authorities blame her careless smoking for the conflagration.
When Leonard suffers disastrous financial losses in the Asian market, Tibor, who has his own needs for quick cash, presses him to sell the Cartwrights in the shady underworld of art acquisition. To get his nephew off his back, Leonard conspires to once again have copies made of the originals. But Cerise, the daughter of an old paramour and a con artist in her own right, catches him in the act. Not above a little blackmail despite her affection for him, she sells her silence for a very expensive necklace. Leonard, meanwhile, sets up a sting to lead Tibor to believe the original Cartwrights are fakes. The transaction with the buyer will take place at the Pleasant Inn, in eastern Ontario, which is run by the irascible Trevor Rudley and his long-suffering wife Margaret.
The Nile brought them life, but the Nile was not their friend.
A small farming village in North Sudan wakes up one morning to the news that a little boy has drowned. Soon after, the animals die of a mysterious illness and the date gardens catch fire and burn to the ground. The villagers whisper of a sorceress who dwells at the foot of the mountains. It is the dry season. The men have places to go, the women have work to do, the children play at the place where the river runs over its own banks. Sixteen-year-old Fatima yearns to leave the village for Khartoum.
In Khartoum, a single mother makes her way in a world that wants to keep girls and women back. As civil war swells, the political intrudes into the personal and her position in the capital becomes untenable. She must return to the village.
A Mouth Full of Salt uncovers a country on the brink of seismic change as its women decide for themselves which traditions are fit for purpose – and which prophecies it’s time to rewrite.
A botanical garden should be more than a repository of plants: it should be a place for people to enjoy the natural world and to participate in learning and research. The creators of the K.C. Irving Environmental Science Centre and Harriet Irving Botanical Gardens at Acadia University understood this, giving students a building and gardens for both quiet relaxation and study. The Centre and Gardens took nearly three years to research and design, and a further two years to build. Now, twenty years after completion, the Centre and Gardens are maturing, and being nurtured by a dedicated team for the enjoyment of generations to come.
Landscape architect Alex Novell and architectural historian John Leroux tell the story of the design, construction, and features of the Centre and Gardens at Acadia. Lavishly illustrated with full-colour images, A Natural Balance is both an indispensable book for anyone interested in the plants and trees of the Acadian forest and a visual record of a spectacular instance of North American collegiate architecture.
Natural Way of Business, A
George Salverson had written over a thousand radio plays for the CBC before he became the first television drama editor for the corporation. He wrote scripts for such beloved series as The Beachcombers and The Littlest Hobo, but he kept very little of his writing, being decidedly unsentimental about his work. So when his daughter Julie found a series of notebooks from a round-the-world trip he’d taken in 1963 to work on a documentary about world hunger, she knew she’d found something important. But the writer of these notebooks is not the father she thought she knew. From there Julie Salverson traces a fascinating web of personal and political history, of storytelling, of culture and it’s shaping and of a man caught in a time of great change.
When most people think of the War of 1812, they think of the Niagara frontier, the British burning of the White House, the harrowing tale of Laura Secord, and the much-ballyhooed Battle of New Orleans. But there was more of British North America involved in the war than Upper and Lower Canada. With Great Britain locked in battle with Napoleon’s France, the United States pounced on the chance to declare war on Britain. In New Brunswick, the threat of invasion was a very real possibility. Fearing for their lives, families, and property, the people and their legislative assembly adopted every possible measure to make New Brunswick ready for war. However, an officially undeclared state of neutrality was established along the Maine border, and the threat faded. Supporting the British army in its efforts in Upper and Lower Canada and the navy in its operations along the Atlantic coast led to major growth in the province’s war economy.
As the war moved into its final year and Napoleon’s empire fell in Europe, Britain became much more aggressive in its North American campaign. Buoyed by this, the New Brunswick government decided to press its claims to the unresolved international border with Maine. The British military thus occupied the Penobscot River Valley, and northern Maine was declared part of New Brunswick. By the end of the war, and the signing of the Treaty of Ghent, the unresolved border remained unresolved.
The economic, political, geographical, and societal results of the War of 1812 continue to be felt in New Brunswick. The war strengthened the colony’s ties to Britain, built up its economy, and led to the growth of major cities, especially with the settlement of retiring soldiers. Shipbuilding and supplying the British troops had led to growing profits for farmers, fishermen, merchants, and labourers. Although it would be decades later before the boundary issue was officially settled, there were areas still in dispute. Unlike its Upper and Lower Canadian cousins, the war in New Brunswick may not have involved the burning and pillaging of towns and villages, but its effects were nonetheless important and far-reaching.
A Neighbourly War is volume 19 in the New Brunswick Military Heritage Series.