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The ReLit Awards celebrate the best in poetry, short fiction, and novels published by independent Canadian presses every year. We love to see it! Browse the ALU finalists here.
Showing 33–48 of 52 results
Evocative of Miriam Toews’ A Complicated Kindness and Diane Warren’s Cool Water, Tara Gereaux’s novel, set in small-town Saskatchewan, dissects themes of Métis identity, female identity and motherhood, aging and regret, and finally, acceptance.Nothing ever seems to happen in the small town of Saltus. At the Harvest Gold Inn and Restaurant off Highway 53, two waitresses spend their evening shifts delivering Salisbury steak specials and slices of pie to the regulars. But everything changes when Nadine, a headstrong single mother, and her teenager, Aaron, arrive at the Gold, where Aaron—who has repeatedly been denied appropriate gender-affirming medical care from the mainstream system—undergoes a near-fatal procedure performed by an unqualified and eccentric recluse who lives on the outskirts of Saltus.The events that transpire that evening force each townsperson to look long and hard at themselves, at their own identities, and at the traumas and experiences that have shaped them. Told from multiple perspectives, Saltus reveals the complexities inherent in accepting the identities of loved ones, and the tragic consequences that unfold if they are ignored. It is a story about relationships with others, and, even more importantly, with ourselves.
Shortlisted for the ReLit Award, Poetry, 2022
searching for eastman is a multidisciplinary performance–a choreopoem–in four acts, based on the interpretation of four of Julius Eastman’s compositions–evil nigger; prelude to st joan; stay on it; and gay guerrilla. Making use of different artistic forms–poetry, theatre, music, dance, video, and digital–it is inspired by the African griot tradition, the Harlem Renaissance (eg the work of Langston Hughes with jazz and Kurt Weil), and the Black Arts movement (eg Amiri Baraka’s work with Sun Ra).
Dispatches from modern motherhood by a reluctant suburbanite.
Send Me Into The Woods Alone is an honest, heartfelt, and often hilarious collection of essays on the joys, struggles, and complexities of motherhood.
These essays touch on the major milestones of raising children, from giving birth (and having approximately a million hands in your vagina) and taking your beautiful newborn home (and feeling like you’ve stolen your baby from the hospital), to lying to kids about the Tooth Fairy and mastering the subtle art of beating children at board games. Plus the pitfalls of online culture and the #winemom phenomenon, and the unattainable expectations placed on mothers today.
Written from the perspective of an always tired, often anxious, and reluctant suburbanite who is doing her damn best, these essays articulate one woman’s experience in order to help mothers of all kinds process the wildly variable, deeply different ways in which being a mom changes our lives.
“Easily the most validating book you’ll read this year.”—Ann Douglas, author of Happy Parents, Happy Kids and The Mother of All Pregnancy Books
To make her films, Eva must take out her eyes and use them as batteries. To make her art, Finn must cut open her chest and remove her lungs and heart. To write her novels, Grace must use her blood to power the word processor.
Suture shares three interweaving stories of artists tearing themselves open to make art. Each artist baffles their family, or harms their loved ones, with their necessary sacrifices. Eva’s wife worries about her mental health; Finn’s teenager follows in her footsteps, using forearm bones for drumsticks; Grace’s network constantly worries about the prolific writer’s penchant for self-harm, and the over-use of her vitals for art.
The result is a hyper-real exploration of the cruelties we commit and forgive in ourselves and others. Brewer brings a unique perspective to mental illness while exploring how support systems in relationships—spousal, parental, familial—can be both helpful and damaging.
This exciting debut novel is a highly original meditation on the fractures within us, and the importance of empathy as medicine and glue.
SHORTLISTED FOR THE RELIT 2022 NOVEL AWARD
A joy ride set on a crash course with the past.
Audrey Cole has always loved to drive. Anytime, anywhere, any car: a questionable rustbucket, a family sedan, the SUV she was paid to drive around the oil fields. From the second she learned to drive, she’s always found a way to hit the road.
Years ago, when she abandoned her oil field job, she found herself chauffeuring around the Lever Men, a B-list band relegated to playing empty dive bars in far-flung towns. That’s how she found herself at the Crash Palace, an isolated lodge outside the big city where people pay to party in the wilderness.
And now, one night, while her young daughter is asleep at home, Audrey is struck by that old urge and finds herself testing the doors of parked cars in her neighbourhood. Before she knows it, she’s headed north in the dead of winter to the now abandoned Crash Palace in a stolen car, unable to stop herself from confronting her past
The Crash Palace is a funny, moving, and surprising novel by the author of the Amazon First Novel Award–nominated The Milk Chicken Bomb. Audrey is unlike any character you’ve met before, and you’ll love being along for the ride.
Critically acclaimed in the original French, The Fifth offers a refreshing take on sexuality and desire. Alice, Gayle, Camille and Simon live together in a polyamorous relationship, affectionately referred to as the Family. Camille, a trans woman, and Gayle are lovers; Simon is in a relationship with Alice; and Alice is in a relationship with everyone. But when Alice invites her seemingly straight ex-boyfriend Eloy to move into their Sherbrooke, Quebec apartment—albeit temporarily—the Family’s dynamic begins to change in unexpected ways.
Narrated by each Family member along with script-like interludes, the daily lives of Alice, Gayle, Camille, Simon, and Eloy show a loving and satisfying non-traditional relationship. Infused with Quebecois culture, The Fifth is a story rarely represented in Canadian literature. Not about infidelity or possessiveness, rather, it is about the individuals as they navigate love and desire, and punch stereotypes and stigma in the face. Now available for the first time in English from translator and award-winning author Monica Meneghetti, The Fifth is honest, delightfully unconventional, breaks down barriers and challenges norms in our society.
Occurring in the rooms and corridors where life is lived, these poems emerge from the spaces behind the sofa cushion where things get lost, and in the bedroom where people inhale and exhale together. The Infinite Park documents the ways each day comes undone, and celebrates the tireless minute-by-minute heroics required to put it back together. Honouring the labours of love and confusion, these poems pursue a language of the commonplace, of memories that are kept in boxes, of the family bed where the cats and kids gather, and where words spoken and the warm presence of loved others become indistinguishable from the day.
With his second collection Peter Unwin further develops a verse the Malahat Review praised for its “sardonic clarity … forever tempered by a deeper caring.” These pages vibrate with moments in which life’s fullness is found in its seemingly empty and random places, and spoken in a language of plain necessity.
Pigeon Wars of Damascus, The