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Beautiful Books: The Bones Are There
Kate Sutherland’s newest The Bones Are There (Book*hug Press) is a collection of inventive collage poems sourced from travel journals, ships’ logs, and other exploration literature that draw connections between various animal extinctions and human legacies of imperialism, colonialism, capitalism, and misogyny to both lament humanity’s disastrous effects on the world and celebrate the creatures lost. Linked beautifully to the text are Kate’s collage work on the cover and inside the book that Kate says “deepened my sense of what I was doing with the poems and thereby contributed to the book.” Below, Kate tells us more about the relaxing hours spent playing with collage and the evolution of the visuals in her book.
Frog bookWhen I shifted focus to the title section of The Bones Are There in which I weave together the extinction stories of Steller’s Sea Cow, the Rodrigues Solitaire, and the Thylacine, my visual work again followed suit in the form of memorial collages to mark the dates of their disappearances. A detail from one of these is reproduced on the inside cover of the book. Finally, I began a series of postcard collages that folded right back into the poems. Titled Wish You Were Here, each postcard in the series is devoted to a different extinct species from a different island. Three of these are reproduced in the book, one on the title page of each of its three sections.
Reproduced on the inside cover
Section breaks from inside the bookMaking the collages as I wrote deepened my sense of what I was doing with the poems and thereby contributed to the book. But it didn’t initially occur to me to make them part of it. It was designer Ingrid Paulson who suggested their inclusion and I’m very grateful to her for that and for integrating them so beautifully into her design. I continue to make collages linked to new poetic projects, but the dividing line is ever more porous for me, with the poems becoming more visual, the collages now sometimes incorporating text, and some of the collages seeming to me simply to be poems regardless of whether or not they include any words. Possibly my next book will be an art exhibit, or my first art exhibit will take the form of a book.
* * *Kate Sutherland was born in Scotland, immigrated to Canada as a child, and grew up in Saskatoon. She studied first at the University of Saskatchewan, then at Harvard Law School. She is the author of two collections of short stories, Summer Reading (winner, Saskatchewan Book Award for Best First Book) and All in Together Girls, and the poetry collection, How to Draw a Rhinoceros (shortlisted for a Creative Writing Book Award by the Association for the Study of Literature and the Environment). Her stories and poems have appeared in various magazines and anthologies including Best Canadian Poetry and Best American Experimental Writing. She has done residencies at Hawthornden Castle in Scotland and at the Leighton Artist Studios in Banff. She lives in Toronto where she is a professor and conducts research in the fields of Tort Law, Feminist Legal Theory, and Law and Literature at Osgoode Hall Law School, York University.
* * *Thanks so much to Kate for sharing her process and inspiration behind the design of her poetry collection The Bones Are There, available now on All Lit Up.Discover more beautiful books and the designers behind them on the ALU Blog >>