The Red Album

By Chris Eaton

The Red Album
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In the tradition of Borges, Nabakov, and Bolaño, The Red Album is a work of fiction that questions historical authenticity and authority. Divided into two parts, the book begins with an edited and footnoted narrative of dubious origins. In the second part, a section of "documents" ... Read more


Overview

In the tradition of Borges, Nabakov, and Bolaño, The Red Album is a work of fiction that questions historical authenticity and authority. Divided into two parts, the book begins with an edited and footnoted narrative of dubious origins. In the second part, a section of "documents" (including essays, memoirs, a short play and a filmography) shed light on the first narrative. Familiar characters are revealed to be writers, and the writer and editors of the initial narrative are revealed to be characters. As the ghosts of social revolutions of the past are lifted from the soil in Catalonia, and a new revolution unfolds in South America, the number of mysteriously missing author/characters grows almost as fast as new author/ characters emerge and complicate and scatter the threads of the story.

Chris Eaton

Chris Eaton is a novelist and songwriter/musician from Sackville, NB, currently living in Toronto, Ontario. He is the author of two published novels called the inactivist and The Grammar Architect, and a retrospective book of short fiction called Letters to Thomas Pynchon. He has also recorded a half dozen CDs under the name Rock Plaza Central, including the critically acclaimed Are We Not Horses.

Reviews

In The Red Album, the scene of Spain and the fragile legacy of a poet occasion a series of astonishing entries into the archives and affects of revolution. Stephen Collis turns sharply away from “the department of historical memory,” exploring, instead, those alternative theatres of language and social struggle within which the past may be recovered and critically animated. This is a moving and also a challenging book, precisely because it confronts this enduring imperative: “We must see again what ways we can be together. ”
– David Chariandy

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