The Hayflick Limit

By Matthew Tierney

The Hayflick Limit
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Shortlisted for the 2010 Trillium Book Award for Poetry

To be human is to cope with knowing. In the early sixties, Leonard Hayflick determined that healthy cells can divide only a finite number of times. Known as the Hayflick Limit, the law sets an unsurpassable lifespan for ... Read more


Overview

Shortlisted for the 2010 Trillium Book Award for Poetry

To be human is to cope with knowing. In the early sixties, Leonard Hayflick determined that healthy cells can divide only a finite number of times. Known as the Hayflick Limit, the law sets an unsurpassable lifespan for our species at just over 120 years.

The Hayflick Limit concerns itself with boundaries of the cosmic andsub-atomic – how the mind contains both – and the sadsack creatures in the nexus, human beings. What does it mean to be an intelligent species? What does it mean to be an intelligent person?

Shifting focus between the limits of the telescope and the limits of the microscope, the poems in Matthew Tierney's second collection place a premium on inventiveness while embracing extremes of fear, pain, cognition and time. With demotic verve and a humming line, he gives voice to arange of characters who scrape out meaning in a carnivalesque universe that has birthed black holes and Warner Bros. cartoons, murky market economies, murkier quantum laws, Vincent Price, Molotov cocktails, seedless grapes, Area 51 and competing Theories of Everything.

‘The most thoroughly engaged and inventive book of poetry I have read in a long, long time. Brimming with hi-lo wit, keenly apprised and settled with cultured repose, Matthew Tierney takes The HayflickLimit to the hoop. ’ – David McGimpsey

‘Matthew Tierney writes poems like a mad boy scientist. His lines manage to blur the border between nomenclature and everyday insight . .. Call it science fiction for the melancholic. ’

Eye Weekly

Matthew Tierney

Tierney?s poetry has been published in many literary journals in Canada including The Malahat Review, The Fiddlehead, Event, The Antigonish Review, Prism International, The New Quarterly and Qwerty, as well as in the Brobdingnagian Times and Southword, in Cork, Ireland. He was born in a small town outside of Waterloo and grew up in Toronto, where he now lives. Several years ago, he spent some time in Japan teaching conversational English, and returned home by way of the Trans-Mongolian Express, an offshoot of the Trans-Siberian Express, one of the last great transcontinental train routes. He continues to take the subway to work every day.

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