By Erin Shields
In a sweaty hotel room, a lonely businessman and a young woman meet for sex. Somewhere between reality and fantasy, the sex becomes talk and the talk becomes dangerous. Nothing is off limits in this battle of morality, economics and desire. This witty, dark and sexually charged ... Read more
In a sweaty hotel room, a lonely businessman and a young woman meet for sex. Somewhere between reality and fantasy, the sex becomes talk and the talk becomes dangerous. Nothing is off limits in this battle of morality, economics and desire. This witty, dark and sexually charged new play by Governor General's Award–winner Erin Shields shines a light on the complexities of sex tourism and our preconceptions about love.
Erin Shields is a Montreal-based playwright. Her adaptation of Paradise Lost premiered at the Stratford Festival and won the Quebec Writers’ Federation Playwriting Prize, and her play If We Were Birds, which premiered at Tarragon Theatre, won the 2011 Governor General’s Literary Award. Other theatre credits include Jane Eyre (Citadel Theatre), Piaf/Dietrich (Mirvish Productions/Segal Centre), The Lady from the Sea (Shaw Festival), The Millennial Malcontent and Soliciting Temptation (Tarragon Theatre) and Instant (Geordie Theatre). Upcoming projects include Queen Goneril for Soulpepper and Ransacking Troy for the Stratford Festival.
"Shields is the real thing." —Gary Smith, The Hamilton Spectator
"Bold, Momentous, Sublime: The best thing about playwright Erin Shields' gripping psychological thrill ride is that you don't have to be on either side of a debate to enjoy the structurally sound story vehicle. Fraught with the unpredictable, this is the kind of play that reminds you how filthy the brine is at the bottom of a blocked drain when the morally impermissible goes unchecked. [Soliciting Temptation] unites the heart and mind for a new understanding of human behaviour." —Steven Berketo, TorontoStage.com
"Erin Shields Soliciting Temptation is full of surprises. It unfolds in a series of narrative and character reversals… The season's best new Canadian play." —Robert Cushman, National Post