WINNER OF THE 2011 IPPY BRONZE MEDAL FOR REGIONAL FICTION

"Maura Hanrahan writes powerfully of the pain and joy of motherhood and ultimately delivers a mighty portrait of women’s lives writ large across the blue of sea and sky. I read it in great gulps. ”—Erica Eisdorfer, author of The Wet Nurse’s Tale

On the cusp of the Depression, Sheilagh Driscoll of isolated Rennie’s Bay nearly dies while giving birth prematurely to baby Leah. Sheilagh is attended by a traditional Mi’kmaq midwife, Mrs. Mary, as well as by Leah Clarke, a nurse-midwife from England. Baby Leah Mary survives but develops serious asthma, which requires treatment throughout her childhood. Traumatized by the birth and her daughter’s chronic illness, Sheilagh learns about age-old ways of preventing pregnancy. The result is an awakening that impacts on Sheila’s relationship with all the women around her, especially her younger sister Claire.

"Hanrahan offers an historian’s account without moralizing, leaving it to the reader to decide if there is a right and wrong way for women to be. " -Telegraph-Journal

Maura Hanrahan is the author, co-author or editor of ten books in several genres, including creative non-fiction, history, etc. Her writing has won awards in Canada, Britain and the U.S. Maura is a member of the Sip'kop Mi'kmaq Band. For about 14 years, she has been a self-employed consultant on Aboriginal issues. She has worked mostly with Aboriginal organizations on health, education, land claims, and cultural survival issues. She lives in St. John's with her husband, the novelist Paul Butler.

Dominion-era Rennie’s Bay, Newfoundland, is a town even the priest seems to have forgotten about. It is also a place where women live in a society as foreign to the men of the town as the Greek shores they visit. Maura Hanrahan, who returns to the historical vividness of her 2003 work, The Doryman, acts as anthropologist to this female society where men exist only on the margins. Sheilagh’s Brush follows the struggle between community life and individuality through two sisters. As they deal with disease, poverty, and the environment, Hanrahan offers an historian’s account without moralizing, leaving it to the reader to decide if there is a right and wrong way for women to be.