Winner, H. R. (Bill) Percy Novel Prize
Finalist, Amazon. ca First Novel Award
Finalist, Jim Connors Dartmouth Book Award
Finalist, Ottawa Book Award
In the backwoods of Nova Scotia, a man has decided to withdraw from the world and live off the land. Meanwhile, news reports begin to trickle in of a global environmental catastrophe. Someone has released a genetically modified strain of bacteria that devours plastic. The world will never again be the same.
In this masterfully atmospheric novel, both apocalyptic in scope and intimate in setting, Scott Fotheringham cracks opens Pandora’s box to let loose a trail of chilling consequences.
"Fotheringham weaves a brave, haunting story of myopic world views, the ecology of the human heart, and the tenacity of life — a stunning accomplishment. "
— Carla Gunn
"After reading this book, one begins to question the authority of science and our social belief that science can fix everything and make the world better. This is an apocalyptic novel in the same way that human action is apocalyptic — we are destroying ourselves and our world because it is convenient and Scott Fotheringham does a fantastic job of reminding us that this desire for convenience is the main motivator for our environmental destruction. "
"If such a thing could be said to specifically exist, this is dystopian CanLit at its finest, intimate yet epic; it's a tough combination to pull off, but Fotheringham does it incredibly well. . .. The ending of the novel, when the reader finally puts the pieces together and fully understands what's going on, is utterly shocking. This is CanLit in every respect, but it is also speculative literature, genre fiction that deals incredibly well with matters of the heart. At its core, it's about relationships, those of fathers, sons, daughters and friends, but mostly our relationship to the world around us. A finer melding of CanLit and genre fiction would be hard to find. Subtle, heartbreaking, chilling, fascinating and confidently written, Fotheringham's debut novel is a success on every level. "
— Brett Alexander Savory
"A fascinating and complex plot which Fotheringham achieves with skill, keeping his readers engaged in both story lines while quietly building tension of impending disaster. . .. Fotheringham holds the tension to the show-stopping end. If this was a movie, there would be a collective gasp as realization dawns. A quiet collective gasp. This is Nova Scotia after all. . .. Fotheringham's debut novel has it all. Science that fascinates, a love story extraordinaire, heartbreak, family dysfunction, and that strongest of threads — the community of love that connects us all. "
"The prose in this novel is incredibly rich. Fotheringham's descriptions of the Nova Scotia countryside are sheer poetry. . .. Fotheringham has crafted an excellent novel that deserves much more attention. "
— Paul Gessell
"The novel's precise, straightforward descriptive prose is very well suited to the narrator's experiences, conveying quiet contentment, beauty, and endurance. . .. The Rest is Silence emphasizes overlap and connection between its themes, which makes its content more interesting and thought provoking. . .. The Rest is Silence is a surprisingly moving read. . .. beautiful, sad, refreshing and well worth reading. "
— Joanna Graham
"The Rest is Silence is a thoughtful and considerate story, engaging and intriguing at every level. Scott Fotheringham's first novel is a gem — equal parts poetic meditation and page-turner. . .. the novel has nice momentum and doesn't dwell. Fotheringham has the rare skill of great timing: he gives each episode in the novel just enough time before moving on, introducing a new angle. So, despite its luxurious style, the novel doesn't dwell or sulk — every page offers something new to add to the human study. . .. The novel certainly has something to say about human abuse of the natural world, but the thesis is tucked into a compelling and endless exploration of relationships and affection, ambition and loss. Fotheringham doesn't preach, and he doesn't deflect: he simply allows the novel to be honest about not having any answer other than a kind of fraught plea that we try to love what we have and remember what we've lost. "
— Amanda Tripp
"The Rest is Silence is an interesting read, and it invites further study. "
"A beautiful atmospheric novel of the sort that genre fiction needs to see more of. . .. a natural continuation of Margaret Atwood's extrapolation of Canadian Gothic into speculative fiction. . .. This is good stuff. "
"The Rest is Silence is a beautiful and Canadian tragedy that lingers in the mind long after the final page. I will remember this novel: where I was when I read it and how it made me feel so immediate; and I will read it again. . .. The language is textured, almost poetry or music, like velvety moss on a rock. One could read it aloud and never stumble over a misplaced word. Sink into this book: it is a midnight skinny dip, a bonfire, a shooting star. "
— Amy Andersen
"A beautifully atmospheric novel of the sort that genre fiction needs to see more of . .. What this is, really, is a natural continuation of Margaret Atwood's extrapolation of Canadian Gothic into speculative fiction . .. This is good stuff. "