loop, print, fade + flicker

By Mike Hoolboom & Alex MacKenzie

loop, print, fade + flicker
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The Pacific Cinematheque Monograph Series was initiated to explore the spectrum of contributions and innovations of Western Canadian filmmakers, videomakers, and fringe media artists. Monograph Number One focuses, fittingly, on David Rimmer, one of Canada's foremost experimental ... Read more


Overview

The Pacific Cinematheque Monograph Series was initiated to explore the spectrum of contributions and innovations of Western Canadian filmmakers, videomakers, and fringe media artists. Monograph Number One focuses, fittingly, on David Rimmer, one of Canada's foremost experimental filmmakers. There is no better way to start off Pacific Cinémathèque's Monograph Series, celebrating West Coast filmmakers, than with the work of David Rimmer. Mike Hoolboom's essay tantalizes us with a romantic myth that contextualizes David, while Alex MacKenzie's interview lets the artist speak for himself. Both offer a unique insight into the art practice of one of the most influential Canadian filmmakers of the 20th century. - Ann Marie Fleming, independent filmmaker and visual artistThe most exciting non-narrative film I've ever seen . .. images become polarized into grainy outlines, like drawings in white or colored chalk which gradually disintegrate and disappear. The film [Variations on a Cellophane Wrapper] resembles a painting floating through time, its subject disappearing and re-emerging in various degrees of abstraction. - Kristina Nordstrom, The Village Voice

Mike Hoolboom

Mike Hoolboom is the author of four books: Plague Years, Inside the Pleasure Dome: Fringe Film in Canada, Practical Dreamers and The Steve Machine. He is a founding member of the Pleasure Dome screening collective and has worked as the artistic director of the Images Festival and as the experimental film coordinator for the Canadian Filmmakers Distribution Centre. He is the winner of over thirty international prizes and has enjoyed nine international retrospectives of his work.

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